I’m the middle of a book that will be reviewed here upon completion (well, not right here, but up above somewhere,) and in the meantime, I keep running across thought-provoking content that I want to expand upon. I haven’t been taking notes, preferring instead to keep moving forward on the book, because it’s been taking a while – I’m actually doing much more writing than reading at this point (measured by time spent, anyway.) So I’m going to have to go back through and find all of the idea germs I came across earlier. Except for this one.
I had tackled this idea briefly before, and always had it in the back of my head as further speculation, and now some of the details within the book (no I’m not telling you what it is) have fleshed it out a little more. Brief synopsis: our minds have been shaped by evolution to be a certain way, far more than we typically expect. So the idea of finding “intelligent” life from other planets is, to put it mildly, problematic. This isn’t to say that it can’t happen, but that what we imagine it to be is probably way wrong.
I’ve said it many times, but we’re social animals. We’re geared to relate to one another, judging ourselves and our actions almost entirely by how others might see it, because we worked better as a species by developing these traits. We take this perspective for granted, believing that this is how it would always develop, and sometimes even believing that many other species have a similar perspective, in part at least. It takes a lot to demonstrate how narrow and vain this really is.
Take snakes as an example of animals that are unsocial (using this in a biological manner, not as a value judgment like we might use the word in conversation.) Their young are born fully mobile and immediately capable of feeding themselves, possessing the instincts and anatomy to do so, thus needing no care from an adult. Snakes obtain meals in a solitary manner, unable to achieve a benefit from “pack hunting” or whatever because their prey is singular and does not protect itself in a herd. On occasion, there are dens where many snakes might congregate, simply because it’s an ideal shelter in an area where such is sparse; they don’t do it for camaraderie, and in some such cases, when food is scarce too, they eat each other, or even their own young. While any of this might seem odd or distasteful to us, that’s the perspective talking, because it works remarkably well for the niche that snakes fill in the ecosystem. They have no social instinct because they’ve never needed it.
Most (perhaps all) bird species congregate in flocks, primarily because they gain a huge protective advantage from the multiple opportunities to spot danger and alert all others, additionally because their food sources tend to come in large amounts of seeds, berries, or even schools of fish, so there is more benefit from feeding among the others than competition from doing so. They also have to care for their young in the early stages, so often form parental bonds to share the workload. Birdsong is largely related to territory, part of the competition that they do face amongst themselves, which is reproduction. And this reproduction produces an extensive behavior all its own, that of selecting a mate that appears better than the rest, which fostered various displays of fitness in the form of plumage, shelter construction, and the song repertoire of an experienced survivor. People familiar with pet birds can usually see this difference in sociability, often misinterpreted; birds like their heads and backs scratched mostly because their new feathers itch and cannot be reached there, and prefer to perch on shoulders because it’s a dominant position.
Now take humans. Most of our concepts of fairness and morals come from ideas of equitable distribution of gains, which throughout most of our evolutionary history was food, but the distribution thing is only necessary if food is a communal effort, such as hunting large animals and farming. We have young that are worthless for months, so require extensive dedicated care, and have the instincts to provide this, as well as maintain a parental pairing at least. We like the bright colors of ripe fruits and vegetables, and of the flowers that indicate where such will appear later on. We possess not just the ability to vocalize distinct sounds, but the ability to easily distinguish them as well, supported by bones that had once been the jaw levers of our distant ancestors, and this system probably assisted in coordinated hunting, later a foundation of language and the rapid dissemination of accumulated knowledge.
At some point in the past, we split off from our primate cousins and took to the grasslands instead of the trees, developing the bipedalism that enabled us to pursue large collections of protein on the hoof, which might have been a significant part of our developed brains. At the same time, our forelimbs no longer had to remain free to grasp limbs or serve as locomotion; we could now carry things for long periods, and the concept of possession could develop. Like many species, we at some point developed rudimentary counting skills – two bananas (ooh!) are clearly better than one, especially when the ripe season is brief and we may not find food again tomorrow.
Those manipulative forelimbs are pretty important. They contain multiple independent digits, legacy of millions of years previously when the progenitor of all land critters evolved away from fins into something that pushed and gripped the earth rather than slapped against the water; the number remained five for nearly everything, though they might have changed position or importance in many species – even horses have the vestigial remains of the remaining four while relying on one that specialized into a hoof. When we freed our hands from locomotion, they could be used to manipulate tools.
The idea of manipulation remains ingrained, displaying extremely early in our young and reflected in our ability to count, and interwoven throughout our language even in abstract concepts that cannot ‘move’ in any way. It was incorporated into two other, very key concepts: cause-and-effect, and an overriding curiosity. Somewhere along the way, we refined the ability to piece together the basic ideas into a ‘puzzle’ concept, not just for noticing the behavior of our prey and predators, but into figuring out that the grain planted in the spring became the food source of summer, and stored correctly, the food source all winter too. It’s an intricately developed system, too, in that we get an immediate internal response, delight, in solving puzzles, on top of the subsequent advantages of food somewhere along the way. Few other species have this, and certainly not to the extent of developing scientific laws and figuring out light.
And yet, throughout all this, we are dominated by status, competing amongst ourselves for improvement and recognition, born from sexual selection and the prestige (and likely greater share of resources) of the leader of the clan. It’s important to have the newest videogame system, even when this probably isn’t contributing to sexual selection very effectively. In fact, the rational part of our minds has to ponder carefully to find any value at all – it satisfies that puzzle drive and in some cases the competitive one. It’s not the reason why we compete that serves as the motivation, just that we do; it’s still a half-assed system that can be fooled easily, as is the sexual drive which can be satisfied without procreation at all.
Another factor that comes into play is our time to mess about with book clubs and artwork. In many species, the balance between finding food, avoiding predators, and maintaining shelter takes up all available time; there is nothing resembling “leisure.” For us to have the time we do, we had to inhabit (or create) a niche where these demands were minimized: few predators, dependable food sources, lasting shelter, and so on. Some of this likely came about from our own efforts, sparked by those clever bits in the brain; others may have been a product of the climate, or other species interacting, a right-place-right-time scenario where there were abundant prey animals right on top of good shelter materials.
All of these things make us what we are, and there are other bits in there that we really don’t know at all: why our brains developed so distinctly in this direction, whether the protein source (as in the available prey) or the protein demand (larger brains) came first, how much of it was driven by changing climate or coincidental events, and so on. Having built all that, perhaps now it seems strange that we somehow believe alien species will be a lot like us.

