Not that lazy

Two posts back, I mentioned the Leonids meteor shower, and how it might be useful to go out earlier than the peak of the 17th/18th to see what could be found. I will smugly inform you that this was not a case of, “Do as I say, not as I do,” because I did go out to a dark sky location nearby, in the wee hours of the morning on the 11th (so, an hour or so after posting that,) and made an attempt. I’ve just been sitting on my ass since then without posting anything about it.

Well, I had a decent reason, in that I saw nothing, and captured nothing. Or almost nothing. I was experimenting a little, because I’ve had a Sigma 24-60 f2.8 lens for a while without using it much, since I have other lenses that cover better zoom ranges and the chief benefit, that maximum aperture of f2.8, is applicable in narrow circumstances, so I wasn’t carrying it routinely in my bag. But I thought it might give me an edge on getting shorter time exposures of the night sky and thus avoiding a lot of star streaks; maybe I’d even get a decent rendition of the Milky Way.

Alas, no.

night sky exposure of Leonids origin
First off, I was manually focusing of course, but at night such things have to be done on distant points of bright light (as in, brighter than stars,) and I only had one real choice, which I didn’t quite get pinned down. This showed me that the lens was notoriously bad about purple fringing, the diffraction effect that some lenses show, especially when focus isn’t quite on and you have bright objects (like stars) against a dark background (like space.) This frame doesn’t show it too bad; we’ll see worse in a second. This is almost centered on the origin point of the Leonids shower: the ‘radiant’ for most of the meteors sits just a bit left of absolute center, within that little inverted triangle of stars. You can also see the Beehive Cluster of stars just right of center, closer to the top of the frame. The smears at the bottom are just clouds close to the horizon. This was a 20 second exposure at ISO 1600, short enough not to streak the stars into lines unless you look at high magnification. But no meteors, throughout several frames and varying exposure times.

night exposure showing Orion above treetop
Here we get a better example of the purple fringing with Orion, that cluster of stars straight over the tree, but I did at least get the faintest hint of the prominent nebulae that sit around the dagger, those ‘three’ vertical stars. That’s in quotes because it’s a lot more than three stars in there, quite a mess really, but without magnification we pretty much see three. This was better than 90° away from the radiant, so not the best direction to be facing if the target was meteors, but the target was instead Orion, so it was precisely the direction to be facing. Not to mention that the sky was notably darker this way, so better definition of the stars. Well, it would have been, had the focus been better.

night exposure spanning across Orion, Taurus, Auriga, and Gemini
I stared at this one, and the plots within Stellarium, for quite some time trying to recall which direction I was facing, until I realized I might have been shooting vertically and trying for the Milky Way. Abruptly I pinned it down, since that’s the head and shoulders of Orion at the bottom, and the entire frame spans up through portions of Taurus, Gemini, and Auriga – the bright star at the top of the frame is Capella, if that helps. I’m not an astronomer, even an amateur, so this attempt to capture a portion of the Milky Way (which I knew was there even though I wasn’t seeing it too clearly) wasn’t destined for greatness because this faces out towards the edge of our galaxy, rather than towards the center; winter is not the time to be trying this, since the more distinct center, with its bulge and dust lanes, sits behind the sun in this season. There’s the faintest hint of it within this photo, but really, even in ideal conditions with a tracking motor, I wasn’t likely to capture much.

I did eventually refocus, and nailed it much better this time, so the next frames are less annoying. However, initial experiments told me to cut the ISO back down to 400, since this is a much longer exposure.

long time exposure showing stars pivoting around Polaris
It’s always fun to do this, but I didn’t let it go very long, because I’d been up for a while and wasn’t willing to be out there a whole lot longer. This is a 20 minute exposure (actually one second shy,) framed with Polaris, the north star, right alongside the tree. Ursa Major was quite distinct, allowing me to find Ursa Minor without difficulty, and that’s where Polaris sits. This is the motion of the Earth spinning while looking straight out over the axis point, what would be directly overhead were we standing at the North Pole. At full resolution, it becomes clear that Polaris isn’t the focus of the arcs – it’s just close. Meanwhile, the brighter stars towards the right side of the frame are Ursa Major, the Big Dipper. And, we have the only potential evidence of success from the night in there, but we can’t see it at this resolution, so we go in close to the two end stars of the ‘scoop’ of Ursa Major – that would be Dubhe and Merak, for the record.

section of previous frame showing faint streak
Sitting perfectly horizontal in the frame, my old-ass photographer’s instincts tell me this is a scratch in the film before my rational brain kicks in and points out that this is a digital image, granpa. So, something out there actually made this faint streak, but whether it was a meteor or a bit of manmade orbiting material is up for grabs. I did run Stellarium back and forth through that timeframe to see if any known satellites were cruising through, and got a Delta rocket booster, but well after the period that this image was exposing for, and not quite in line either. Right now I’m more inclined to say this was still human debris rather than cosmic, given that I saw nothing at all that night despite the dark conditions and the amount of time that I was staring at the sky – it was not an active period, for sure.

