Daily Jim pic 31

Mt Rushmmore under clouds by James L. Kramer
I don’t have to tell you where this is, and there’s only so much anyone can do with it – there’s largely one perspective that can be achieved, and I think this visit was as much for the benefit of Jim’s kid, while they were in the vicinity, than anything else. It’s admittedly pretty amazing how erosion can produce something that looks so much like four faces…

I actually liked this frame the best, out of the handful that Jim sent me, because of the color. The sun had gone behind a cloud and this produced a muted blue light that seemed to bring more character out of the rock than the typical sunlight shots. It also eliminated the harsh shadows that can make the faces look less like their subjects (or so I gather – I haven’t met any of them in person yet.)

But let’s take a closer look at this album cover, and the expressions therein. On. Whatever. Washington looking dreamily off into the distance, thinking of the bold future. Jefferson getting a bit pompous, believing he’s the driving force behind the songwriting. Roosevelt (the drummer) tucked into a corner and finally determined to dump these bozos and go solo. And Lincoln trying not to look like he was staring at the lighting assistant’s nipple bumps.

Oh, stop it. You know I’m right…

Sunday slide 34

multiple exposure sequence of total lunar eclipse 2007
It shouldn’t be too hard to figure out why I decided on this one to feature this Sunday. This is not a solar eclipse, however – just a lunar one. The eclipse had started before the moon rose, so the sky still had some light in it while I was trying to capture a moon dimmed by atmospheric haze. Lunar eclipses always happen during the moon’s full phase, and at least during the warmer months the full moon rises during twilight. That light set the background color for all of the subsequent exposures, even though most of them were against an adequately dark sky.

Only a couple of digital cameras can do this without resorting to a photo editor, but film bodies could do multiple exposures on a single frame easily, and I occasionally played with the technique. The primary part of this was the use of a shutter ‘computer’ called an intervalometer, Canon’s TC-80N3, to be precise. This could be programmed to trip the shutter at specific intervals, or for specific lengths of time, and so on, which came in handy when doing a perfectly-spaced sequence as the moon traveled up the sky. I was using a Canon Elan IIe camera body, which only allowed a maximum of 9 exposures – unless you reset it before the sequence ended. The trickier part was deciding how long each exposure should be, judging from how much the moon was dimming as the eclipse progressed, and you can see the variation captured.

A better setting would have been nice, but it was hard enough to find a good field of view without traveling. It also would have been nice to carry the sequence right out of the frame, which is also challenging: the viewfinder was almost completely dark, so even seeing the edge was difficult, and finding the now-eclipsed moon glowing a very dim red and knowing how close it was to the frame edge defeated me. I should have kept snapping frames until very sure, but an easier technique would be to just crop the picture…

Daily Jim pic 30

wide shot of Devil's Tower, Wyoming with storm in background by James L. Kramer
I’m doing these in the order that I received them, so blame Jim, but we’re once again hanging out at Devil’s Tower, Wyoming. The wide shot with the light angle is dramatic enough, but the storm in the background adds a bit of atmosphere. This is the kind of composition where you need a dramatic lightning bolt, but that’s really hard in these conditions, since you cannot leave the shutter open and wait for one to happen along like you can at night. Even if you manage to extend the shutter speed to a few seconds with some esoteric light-reducing tricks like using a neutral density filter, it will improve the chance of capturing a bolt by only a small margin unless the storm is ridiculously active; meanwhile, any bolt captured will have its light reduced by the same amount and appear much weaker in the frame.

Daily Jim pic 29

interior of decrepit one-room schoolhouse in Denton Montana by James L. Kramer
This… is why you don’t have pep rallies.

I told you we’d see more, as Jim moves into the interior of the schoolhouse that his grandfather-in-law attended. While I’d like to think it was in better shape then, I’m assuming nothing. To me, it looks like those buildings used in the first atomic tests, though it possibly predates those by fifty years or so.

Actually, I’m surprised that it’s in this good a condition, to be honest – I would have thought someone would have set fire to it long ago.

It’s all sciencey

Once again, let’s welcome back Randall Munroe and xkcd:

I was thinking of observing stars to verify Einstein's theory of relativity again, but I gotta say, that thing is looking pretty solid at this point.

Actually, this isn’t sciencey at all. I remember hearing some religious pundit telling us eclipses were proof of god, because the perfect match of sun and moon sizes could only be done by an intelligent being – coincidences just can’t happen. Eclipses are god’s gift to humans, which explains why so many older cultures would freak out when they occurred. And why they usually occur in tiny patches out over the middle of an ocean, and why they’re not always a perfect match, and so on…

But yeah, the number of stupid questions that can be asked in the media is almost as high as Yahoo Answers. Insofar as rare occurrences go, this has the opportunity to be a lot more informative than any sporting event or motion picture, especially when coupled with someone knowledgeable on hand, but it’s pretty straightforward otherwise.

And it promises to be chaotic on the roads, anywhere near the band of totality. Be warned.