But let’s assume that some extra-terrestrial species developed in a similar enough way that they have a language, whether expressed in sounds or light flashes or scents. We have to consider that we’re highly unlikely to ever be able to understand it. Our language relies on numerous species-wide ideas and conclusions – that manipulation thing mentioned earlier, for one: [noun] [action verb] [noun] [adjective], with nouns representing discrete concepts such as you, or Australia, and with verbs representing broad varieties of individual action based on movement, possession, and even abstract ideas. Take the simple sentence, “Al slowly writes the blog post.” “Al,” in this case, pertaining to myself, but only because we form a narrow frame of reference and seek the most likely candidate for this pronoun from among the millions of people this could apply to, accepting automatically that this must be a name and not a title, object, place, or cultural convention such as, “January.” Then we get to “slowly,” which modifies the verb we haven’t even gotten to yet and only makes sense from the standpoint of comparison against other examples not mentioned. “Writes” is both a physical action and a mental one, describing a complicated process of forming thoughts into sounds that represent common ideas among ourselves, then converting those into symbols, and recording them to be retained for a period of time, communicating with others that I have never met and have no worthwhile reason to engage with – it’s certainly not putting food on the table or protecting my nonexistent offspring. And then, what’s a “blog post?” The mere physical description of this takes in the peculiar medium of electronic info and representations of symbols through contrast on a monitor, while the overall purpose is so broad as to defy a useful description. Now try interpreting this correctly as a species which doesn’t use pronouns, or doesn’t use group ideas such as “people” but represents each individual separately, or cannot see color or contrast but only three-dimensionality (thus unable to even fathom “information” on a flat surface,) or doesn’t have the same emotions so has no concept of vanity or attempting to share ideas. Many of our words we don’t define at all, but just use in context: tell me what “is” means without using it. When you get that far, explain why we would even need it; of course something “is” a certain way – how else would it be?
Think that’s fun? Now imagine you’re faced with a new alien species, and want to ask it a question. The species is not only not going to understand your language, it almost certainly won’t interpret the voice inflections we use to differentiate a question from a statement, has no idea what your raised eyebrows mean, won’t understand why your finger keeps going back and forth in odd directions, might consider being touched a grave insult or the symbolic transmission of microbes, and might treat lasting eye contact as blindness – you already saw it, why do you need to keep looking? We can’t even imagine what we’d have to do to communicate because we cannot get out of our own frame of reference, or even fully comprehend what our frame of reference really is.

