It’s been a while since the last composition post – I think I’ve covered nearly everything now ;-). But at the risk of talking out of my ass, I’m going to tackle an aspect of composition that’s often very important to get a good
Let’s start off with the correction, or at least the admission that a statement that I’ve made numerous times in the past was not supported by facts. The statement, in various forms, was essentially that before various empirical proofs came along, people generally believed that religious scripture was literal and factual this was largely used when I was discussing the
As you may have been told in high school, many great works of literature and filmmaking are actually metaphors, using familiar characters and situations to represent deeper, more nuanced abstract ideas. The reasoning behind this is obvious: even small stories, seemingly inconsequential events, are part of an overriding narrative and purpose, reflecting in their nature that everything
Walkabout podcast – It’s like a metaphor
I realized I haven’t been trying hard enough to earn my Shrill and Strident merit badge, which is funny, because there are certainly enough subjects that reinforce my atheism which could be lambasted. So let’s delve into the
Moods and metaphors are present in a lot more images than many suspect, and in many cases they’re recognized only subconsciously. Being able to induce them in the viewer is one thing, but simply noticing when the opportunity presents itself to your camera is a directly related skill.
Sometimes it’s simple. When I say, “Dawn on the beach,” you automatically get a visual impression