On composition, part 20: Contrast


I find it hard to believe that I never actually tackled this in a separate post before – I guess I kept thinking I’d done it early on, and have certainly touched on it in numerous posts. But it’s such an important part of photography that it really deserves its own specific, detailed treatment.

First and foremost, and something I teach my students right off the bat, is that photographs read more

So how does one ‘compose’ an image?


It’s been a slow couple of weeks for finding topics of interest for some reason, which hasn’t helped with my resolve to top the number of posts done in 2011 (2012 was well short, and I’ve already passed that mark.) It’s one of those things that I don’t worry about too much, because I’d rather post because there’s something that I want to read more

A matter of timing


I’ve been watching the autumn colors developing slowly, wondering what this year’s conditions are going to be like. The pursuit of “peak colors” is a routine activity for anyone who chases landscape images, and some photographers and painters are quite dedicated to it, ensuring that they’re in a prime location in time to see the best displays. I’m read more

On composition, part 19: Distractions


When we’re learning how to do something even vaguely artistic, there is a series of pitfalls that can arise: while concentrating on following “rules” or guidelines or better techniques or whatever, we can get too wrapped up in details and forget the more important aspects, like style and message and appeal. This particular topic is one, in the read more

Doing the fartsy thing


No, the title does not mean last night was burrito night – it just means that, since I don’t do the artsy thing, this must be something else.

In the past several days, my right arm has been bothering me due largely to wielding the camera and flash bracket one-handed, often in awkward positions, but also from several demanding chores. I’ve been trying to let it heal, but that means read more

Advice on advice

If you came to this post by following one of the links under “composition,” I’m going to apologize up front, because this isn’t exactly about how to compose photos. Yet, it does have some relation, so stick with me for a second as I explain.

Last week was a busier one for me due to photography students (which is just fine,) but it repeatedly raised something I’ve noticed read more

On composition, part 18: Illustration


This one was inspired by this recent post, but let’s look a little closer at using photos for illustration.

While all of photography might be considered illustration to some extent, there’s also a more specific purpose, separating it from genres such as portraiture, journalism, art, and so on. If it helps, the idea is to visually represent something explained in accompanying read more

On composition, part 17: Point of focus


This probably should have been one of the earliest composition posts that I tackled, except that I think I always assumed it to be rather obvious. As I’ve examined numerous photos, including some of my own, I realize that its importance may need to be emphasized more, so let’s highlight point of focus.

This doesn’t simply mean choosing what the camera locks its autofocus onto. What read more

On composition, part 16: Focal length



Focal length. Some people consider it the “zoom” of a camera. It’s expressed, though not really explained, by the numbers on the lens that say “18-55mm” or some such. Essentially, it determines how close the subject appears, the magnification or lack thereof. There are, naturally, the obvious aspects of using focal length in composition – read more

On composition, part 15: The background

We all have experience with missing something right under our noses, or someone speaking to us who remains totally unheard because we’re concentrating on something else. The proper term for this is inattention blindness, and lots of videos and examples can be found online (Richard Wiseman, over there in the sidebar links, deals with this trait from time to time.) It is something that read more

1 2 3 4 5 6 7