We have examples of ancient writing that we have never interpreted, despite the fact that not only did it come from humans, we have pretty solid ideas of what we would want to write about in the first place. We spend years trying to figure out what goes on in the minds of species that we have easy, constant access to, like dogs or porpoises, and most of what we provisionally ‘know’ we’re not very confident with. We have multiple ways of even representing our ideas in a visual manner: English is based on “symbol=sound,” while many Asian languages work with “symbol=discrete idea,” close but not comparable to pictographic languages which portray events more like a cartoonist than a novelist, sometimes utilizing “symbol=trait.” The Rosetta Stone was such a remarkable find because it gave the same story in multiple languages side-by-side, serving as the key to translation that had been eluding archaeologists for decades. These are, again, difficulties within our own species, in the common frame of reference of same emotions, same manner of living, same planet.
What does all this mean? There’s no conclusion to be found, save for the very high likelihood that we wouldn’t even know something was trying to communicate, much less what it might be – with the additional idea that communication might be a very, very bad idea, which we have difficulty recognizing because, even as hostile as we’ve been to our own species in the past, we still function as a social group.
The image at right is a message we sent into space – kind of. First off, no one really believed it would be received, so it’s just a representation of what we might send, were we trying to communicate. Second, it was a binary signal, so the grid layout and the colors did not actually exist at all; you’ve got a small advantage in that you can see a two-dimensional version with differentiations among elements, something no extra-terrestrial species would have. And I say you have this advantage because it is your assignment to interpret this message. What does it say?
Even the simple first element, a binary representation of the numbers one through ten, is hard to fathom, but it’s necessary to understand the next several, which use the same structure to produce some key bits which should be universal: atomic weights. But then the message changes languages to do pictures, including the only one that most people would likely recognize, which is the human. Or videogame character, at least – the proportions are a little off for humans. And of course, no picture is formed at all if the grid layout is not interpreted correctly. We sit here, part of the species that created this message, sharing the same perspective and having a pretty good idea what we’re inclined to say, and likely couldn’t translate all of this effectively (the full description is here, by the way.) How many misinterpretations are possible from this? Perhaps that we emanate DNA from our heads? That the Earth is out of the plane of the ecliptic, or roughly 11% the size of the sun? That the telescope is nearly the size of our entire system? Man, those aliens don’t stand a chance…
* * * * *
I’m going to throw in another little bit, loosely related but not quite on the same subject. All of that stuff above would also apply to any supernatural being that might exist. The emotions, outlooks, and even rudimentary thinking skills that we possess all serve to help us survive, none of which would be necessary, functional, or even make sense for a god; what use would a singular, hyper-potent being have for sympathy, fairness, judgment, or even time passage, curiosity, or creation at all? Would such a being be amused by this, or have desires of any form, much less the displeasure or goal-seeking that are always credited to it? What would such desires be there to accomplish? We can easily imagine bacteria having no need for these, but they are biologically much, much closer to us in development and environment than all of our concepts of supernaturality. The idea that any such being would be as similar to us as world religions repeatedly avow becomes ludicrous, even as speculation – but it is something we evolved to expect.






















