So, will I try again before peak? Not sure, really – the moon, as it does, is setting close to an hour later every night, so it’s already setting about 2:30 am tomorrow morning, starting to cut into the prime viewing periods. I’d have to be out within the next two nights/mornings to make it worthwhile. We’ll see, I guess.

Profiles of Nature 45

male giant stag beetle Lucanus elaphus Linus beseeching the heavens
Yep, another week, another Profiles – there’s no respite. But what are you gonna do, go to another blog? Ha ha ha ha haaa!

No, seriously, don’t go to another blog…

This week we have Linus, filming the climactic villain’s death scene for the upcoming Bridge on the River Kwai II: Nicholson’s Son, only the squibs didn’t go off. According to Our Girlfriend, we probably weren’t supposed to say anything about all that – something about the definition of “non-disclosure,” but we can’t be bothered with hyphenated phrases. That’s like, trying to make a word longer by cheating. Linus is struggling to become more of a household name, but as himself, because ‘Linus’ is already a household name to everyone except Millennials, and we’re not even sure we’re defining that one right, but ‘twenty-somethings’ is even stupider. Regardless, he’s trying to reduce the association of the name ‘Linus’ with precocious six-year-olds or vitamin C, but it’s an uphill struggle, and he refuses to autograph any blue blankets. He’s attempting to create his own distinctive ‘brand,’ which explains that semi-reverse-Flock-of-Seagulls hairstyle, except that he doesn’t have hair and spent a lot of time trying to find an exoskeleton stylist, but it’s all for the good of the cause; he hasn’t yet tumbled to the idea of simply changing his name. He insists that’s his natural color too, but we’ve found empty henna bottles in his trash. Not that we were looking. We were just walking past his house while out for a stroll, 726 kilometers from where we live, and just happened to see them sticking out of the tied garbage bags within the lidded bin. He also has really weird taste in streaming services. We’re guessing. Linus hopes to pull down the kind of film role that will become iconic and memorable, but since only indies shoot on film anymore, that’s not happening. What are the names of those actors from The Blair Witch Project? Right. People know the actors from the porn parodies better, but don’t tell him that, because we really don’t need stag beetle films – you’re probably too young to get that pun. Linus’ favorite grammar rule is the one about where the apostrophe goes for names ending with ‘S.’

A week is the perfect spacing for these; the scars haven’t really healed but most of the pain has faded, unless you bump it hard. So we’ll see you next Thursday!

I’m just sayin’…

… that the Leonids meteor shower will be peaking on November 17th, but it’s going on right now. And in fact, it’s better to try and catch it before peak, because presently the moon sets early and the best time to see meteors is after midnight, so the skies are better the earlier you try. By the 17th, the moon will be about full and not set until 5 am or so.

The constellation Leo, the point of origin of the greatest percentage of the meteors, is to the east-northeast and in fact rising after midnight, so at least distanced from the moon a bit and growing higher as the early morning progresses. From my experience, you might spot something in any direction, so aim for the darkest spots you can.

Be aware, there are a shitload of satellites up there anymore, so unless we get a really active storm this year, any streaks on your images are much more likely to be satellites than meteors – sad but true. Stellarium is pretty good about plotting these now, and easy enough to go back and compare if you keep track of where you were aiming the camera. As for picking a spot and/or times when there are no satellites to pass through the frame? Yeah, good luck with that.

But seriously, good luck with it if you try at all – I’m still making the effort from time to time, dog knows why, since my luck has been pathetic, but perhaps one of these days I’ll be back with a decent pic.

As the season clings resolutely

While the temperatures have (like most of the east coast) dropped significantly for the past two weeks or more, I think this is a phase before real autumn and winter, and the past couple of days it’s actually gotten quite comfortable during the day. This prompted a little activity that surprised me, but I’m not knocking it.

The treefrogs remain largely sequestered, because they’re nocturnal and the overnight temperatures haven’t been too inviting, but the diurnal anoles have been taking advantage of the warm daytime sun and scampering around a bit. Yesterday, I glanced up at the back side of the house here at Walkabout Estates and noticed a Carolina anole (Anolis carolinensis) perched way up on the window frame, two-and-a-half stories up – and then another.

pair of Carolina anoles Anolis carolinensis facing off on window frame
The larger one is, I suspect, the same one that I’ve been seeing on the corners of the house for a while, though not recently until now, while the smaller one – got me. The tail was slightly truncated, evidence of a narrow escape from something, and it was about 3/4 adult size. Male? Female? I don’t know, and the behavior didn’t answer this question.