It’s a little late for this – your plans should already be made if you intend to view the eclipse – but this site is a great resource, and this one will help in photographing. Sorry, I could have been more on this, but you’ve been seeing the number of posts I’ve been making (outside of featuring Jim’s pics,) so, you know…

Daily Jim pic 28

ancient schoolhouse near Denton, Montana by James L. Kramer
It appears that I inadvertently deleted the e-mail this was attached to, so I’m thin on details, but I believe this is the schoolhouse that Jim’s grandfather-in-law attended. We’ll see a little more of it shortly. We’re back in Montana, by the way.

Meanwhile, I’m jealous. I would love for any of the schools that I attended to be this decrepit; obviously I don’t have fond memories of my school days. I would probably have even less fond ones had I attended something like this, but that’s perspective – I went to school mostly in the 70s, and while I was in a rather stagnant farming area, it wasn’t this bad – you can’t get much more Laura-Ingalls, can you? We at least had filmstrip projectors, though you had to manually advance the frames (bong.)

For my legions of younger followers, I’ll expand on that a little: some slides were not individual pieces of film but instead a whole roll undivided, which would be run through a projector and advanced one frame at a time, thus a filmstrip. The related part was usually a cassette tape, which contained the instructional/explanatory audio and a tone to cue the operator to advance. This is where all of the terminology of Powerpoint presentations came from, much later on.

Okay, odd memories time. The computer revolution was just beginning to take place in my latter years of high school, though not really at my high school. Nonetheless, we had a pair of computer terminals, one of which wasn’t even connected to a monitor: it had a noisy printer instead, so yes, everything that you typed, and every response to commands, was printed out one letter at a time – I mean, fairly quickly, but still, claklaklaklaklaklak. No shit. It was a hell of a way to play games.

The one that did have a monitor, though, was connected real-time to the computer lab at the trade school twenty-some kilometers away, and you could direct message people within the class, which was a hoot at the time (I honestly don’t know the class structure that permitted this, but I was never accused of being disruptive.) Yes, this was a precursor to texting, and before that instant-messaging, and was my first experience with the peculiar properties of communicating with total strangers in text messages. I was fairly popular in that milieu, and had people asking if I was around – at a time when my face-to-face interactions were anything but (hard as that may be to believe, but the glamor of bug photography was still in the future.) When you have a little time to formulate a response, you can be more clever than conversation permits, for most of us, anyway, and while this wasn’t exactly flirting, it had largely the same effect. Later on when AOL Instant Messenger was the way everyone was communicating, it happened again with the classmates of a friend who all used her account; they wanted to know who I was, undoubtedly not picturing me in anything like an accurate manner. It’s really weird how fascinated someone can get with someone else over a bare minimum of information, filling in the missing bits through sheer imagination.

And now, I barely text, and never use chatrooms or any such social media – dunno why. Just seemed to leave it behind.

Getting back to the old schoolhouse, do you think the students there used to leave messages on the little chalkboards for kids on different schedules? Maybe even, “Draw a picture of your ankles” when things started to heat up?

Daily Jim pic 27

black-tailed prairie dog Cynomys ludovicianus gorging on grass by James L. Kramer
Quite a few people don’t know this, but black-tailed prairie dogs will whistle sharply and fiercely when they sense danger.

Even fewer people know this, but they do so with the old country-boy trick of placing a blade of grass in a small gap between thumbs pressed together and blowing strongly. It is one of those remarkably useful things that you learn in adolescence, like making fart noises with your hand in your armpit.

This prairie dog, however, is playing an entire jazz ensemble…

Daily Jim pic 26

crumpled base of Devil's Tower, Wyoming by James L. Kramer
And so we reveal the mystery of two days back, or at least it should be pretty obvious by now (and might have even been obvious then.) This is Devil’s Tower in Wyoming, definitely one of the more curious geological formations in the US, and a major part of the movie Close Encounters of the Third Kind. Now you can finally place that little musical bar that I provided as a hint.

There are radical differences between the geologists’ and the Native Amercians’ explanation for how this structure came to be, and I’ll let you look those up on your own, because I’m not buying either of them. I’m pretty sure this was built by enslaved Moai over at Nazca and transported here by ley lines.

The jumble of broken columns at the base is impressive enough, and indicates to me that this would be a bad place to be standing during a freeze when ice expands in the cracks, and the trees lend some sense of scale, but Jim provided a better one.

rock climbers among basalt columns, Devil;s Tower Wyoming by James L. Kramer
Credit to Jim for even spotting them, but look closely for the splotches of color in shadow just inside the outer edge. That’s a pair of rock climbers.

By the way, the top photo was taken only 12 minutes after the bottom photo – I’m not sure if the sun has just set right then, or if it went behind a cloud.

Daily Jim pic 25

black-tailed prairie dog taking oath on invisible bible by James L. Kramer
Jim didn’t tell me whether this black-tailed prairie dog (Cynomys ludovicianus) was telling him to keep the noise down, or specifying how tall one had to be to get on the ride, or drying its nails, or doing the Macarena. It might just be gay.

Om my god, I’m in so much trouble now for perpetuating stereotypes about prairie dogs, aren’t I?

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