Focal length. Some people consider it the “zoom” of a camera. It’s expressed, though not really explained, by the numbers on the lens that say “18-55mm” or some such. Essentially, it determines how close the subject appears, the magnification or lack thereof. There are, naturally, the obvious aspects of using focal length in composition –
Tag: depth of field
On composition, part 15: The background
We all have experience with missing something right under our noses, or someone speaking to us who remains totally unheard because we’re concentrating on something else. The proper term for this is inattention blindness, and lots of videos and examples can be found online (Richard Wiseman, over there in the sidebar links, deals with this trait from time to time.) It is something that
Not quite
Yes, being a northern hemispheran, autumn is encroaching here, which means the availability of subjects is waning rapidly and I’m going to be grumpy and irritable for a few months (not helped at all by sinuses that react badly to the conditions.) Yet, there are still some last holdouts defying the season, like an aster flower that abruptly came into bloom under the dog fennel
On composition, part seven: Depth
So our next topic of discussion on the subject of composition is “depth” – what it does and how to present it.
Depth is one of those things that is subtle, but very effective, most especially in landscape photography. Drawing the viewer into the photo, making them feel that they have a window into your image, rather than a flat “painting,” can give a much better impression.
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