Among the other things that I’ve been up to, when I’m not posting as regularly as I should be, has been studying art in an effort to improve my photography. It’s led to some interesting speculation about how we interpret some particular pieces, and made me want to throw it out there to my myriad (3) readers to see if you had similar reactions. So here are a couple of images for
In the past week, I shot about 600 images in four sessions or so, which partially explains the lack of posts. So we’ll play catch-up over a couple of days, and in the process see the difference in approach used, depending on the subject and circumstances.
For instance, in meetings with students, most times I’m not shooting at all, concentrating instead on instruction. However, in some
I guess I’m not shocking anyone when I say this is not how I intended this image to look at all. And it’s a shame, because it was a rare opportunity that might actually have come out with some artistic merit. I know, right?
The scene opens on a casual photo competition on this thing that used to exist called, ‘Usenet,’ that somehow died in favor of chatrooms (pretty much the
You may well ask, what, exactly, is that title supposed to mean? Well, it refers to the idea that I don’t really do artsy stuff, so this must be fartsy stuff instead. Basically, just throwing down a bunch of recent photos for the sake of it – not everything has to have exposition.
Something to remind yourself when things start to look bleak. Or maybe I’m the only one that suffers from this narrow focus…
Anyway, a brief break for the fartsy stuff, since I don’t do art. Some are recent, some not so much – every once in a while I just have to post a string of images without a whole lot of oral background.
When I’m out with students, I don’t
Just a pic from today that I liked. I took a few minutes to check out how the colors were advancing, but the thin overcast conditions weren’t going to bring them out very well. In this case, the muted light seemed appropriate for the subject, letting the greys come through. I kind of like the way the main plant came out in the crisp tones of well done B&W work, while the rest of the image
The Richard Dawkins Foundation site pointed me to an article from The Raw Story concerning the rapid decay of the Galápagos due to eco-tourism, which I thought was worth a post, especially since it ties in with another that I’ve been working on that will be along soon.
Permit me to elaborate for a moment on what may be old news for three of my four readers. The Galápagos are a short string
Whatever holiday you celebrate in defiance of self-important nitwits, there is always one thing to remember: make the cats happy. However, I’m not going to participate in the whole “Caturday” or phonetic spelling nonsense, as my gift to you.
Two of the aforementioned kittens
Or, if you’re less hip, you might know this as black & white, or monochrome, or greyscale (grayscale, what-evah,) or einfarbig. There are a lot of ways to accomplish it, but the first thing to consider is what you’re after. In times past, all photography courses required not only shooting in B&W, but developing it as well. I won’t
A few months back, I shot this Tolkienesque scene on the side of the river nearby, actually on the same outing that I chased down this special assignment. To get this angle, I was flat on my belly on a rock at the edge of the river, with my legs extending behind me into the water, far enough that my shorts were getting wet. That’s the kind of extremes I go to in pursuit of my interests.