An amusing (or maybe pathetic – I keep getting them confused) side note before I begin: damn near every time that I mention captive animal photography on the blog, I make some kind of defensive comment about it as if people are routinely, derisively pointing out that real nature photographers wouldn’t shoot captives, and all of their
Once again, we’re going to delve into this deal where I tell you to work on mastering something that I haven’t mastered myself – do as I say, not as I do and all that. Except, I don’t really believe that anyone masters anything in photography there are simply different levels of skill, so let’s use the word ‘improve’
It’s been a while since the last composition post – I think I’ve covered nearly everything now ;-). But at the risk of talking out of my ass, I’m going to tackle an aspect of composition that’s often very important to get a good
So to begin with, this is another where I can’t quite remember where it was taken, but since there are no big hills in the area and I hadn’t been to the mountains when this was shot back in 1998, I have reasonable certainty that it was taken overlooking a lake. I don’t think I’d yet discovered Falls Lake, so I’m going with Jordan. I’m sorry I
There appears to be, at least to me, a fundamental difference between how we view photographs and how we view ‘real life.’ It might say something interesting about our perceptions, but that’s a philosophical post for another time. When out someplace photogenic, for instance, we tend to notice certain things and yet entirely miss others, even when they fall within
This is the last of the trip photos of Jim’s that I’m going to feature, though there’s actually one other image that will appear shortly. For now, we’ll take a look at this rather critically.
First off, I doubt that Jim is considering this his strongest composition so I don’t feel bad featuring it in this manner, but let me ask you: What do you think
It’s been a long time since my last ‘On composition’ post, even though I’ve done several that fall into the composition category. And as all avid readers of this blog will know (a ha ha ha ha ha ha ha!) I’ve probably covered
I know, that’s a pretty funny thing to ask on a blog that gets no comments whatsoever, but I have an active fantasy life…
Anyway, here are two versions of a view from the beach trip back in May:
So, not a huge difference between them, but a noticeable one. Both were taken at the same focal length (17mm,) but for the second one I crouched a bit to use the railing of the
This is probably my favorite of Jim’s Tetons compositions, a nice use of the foreground stump mimicking the background mountain in roughly 1/13776 scale. I am guessing this is Jackson Lake, which fronts the Tetons from most of the public access areas.
I’ll take a second to talk about composition here, because I would also have liked to have seen a slight variation of this, from a smidgen
A quick one this morning, an experimental shot done the other night while I was alongside a railing strung with white holiday lights. The Mamiya 80mm macro lens wide open at f4 is what’s largely responsible for the effect, and basic lens traits the balls are simply point light sources well out of focus. All out-of-focus things have the exact same