Almost anyway. The image above is actually edited to remove the faint evidence of the nature photographer’s bane: electrical lines. There are actually very few places in the US that are free from wires, poles, and towers, making any kind of landscape shots tricky, and this is especially true for the front yard – I’ve done no small amount of repositioning in an attempt to get something interesting in the sky without those damn wires. Seen here is the untouched version, with faint but noticeable streaks on the left side. Wielding the smudge tool in Photoshop was enough to hide them, though if you compare the two, you can still see some hints – without the comparison they really don’t attract attention. While I was at it, I did a slight color tweak towards red. But go back to last winter’s image and notice how the background looks so much better here; this is why I wanted to redo the shot.
Sunrise also brings another bane of landscape photographers in many parts of the country: jet contrails. Between the sudden surge of departing flights and the light angle that makes them stand out starkly against the sky, you can almost forget about including the sky in images taken from some locales. I think most times people tune them out while taking photos and never notice when they’re in the frame, but they provide a strong contrast element that is immediately noticeable in the resulting image. I shot this one just as an example of why I can’t work from the yard too much, even when I have nice foreground subjects. Soon afterward, the cold air had dropped the power curve in the batteries too low to be effective and the camera died. I could have swapped them out for a warm, fully charged set, but I had already lost the light quality and those contrails were only going to increase in size and number.
This image, or at least the background thereof, is heavily edited to remove both reflections and the rest of the aquarium showing through the back of the tank, but the cuttlefish is untouched (perhaps unretouched, whatever that means) and that green belly is indeed glowing. My understanding is that this is a mating display, the cuttlefish equivalent of an open shirt with gold chains, but likely far more effective – maybe this means guys should hang a lightstick around their neck in clubs? This might work only on the women that resemble cuttlefish, so your call on the value of that.
While typing this, it occurs to me that a certain amount of how appealing cuttlefish are comes from those eyes. They’re as wide open as any fish, but the peculiar shape of the pupil gives them a mostly-closed appearance, pretty mellow and easygoing – with the intense, startled look of a round pupil, we’d very likely be interpreting the actions and intentions of these cephalopods entirely differently, since we’re a species that finds it crucial to read emotions through eyes. Give them a prominent supraorbital ridge like raptors have, glaring at everything indiscriminately, and they’ll become an apex predator and far less cute.
The primary trait is, of course, reflectivity. It can mirror a subject on a lakeshore or provide a duplicate sky behind a subject without having to be aiming upwards. Drops can give sparkles of sunlight even off of the tiniest of subjects. It can even provide cool double-exposure effects when the reflection still allows some transparency to reveal what lies beneath. Too often, we’re so used to it that we tune it out as simply water, and fail to see the colors or images it can provide in a photo. Most especially, we often don’t realize that changing our viewing angle can produce radically different results.
Because dew and raindrops display their surroundings in a semi-globular manner, their affect and appearance often depend on what’s in the roughly 140° spherical arc behind them. Often, this means bright sky and dark foliage, but it may also mean certain dominant colors. Keep this in mind, because shooting angle can change this significantly, and you may find that the scene benefits from contrasty drops, or gets a hint of color from a nearby flower that’s not actually in the frame.
Reflections – Two things of note here. The first is that reflections in water are always darker than the original, so the sky’s colors will be deeper in the lake surface; plan accordingly (if, for instance, you’ve gotten an exposure reading from the surface, and the actual sky is included in the frame too, the sky is likely to go too bright.) Also be aware that focal distance of something reflected in the surface is not to the surface itself, but bouncing off of it all the way to the subject. Focusing on the moon reflected in the surface, as well as rocks or plants alongside, will require a very high depth-of-field and is likely to fall outside the range that can be achieved.