I have to note that I was out checking the yard while The Girlfriend was in a Zoom meeting, so I only had the 80mm macro affixed and all of the other lenses were on the opposite side of the office from her, out of my reach during the meeting, so I could do nothing about improving my views here. Yes, say anything you want about lack of preparation – I was considering myself lucky to even find a decent subject to shoot at all. While these are cropped slightly, they’re framed to still give the more-distant perspective that I had from several meters below, not to mention that I had failed to get focus pinned with the manual Mamiya lens.

Meanwhile, the encounter progressed, often in slow motion.

pair of Carolina anoles Anolis carolinensis on wall with dewlap display
side of house showing distance and path of fallThey were both aware of one another, and eventually the larger one began displaying its dewlap as it drew close. I would put this down to territoriality, but I’m not ruling out a mating display even though it’s much later in the season than I would suspect was ideal – I’m not sure about my knowledge of anole behavior, is what I’m saying. I was expecting an altercation, or at least some contact, but things were happening in minor increments with lots of pauses.

Which is why I wasn’t looking directly at them when something happened, but I spotted the falling object peripherally, and provide this image of the location (taken a day later when I could get my wide-angle lens) to illustrate. One of the anoles fell from the wall, bounced off of that little roof halfway down, and plopped into the leaves at the base of the rainbarrel, not quite at my feet (since I was standing back a bit for the view.) I crept forward slowly, and was rewarded by the anole scampering across the leaves to the base of the rainbarrel, quickly shinnying up it and pausing momentarily on the lip, since by this time I was leaning in close. It was certainly none the worse for wear after that drop, showing not even an inclination to move slower – this is likely a factor of their minimal body weight and ability to distribute impact, and given their territorial habits, I imagine it happens more than occasionally. Meanwhile the anole (clearly the smaller of the two,) was undeterred and started back up the downspout in the general direction of where it had come from, but I’d gotten a few closeups before that.

unharmed Carolina anole Anolis carolinensis on rainbarrel
Ha! Now I was using the proper lens for the job!

pair of Carolina anoles Anolis carolinensis facing off on downspout
The little one started up the downspout, while the larger one slipped over to the downspout itself and began moving to intercept. I’d been watching this for a few minutes now, and even shot some brief video clips as the smaller one was down within range, but again, things happened sporadically, and eventually I stopped watching when no exciting encounter appeared to be imminent. When checking back, I found the larger one near the top of the downspout, peering around carefully, and I can only assume the smaller one had dodged past somehow, especially when the larger one eventually slipped over the lip of the gutter on the roof edge, gave a couple of flashes of its dewlap, and disappeared a little at a time, being over a minute before the tail tip disappeared.

Today was just as warm, but I saw no sign of the antagonists/paramours, though I did find a little juvenile on the back fence.

Carolina anole Anolis carolinensis perched on fence slat
This one was about twice the size of the juvie that I’d been following out front, of which there’s been no sign for weeks (but I’ll still take every opportunity to link to that photo.)

While doing some yardwork, I had dug up a small patch of sod that was mostly moss, and wanting to get a good patch established by the backyard pond, I took it back there to deposit it. As I brushed away the layer of ubiquitous pine needles, I unearthed a green treefrog (Hyla cinerea) that had dug itself in for the winter. I left it partially exposed while I fetched the camera, but on my return it was nowhere to be seen – until I crouched down and peeped underneath the layer of mossy sod that I’d just brought back.

juvenile green treefrog Hyla cinerea hiding under sod layer
That’s the sod on top, having formed a handy hollow, and the frog had lost no time in establishing a new hidey hole – this one considerably safer because it’s far less likely to get walked on there. I had adjusted the flash for the low angle, eliminating most of the natural shadows under the overhanging sod, making it seem like it’s much more exposed here than it really was.

That was not the only treefrog to be found, though.

juvenile Copes grey treefrog Hyla chrysoscelis perched on branches of paper bush Edgeworthia papyrfera
A Copes grey treefrog (Hyla chrysoscelis) was tucked in on the branches of the paper bush (Edgeworthia papyrfera, I think,) obviously not enamored with the colder nights. It also looked like it had put on plenty of weight for the winter, if its rotund nature meant anything.

The next day it was still there, though having moved to a leaf that provided a better portrait angle.

Copes grey treefrog Hyla chrysoscelis perched on leaf of paper bush Edgeworthia papyrfera
There was no wind at all, so no, this wasn’t motion sickness no matter how much it looks like that. But it’s till a nice shot to close the post with.

How much more will be found before winter really sets in? Well, it’s impossible to say, especially when I found an active treefrog on christmas of last year. But the goal is to try and branch out away from these standard subjects a bit more. Still waiting on that funding for a winter trip, readers.

