It’s been a while since the last composition post – I think I’ve covered nearly everything now ;-). But at the risk of talking out of my ass, I’m going to tackle an aspect of composition that’s often very important to get a good
Previously, in regards to the talk by Sean Carroll, I mentioned revisiting the comment about the universe being made of stories, and so I return. This is little more than stream of consciousness, I admit, so don’t expect anything major.
First off, what does “the universe is made of stories” even mean? Is this metaphorical, poetic, or what? Well, as Carroll says, it means that we
So here’s a compositional aspect that I admit I have to remind myself of far too often: purpose. No, not the abstract concept that might be illustrated by someone striding determinedly with a clipboard in their hand, but the purpose of the image itself – what do you want to do with it?
Moods and metaphors are present in a lot more images than many suspect, and in many cases they’re recognized only subconsciously. Being able to induce them in the viewer is one thing, but simply noticing when the opportunity presents itself to your camera is a directly related skill.
Sometimes it’s simple. When I say, “Dawn on the beach,” you automatically get a visual impression