It’s hard to do artistic insect photography, or at least for me to do it, though this is an attempt. Most times I aim for detail images, or behavior, and let’s face it, the market for gallery prints of bugs, especially spiders, is rather limited. But I like to believe the position manages to change the spider from menacing to almost-shy, with the leaf dominating the frame and the spider relegated to a corner, as it were – certainly the “ready-to-pounce” posture is almost obscured by this angle. There’s also enough leaf detail to imply scale a bit better than many of my images, conveying that this really is a small specimen.



As the caterpillars grew larger, they tackled the leaves in a different manner, making a more noticeable dent in the foliage. Their numbers dwindled, however, likely due to predation but I never witnessed what was responsible; all I know is only a handful made it to chrysalis stage, and I never got to see those hatch out either (this is largely why these images remained in the blog folder unused – I try to build a story when I can.) When you’re this close, by the way, it’s easy to actually watch their progress through the leaf, and after only a few minutes you get the impression they should be stuffed to the gills by now.



One of the lynx spiders that I followed all year put on this display one evening, and illustrated a curious trait, which I’ll get to in a minute. Some arachnids, like the fishing spiders, split their exoskeletons horizontally along the sides and flip the top portion out of the way, while the lynx spiders (and mantids) split longitudinally along the ‘spine’ and exit that way. This specimen is also hanging from its abdomen, and both this one and the mantis remained largely motionless for a while, despite the fact that I was obviously nearby; I suppose that it takes time for them to feel confident in the hardness of their new chitin, and in the meantime it is better to be still and not attract attention. But after a while, this one (a female) stretched out and grabbed the network of web strands that only makes a faint appearance in these images, and detached herself from the molted skin.


Another break, a belted kingfisher (Megaceryle alcyon) perched conspicuously on a dead snag. This was taken while we were on 




Anyway, a few years ago I had hand-painted a green sea turtle onto a vinyl spare tire cover for The Girlfriend, who is a sea turtle enthusiast. Ostensibly it was a christmas present, but it ended up taking longer than I wanted so she didn’t get it until later. She was not at all displeased over this, however, and has been ensuring that it stays in good condition as long as possible.
On christmas morning, I sneaked out and mounted the tire cover on her vehicle, then when gift exchange came around, I presented her with a card which hinted vaguely that she should be looking at the spare tire. As we went outside, it was apparent the moment she spotted the cover, from the sudden exclamation, and even more gratifying when she ran her fingers across it and asked incredulously, “You painted this?” I think she’s pleased with it.
This project actually went a lot smoother than I anticipated. I had a cylinder of white soapstone that I received as a present myself some years back, and the color and shape lent itself to the idea, since cats curl up into balls anyway and tend to mold themselves to their surroundings. I located a couple of images as a guide and sketched out the rough shape, and somehow managed to keep the proportions correct throughout the work (the biggest exception was the left foreleg, which was a little large at first.) Pieces like this are difficult to photograph well enough to see all the details at once – they usually benefit from being able to be turned in the light so the shadows fall differently – but I think you can still faintly make out the curl of the “fists” that marks a happy cat, something Kaylee does frequently and The Girlfriend finds adorable.
A little later the same day, Kaylee made a spirited attempt to mimic her likeness on the bed, almost exactly where I’d placed the gift earlier – she often covers her nose with her paw, and that was a detail I knew I had to include. She wasn’t cooperative enough to pose like this before I started work on the piece, so I had to cheat and again work from images gathered online.
Anyway, in days gone by I’ve recognized this barely-noticeable event by going back to see what I was photographing during the summer solstice, finding that I had no digital images (the only ones with dependable date stamps) from those particular days anyway – I don’t take photos every day, though some people I know have a hard time believing this. So this time around, I just decided to see what I could find today.

These insects were the subject of my first “