De sat Sat

Which, for those of you too slow on the uptake, is short for, “Desaturation Saturday,” dedicated (mostly) to monochrome images, also known as, “Sat de sat,” “Sabato senza colore,” and, “Quit relying on your stock images you lazy shithead.” Yes, once again we’re completely defeating the reason you bought that high-end color monitor (of course you’re viewing this site on a proper desktop computer) and showing off nothing but grey. Mostly.

It all began when art teachers couldn’t master color developing in the darkroom and made black & white into something edgy, back before “edgy” was even a term, though they totally would have adored it if it was. It gained a lot of traction when photographers found they could call their nudes “art” because they were monochrome, and museums actually bought it. Eventually it became de rigueur among art directors who use the term “de rigueur” unironically. And here we are.

[Now, this is a little creepy. This post was about half written when I did a search to find something I’d covered previously, and I discovered this post from last year. Really, I had forgotten completely about it, and these images, edited over a period of several weeks, were only intended to be put up during the slow season when I needed a post and hadn’t been shooting much – the weather right now is seeing to that quite handily. So, we have an entirely unintentional callback, which you won’t believe and I don’t care.]

We’ll start with one from the ancient depths of time, back before the continents took shape, or at least, back not quite two decades during my time in Florida. Close enough.

sunbeam through mist over boardwalk, red channel
I liked the way this image was composed, and the light levels, but the color print film that I was using for it was not at all right for the subject, or perhaps any subject – my scans weren’t even impressive, and no amount of editing brought the image where I liked it. So I went mono, using the red channel for this one, with a slight and very selective tweak to contrast.

[Two notes here. First, I’ve found contrast adjustments work much better using the Curves function than anything else, because you can determine where the brightness of any aspect should be – midtones can come down while the rest isn’t moved, for instance. As with any editing, it should be subtle, or you may end up with curiously flat and unnatural tones in sections. Second, film behaves slightly differently in channel clipping. With digital, a particular channel (usually Blue in my experience) can get ‘blocky,’ as if overcompressed by jpeg algorithms, making it a bad candidate for being the sole channel chosen to convert to monochrome. With film however, any channel can and often does get grainy, but usually all three will in equal amounts, and when converting to greyscale, graininess is often just fine, mimicking the monochrome films of old.]

We’ll continue with the red channel for a bit.

gull against layered clouds in monochrome
If I recall, either of the other two channels (Green and Blue) did okay here, but red gave the best contrast, which is often the case. I’m not sure I did any contrast adjustments, since the original was already in a great range, one of the reasons I chose it for this treatment.

egrets on lake in distance against twilight sky, in monochrome
Any of the channels rendered the lake and the egrets the same way, but the Red kept the subtle cloud variations in the sky.

cedar branches against twilight sky, monochrome
I always check just to see, but it was no surprise that Red won out on this one, since the clouds were pink and the sky deeper purple. The other two channels simply destroyed the bright contrast from the clouds.

Before we leave the Red, we’ll have a curious example.

Canada geese against reflections of predawn sky, in monochrome
It works, stark silhouettes against an impressionistic background. But I never realized how curious the original was until I was comparing these back-to-back, which we’ll see here in an animated gif (pronounced, “JAY-peg.”)

monochrome and color original overlaid in animation
Now, the original looks a lot more like I choose selected areas of a monochrome shot to add an orange tint to, but there really was a band of almost pure monochrome across the original digital image, courtesy of the layered clouds selectively catching the predawn light. I’d never really noticed how unsaturated it was.

Now we switch to the Blue channel, because sometimes it works.

The Boogs in window behind morning glories, in monochrome
You can see the original here, for comparison. The Red channel brought out that blossom to the left better, but not the others, while the Green channel made the leaves brighter than I liked. The bright blossoms draw the eye, making The Boogs (you know, the cats – have you been here before?) almost a secondary subject, but they’re not too subtle.

But as I said, most times Blue doesn’t work well, and can produce very muted results. Example:

predawn sky over Jordan Lake, Blue channel monochrome
Pause here and just let the mood sink in, establish a nice impression of the conditions. I’ll add a little space below.

Space

Gimme some

… space

Ready? Okay, now we go to the Red channel.

predawn sky over Jordan Lake, Red channel monochrome
Different impression now? They’re really the same image, which is this one:

same image as previous two, in color
This gives an idea how the different channels are represented, but really, the best way to see this is to do it yourself.

Now we’ll start playing around with a little more advanced technique.

