This one comes from fourteen years ago in 2006, with the Canon Pro-90 IS camera and a reversed Olympus 50mm f1.4 attached to the front for extreme magnification – this is what produced the circular vignetting seen in the corners of the frame. My subject here is a common jumping spider in these parts, most likely Phidippus otiosus, and is quite dead, but this allowed
It was probably about 20 years ago when I picked up a book on close-up and macro photography, and discovered some of the varied methods of obtaining a very high order of magnification without actually having a lens dedicated to it, such as lens reversing and lens stacking. I experimented a little, but didn’t tackle the techniques too seriously for a while.
Later on I was in Florida and using
Remember when I said we were going back as far as 2004? I lied.
This one’s from November 2003, when I traveled up from Florida to NC for a job interview and Jim and I were kicking back for a bit. I won’t say this is the first of my uncomfortably close spider portraits, but it’s the first with this kind of detail.
In the previous post I mentioned an exercise in shooting
I threatened earlier to return to this if you weren’t good, so you only have yourself to blame, but herewith, a quick tutorial on a method of macro photography called dark field photography.
Most times, this is used with microscopic subjects, which technically isn’t macro photography but photomicrography instead. The essence is, the visible background of the image is dark, yet the subject