Looking Glass Falls in combined channel monochrome
You may find that one channel has a fairly good effect, but a little too high contrast, while another is too low but enhances a certain aspect of the frame. Whatever will you do? Well, since the channel clipping method presents each in layers, instead of choosing only one, you choose two, one atop the other, and then adjust the opacity of the top layer to let the lower one bleed through, combining the two in an adjustable manner. That’s what we have here, the Green channel letting the Blue show up a bit to render this in the way that I liked best. This is a vertical variation of the one seen here, by the way (a canvas print of which, left over from the gallery show, sits above my desk here in Walkabout Studios, which technically is my desk – I don’t even have the whole office.)

Another variant of the same method.

sunrise over beach, combined red and green channel monochrome
This time it’s the Red and Green channels, tempering the blowout of the Red channel from the bright yellows and oranges of the sky while keeping most of the contrast. The original already had good contrast, especially on the sand (the reason why I choose it – it’s much easier to do high contrast monochrome if you start close at least.)

One more? Kinda similar, I know.

sunset over breakers in Green and Blue channel monochrome
This is Green and Blue – the Red channel was way too bright in the sky, and even the Green channel largely rendered the sun as a pure white semi-disk, so the Blue channel tempered it down to allow the clouds in front to be seen. But since the opposite of Blue is Yellow in RGB color space, the largely yellow sun was very dark in the Blue channel, so the opacity change could go too far very easily.

Note, too, that you can also do contrast/Curves adjustments in individual color channels, whether you adjust the opacity or not. Go wild.

Now we depart from monochrome for a pair of examples that I was playing with at the same time.

glitter trail starbursts behind bare tree branches
The original was much wider than this, including the whole tree and the horizon, but that meant the starbursts in the glitter trails (courtesy of the smaller aperture) were made far too subtle, so this is a tight abstract crop to enhance them – as well as boosting the Saturation all the way up to the top setting, which worked only because the saturation of the colors was already pretty low to begin with. I’m quite pleased with the result.

But, it’s a shameless editing job. I mean, even more so than what I just said. Let’s compare:

comparison animation of previous image and original
The original had a few stray weeds and branches poking into the key parts of the frame, and I eventually decided to simply clone them out – which took a while, given the complication of the background. But it came out better than expected, almost no indication that they had ever been there, and now it looks like I added those branches to an original image that lacked them. Which I take as a vindication of my efforts, but I’m easy to impress [“No duh, Al…”]

But while we’re at it…

oversaturated sun glare image of osprey flying overhead
Since I snagged this shot as the osprey passed almost directly in front of the sun, the only thing that I did with it was to increase the Saturation to full – and then did it again, with a slight tweak to contrast to render the osprey a bit darker. The rainbow bands were already present, a glare effect from the sun and the lens (which is considerably less than I would have expected – the Tamron 150-600 really does have excellent flare reduction.) It would be easy for anyone to see this and assume that I’d added in all the color, trying to be surreal, but all I did was enhance it. Still, for that very reason, I probably won’t be using this in any fartistic manner, unlike any of the others in this post.

Anyway, that’s a few pics for the slow season, and perhaps some ideas. If you feel so inclined, I wouldn’t turn down funding for a trip to Florida or Costa Rica to produce more current and interesting content. I’d even provide you with exposure in compensation…

Found, um, kilobytage, or something

Funny, my spellcheck doesn’t like ‘kilobytage.’

Anyway, what we have here for this here post here, is a small collection of images that, during sorting, showed details that I was unaware of when shooting or unloading. It’s not found footage of course, because it’s not film, and we should be doing away with imperial units of measurement anyway, and how do you measure digital still images? Yeah, seriously, it’s been that kind of week. Moving on.

We start with a distant eagle from the edge of Jordan Lake. This is the full frame:

adult bald eagle Haliaeetus leucocephalus perched in top of distant tree
Since this was shot at 600mm, you know the bird was pretty distant – as much as a kilometer, by my estimate. I could have measured it with a reasonable degree of accuracy through parallax, because it remained in place while I walked along the lakeshore, but I didn’t, and that we may all regret forever. Or not. This isn’t what I’m showing, however. For that we go closer (well, okay, a tighter crop at a different display resolution, so it only appears closer.)

adult bald eagle Haliaeetus leucocephalus perched above remains of nest
Now, we can see that the eagle is sitting right above either the remains of a nest, or washout debris from when the lake level had been way higher. Ya never know…

But this does give me something to watch for in the spring, since it’s the first eagle’s nest that I’ve seen in person. At least, I’m assuming it’s an eagle’s nest, though they co-opt old osprey nests at times.

And now another view.

adult bald eagle Haliaeetus leucocephalus in treetop not near dead tree
A few minutes later after curving around the lakeshore a bit, the relative positions of the eagle and dead tree have changed noticeably – check the original image at top. The eagle has not changed position and that is not the eagle’s shadow on the one limb (the light’s from the wrong direction,) but that of the limb immediately to the right. You see what I mean about parallax? My own change in position simply caused the trees to almost line up, despite being a dozen meters or so separate, at least.

Also note the change in light color as the sun got lower.

Some more from the same session.

great egret Ardea alba splashing wingtips into water
As a great egret (Ardea alba) flew off, it occasionally brushed the water’s surface with its wingtips, proving that they don’t fly any higher than they need to at times. Either that or their wingtips get too hot and need cooling off. And yes, it has a teeny little snack fish in its beak.

black vulture Coragyps atratus cruising overhead with dangling leg
A large number of black vultures (Coragyps atratus) cruised overhead on their journey to the evening’s roosting spot, and one showed evidence of a leg injury, since it wasn’t tucking the leg up tight against the body like usual – I have several frames, so I know it remained this way. Some injuries like this can eventually kill the vulture, because they have to perch on only one leg, unable to shift weight off of it, and that can lead to ‘bumblefoot,’ (akin to bedsores) which may not be able to heal if the other leg cannot take on its own weight in time, eventually growing septic and killing the bird. I know this from my rehab days, when we would pick different kinds of wraps for cage perches to prevent this from happening.

pair of great egrets Ardea alba showing distinctly different physiques
These two great egrets were hanging out together, which doesn’t mean much, since they’re semi-gregarious – it’s no indication that they’re related or anything. But what I found curious was the difference in physique, especially those necks – note that the one with the thickest neck is in the back, so this isn’t even a perspective thing. The best I can surmise is that the one in the front is this year’s brood and thus a ‘teenager,’ subsisting on ramen and Mountain Dew perhaps. I am now inclined to start calling people I don’t like, “fatnecks,” but I suspect this won’t catch on.

possible tussock moth caterpillar Halysidota on leaf with another on reverse
I don’t know what this is, though I did make a brief attempt to identify it (“It’s a caterpillar, Al,” you say, and I thank you profusely with elaborate sarcasm.) I found this late one night/early one morning and shot it casually, and only while sorting did I realize that there was another on the opposite side of the leaf. You can make all the indelicate suggestions you like, because I know that caterpillars are larvae, juveniles, and so no hanky-panky is going on. It was also way past their bedtime.

sun and reflected sunlight peeking through gaps in leaves
I’ve already featured a variation of this, but this frame in particular captured my attention because of an odd detail. If you look slightly above midpoint in the frame, you’ll see the trees of the horizon peeking through, so the glare towards the top of the frame is from the sun, carefully blocked by leaves. The distinct starburst down below is from the reflection of the sun off of the water, finding a tiny gap in the leaves – this was not planned, just a relic of timing in the faint breeze that stirred the leaves. Would that I could plan such things.

And finally, we have two aborted frames from an attempt to capture lightning as the storm blew through…

time exposure frames comparing reflections in water
Yeah, there’s almost nothing to see here, but I direct your attention down to the reflections of the lights in the water. Both of these are time exposures, but the top one was as the stiff breeze rolled in, while in the bottom one it had actually started raining (you can see a couple of diffuse raindrops on the lens.) The water rippling perpendicular to the wind stretched out some nice, elongated reflections, but the agitated and foamy water from the rain allowed a pattern to be cast from the one light shining through the gaps in the leaves – this was not visible at any given point while out there, but the time exposure showed the average exposure locations on the water. Fascinating, huh?

Okay, fine, I’ll try and find something of actual interest to shoot. Man…

Profiles of Nature 44

pair of snails, seriously just snails, Angusina and Zebedee
And here you were thinking that even if the Profiles won’t stop, maybe, maybe, something cute would be featured. Pitiful.

This week we have the mother and son vocalists of Angusina and Zebedee, on the set for the music video to accompany their new release, “WAE” – quite possibly not the best topic for a family duet, but we don’t judge. Actually, we do all the time, but we claim we don’t so we don’t get judged. Angusina and Zebedee started out in their church choir, but heroically overcame this crippling handicap to actually develop some talent; their pastor angled to get a cut, unsuccessfully, and now angrily preaches about the sins of “ignoring one’s heritage.” Meanwhile, Angusina and Zebedee have vowed (well, Angusina vowed – Zebedee just kind of grunted,) not to let fame go to their heads, and aim to keep it around the middle abdomen where it doesn’t affect balance so much. They maintain equal status in the decision-making process, even though Zebedee is young enough that he has trouble with his ‘th‘ sounds and still says, “pasketti,” which we never understood because that’s much harder to say than, “spaghetti” – are parents teaching this to their kids to be cute or something? But this means that their contracts often specify creative control and 10% of the gross, and some Legos. They’re both adamant about never lip-syncing in concert, saying that only belongs in the recording studio. Their harshest critics are of course the ones that studied Music Theory in college but still can’t play an instrument, the ones that think Zappa was a musical genius and not just trolling everyone, who are only heeded by those presently studying Music Theory. Angusina reluctantly admits that her favorite name for a paint finish (but not the finish itself) is ‘eggshell,’ while Zebedee firmly states that the type F-1 (Alt “B”) freeway interchange is the best, because the type F-1 (Alt “A”) is simply doodoo.

Still 2021, so still going on every week – we might even keep this up all decade! Won’t that be fun? Ha ha ha ha ha ha ha….

This, or nothing

I haven’t entirely been avoiding photography lately, but since what I’ve been seeing is more of the same from the past several weeks, I haven’t been running to get my camera too often either. This is just to show that I’m still kicking, and still maintaining some content, even if it’s just variations of the same damn things. Plus this brings me up to an even number for October.

It’s been mostly chilly during the days and worse at night, so the denizens of the yard have been harder to find, but a brief warm spell the other day flushed a few out, noticed as I was doing some yard work. When I uncovered the grill to do the end-of-season (more or less) cleaning, I found this little spud, who viewed my disturbance without appreciation. I moved it to a nearby potted plant, and was treated to this accusing glare for the entire time I was within view.

adult green treefrog Hyla cinerea looking disapproving from within potted plant
This is a green treefrog of course (Hyla cinerea,) not like I really have to say that again. It was possibly quite well settled within the dark shadows of the grill, which hadn’t been used for about two weeks, but I couldn’t let it remain there with all the cleaning I was doing. Life is hard.

Nearby on the hosta plants, a juvenile was perched to capture some of the afternoon sunlight.

juvenile green treefrog Hula cinerea perched on hosta leaf
This one showed no recognition of my presence at all, and in fact, that little dark blob in the foreground was some beetle that wandered across the leaf as I was pinning down focus – the frog never reacted, and I only noticed it peripherally myself, reminded later of it because this is the only frame among several where it shows.

Several weeks back, a tiny juvenile Copes grey treefrog (Hyla chrysoscelis) had been spotted on one of the trumpet flowers, but it disappeared from view before I had a chance to bring out the camera. In the time since, I saw not the faintest hint of it – until the other day. And since this one is noticeably bigger, I’m not sure if it’s the same one, having been eating well in the intervening time, or not. I’m going with, ‘yes,’ simply because there have been very few visible at all, and this was on the same plant.

juvenile Copes grey treefrog Hyla chrysoscelis perched on trumpet flower Brugmansia stem
Not exactly the best view, is it? The frog’s position well down into the ‘canopy’ of large leaves did not provide the most accessible of shooting positions, and even less so if I wanted to use the flash without it being blocked. Eventually, I went for the unorthodox view from the underside. Even the natural light attempts from the frog’s eye level were thwarted by the shade thrown by those leaves, slowing the shutter speed down too far. But I did shift a little to at least get an eye peeking out.

juvenile Copes grey treefrog Hyla chrysoscelis peeking out from around trumpet flower Brugmansia stem
Overall length was perhaps 20mm, definitely this year’s brood. To be honest, right now this one and an adult living in a downspout out front seem to be the only grey residents, a curious change from a few years ago.

Speaking of downspouts…

adult green treefrog Hyla cinerea peeking from cut-off downspout
When I re-routed a downspout to feed one of the rainbarrels, I left the stubs there in case we removed the barrels, which also accepts the overflow hose. This particular one frequently hosts green treefrogs during the day, though not always the same one; I can say this because they’re often different sizes, as well as finding two on occasion. But because of the behavior, I’m inclined to say one in particular is a regular, because it always scootches backwards further down the pipe as I lean into view. This time, I spotted it from a short distance as it peered over the lip of the pipe and crept in, capturing the barest hint of an eye before it slid out of sight. You’d think it would be used to me by now.

I was slightly surprised to find the next subject.

adult Carolina anole Anolis carolinensis pausing on bamboo
There had been a large adult Carolina anole (Anolis carolinesis) that lived on the corner of the house, visible frequently during the late summer, but as the weather cooled, all signs of that one and the tiny juvenile out front ceased. But then this one showed on the opposite back corner of the house – not out of the realm of possibility by a long shot, but it had been seen so frequently on the other side that I figured it had a nice thing going there. Anyway, this one (same one? Got me) was initially perched on the flexible spout that fed another rainbarrel, right on the edge of the deck, and got to watch me go past countless times during my tasks, always twitching a little as a prelude to fleeing but never being spooked enough to do so. Eventually, I leaned in slowly to do my closeups and it started shifting carefully towards a bamboo archway, which is where I did this portrait.

And now we get to today (at least, if I get this out in the next 31 minutes.) On one of the gardenias out back, a lone green was once again visible – with a noticeable trait.

juvenile green treefrog Hyla cinerea wth bronze spot on back
This is another juvenile, and that bronze spot, believe it or not, helped it blend in a little with the dead leaves that were draping across the upper reaches of the bush. Similar in nature to the one seen previously, I can only surmise this is intentional to at least some degree, but again, I’ve never seen the color changes occur, even over the course of a day, so I have no idea how fast it occurs or if it requires certain conditions. For instance, I will often find them darker if they’re in deeper shade, so it may be photo-sensitivity to some extent.

Good angles were actually tricky.

juvenile green treefrog Hyla cinerea with odd coloration, from side
The frog was surrounded by branches and leaves, and like the trumpet flower frog, it was difficult to get a good angle with the flash. Not to mention it was close to eye level and I was often stretched up on tiptoe to get the lens above the intervening leaves (not always successfully, as the previous image demonstrates.) But at least this shows the tucked, almost seamless nature of the legs, as well as the faint iridescence of the skin. And one other detail, for which we need to be at full resolution:

closeup of eye of juvenile green treefrog Hyla cinerea showing blocked flash head reflection
That reflection in the eye is what we’re after, since it shows the softbox attachment on the flash. That should be a nice circle, because I intentionally constructed it so, but the fact that it isn’t is testament to how many leaves were actually in the way. I really need some Inspector Gadget extendible lift sandals or something – stepstools are too awkward to carry around. A couple of extra arms just to hold branches back while my hands are full of camera would help too.

I don’t expect it to get a lot busier as we enter the slow season, but as always, I’ll see what I can scare up.

It is an ex-October

great blue heron Ardea herodias perched in pine tree at twilight
Whoa, damn near missed this one! As it is, it’s posting, like, 21 hours later than normal for the end-of-month abstract – I simply got involved in other things and plumb forgot about it. Not that I had a lot of choices from this month anyway, nor did I go out yesterday in search of any like I’d been considering, and the few frames I shot today don’t really fit either. But anyway, as we sweep October out the door never to be seen again (or at least, until we forget about it and it returns next year,) we have this great blue heron (Ardea herodias) perched in a tree after sunset. More of a scenic than an abstract, too, but I’m pressed for time.

Okay, okay, how about another from the same session, just a bit earlier?

sunbirst through gap in autumn sweetgum leaves
Just a hint of the fall colors that are still developing, using the reflection of the sun off the lake through a gap in the leaves. Happier now? Doesn’t matter – this is what you’re getting. It’s been a slow month photography-wise, but fairly busy in other respects. Maybe November will be more blogworthy.

Profiles of Nature 43

loggerhead sea turtle caretta caretta Oddveig looking, well, just looking
Profiles. Why did it have to be Profiles?

This week we have Oddveig, here just as she discovered, after landing the part of the alien villain and spending the last two months bulking up to resemble the obese sluglike concept art, that they were going to do it all with CGI. She hasn’t said a word now or even blinked for the past day, so luckily we completed our interviews with her a few days back, between helpings of Ho Hos (and you should know that we just looked that up to know the proper spelling, if there was a space or a hyphen or anything – the exhausting research that takes place for this blog.) Oddveig is the quintessential method-actor (“actress” is frowned upon now, isn’t it? When did this happen, and why didn’t we hear earlier? Is there someplace where these things get posted?) who conducted most of the interview in an alien language, so we don’t have a lot to tell you. She also endeavored to leave a trail of slime behind whenever she moved, of which the less said about it, the better. She did, however, keep referring to us as, “Solo,” gratifying because despite our best efforts and a really slick black vest, back in the day, none of our schoolmates agreed to call us that and instead settled on, “Nien.” Don’t call yourself a fan if you’re looking puzzled right now. Since we could only understand the words that did not exist in “her own” language, we have only a sketchy understanding of her biography, but we’re fairly certain she grew up in, “Shytown,” and was inspired to take up acting when she was hit by a, “chartreuse micro bus.” Something like that, anyway. She’s also afraid of bears, apparently. If you don’t recognize her, that’s because Oddveig created quintessential method acting, wherein you don’t take on the persona of the character you’re portraying, but that of another actor who knows how to play that part, and so she is often mistaken for Cameron Diaz or Rowan Atkinson. She’s so good at this she actually had Wesley Snipes thrown out of his own birthday party as the imposter, earning her a box of chocolates every year from David Goyer. Oddveig’s favorite office supplies that are bought but never used anywhere, ever, are colored paper clips.

No, don’t even try telling us you actually like these – we’re sadists from way back and we’re hip to that feeble psychology, so next week goes on as planned.

1 107 108 109 110 111 329