I am a little slow in putting this up, because I forgot to check back after I heard this might be appearing, but you should definitely review this post about the card game Emergent. Why? Well, first and most importantly, it was created by my friend Dan Palmer, who has been creating and tweaking games his whole life, and this is to be his first commercial offering. Dan has a gift for finding interesting forms of gameplay, both effective and entertaining, and I’ve had firsthand experience with this for a long time now (like, two freaking decades.) But there’s also the little detail that the graphics of the deck are actually mine.
Not the designs themselves – those are Dan’s. But he wanted real photographs to represent the color suits of the cards, and enlisted my help in finding images that would fit the bill. Once these were chosen, I worked from his instructions and criteria to put out the other cards as well (it’s not like text is a huge skill.) He designed the logo and graphic backgrounds; I just made them to order. Dan also located a printer that could do a really slick job of producing the cards, and managed to get his complete deck in hand for a gaming convention early this year (though not without a rather intricate backstory in itself involving delivery times, car breakdowns, and the suspicions that Fate might be a real force after all.)
The trip I mentioned a while back was actually into his neck of the woods – we live far apart now and all of the prep work was done through the magic of the intertubes – so I not only got a chance to play it out for myself a few times, we attended another game convention together and got to try it against a few blocks of players, receiving a lot of input. On the drive back, we hashed out more rule tweaks on this and a few other games Dan has in the works.
A few weeks ago, he contacted me about a new card that might be added, and had decided on purple; did I have something that would fit as the background image? His own suggestion was a nighttime lightning shot, since the sky tends to go purple in those conditions anyway, but he was up for any suggestions. I sent along eight possibilities I think, and he had largely decided to stay with one of the lightning examples I provided. Then, perhaps a week or so later, I got the hazardous near-miss image and of course sent this along; I think he’s pretty much set on using that one now (if the additional card passes muster, at least – this remains to be seen.)
This whole thing has been an ongoing story. Not just from the progress of the card deck from concept into real time, but on many other fronts as well. The convention mentioned in that other post was directly related to Dan’s day job, or at least part of it: a bit of swarm-oriented software for assisting in medical diagnoses. He and his colleagues have been developing this for the past couple of years, and submitted a paper on it not too long ago. I was enlisted to help tweak their images for publication clarity – ensuring that a color image would retain the same contrast and illustrative properties when converted to monochrome for one-color printing, overlaying results from different stages in the process, that kind of thing. Dan’s presence at this convention was due to the paper’s acceptance, and so I then helped a bit with the presentation he would be giving – I don’t want to make any kind of big deal out of my contribution, because it was minimal; Dan and his colleagues had produced a fascinating body of work and a process that will, hopefully, become integrated into medical diagnoses in the near future. I was only there to ensure that the illustrations worked, and in a lot of ways, that’s what a photographer does: present a visual representation of some concept. Art is all well and good, but function is in demand ten times as often.
Dan, within his ridiculously busy schedule, also ran a summer camp this past season, and he demonstrated the very same software within it; the algorithm is designed to produce probabilities from a large number of diagnoses. Obtaining medical images for public use is indescribably involved, due to patient confidentiality laws, so instead of using medical images, Dan asked me for anything I might have, or be able to produce, with hidden elements – the idea is that the kids would independently point out where in the image lay some unexpected element, if it even existed, and their confidence level in it as well, and the software would collectively evaluate their ‘diagnoses’ and provide a potential ‘group’ diagnosis. The most fun was the criteria where there should be nothing of note in some of the images, but they should give the impression that there might be. So, once again I was providing my services towards Dan’s work (and in fact, this funded the trip up there.)
Is there a point underlying all of this bragging? Sure. It’s great to be able to get paid for doing exactly what you want to be doing, recognized for your art and all that, but it’s also extremely rare. Most times in fields like this, you have to produce what someone else wants, sometimes just as much as if you held one of those office jobs you thought you were avoiding. Pride in your own work, your own taste, your own style and approach, is all well and good, but pride in making the client happy is important too, and more in demand.
And, it is really cool to be watching these various things come to fruition, to be a part, however small, in these projects. Hell, I’d be interested in noting their progress just from watching them develop, even without any involvement of my own. But when they work, I know that my contribution is at least doing what is needed.
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If you spotted the thin red line down the middle of one of the cards on that linked blog post, good catch! Too bad I missed it before I packed the images off to Dan. It’s simply a reference line for keeping things centered on the cards, existing on its own separate layer, and was supposed to be rendered invisible before I finalized the card image. It was already fixed long ago, but this was the first deck of cards made – just one card has that artifact, and of course it’s one of those chosen for the illustrating image…




























































The 



Switching focus to the younguns and using the flash provided a little better view, but not a lot – there were still countless strands of silk in the way to prevent really sharp focus. Still, it’s enough to prove that I wasn’t just seeing chaff or something.

To say I was delighted would be putting it mildly. While I’ve known for decades that they lived in this area, I’ve seen just one flying squirrel in the wild, and that was in downtown Savannah, Georgia, while we waited at dusk for the ghost tour to begin. Now, I’ve handled them while doing rehab, and even have a 
You may well ask, what, exactly, is that title supposed to mean? Well, it refers to the idea that I don’t really do 
I have no idea what these are, but those sure look like grape leaves. A quick search on “blue grapes” didn’t turn up any matches, but I like the colors all the same. Actually, they look extremely tasty to me, and if they’d ever made a children’s cereal that looked like that I probably would have eaten nothing else in my youth (maybe not even now,) but I’m also not fooled by it. Found in a nature preserve brimming with birds, I was going to say these were suspiciously untouched, but there are a few empty stems there, so now I’m not too sure. If anyone wants to find out for themselves, stop by and I’ll take you over there – if you survive, I’ll try a few myself and post the results.
At the botanical garden one day, a ruby-throated hummingbird (Archilochus colubris) that wasn’t doing very well took a sip from a lily while I was nearby. Ideally, of course, you want a clearer view without another bloom in the way, but I kind of liked the idea that this was an almost-obscured perspective, a sneak peek at the bird. The yellow feathers near the tail, however, aren’t normal, but a sign of discharge, part of the reason why I said she wasn’t doing very well – the other was the tendency to perch and fluff out her feathers on a perfectly warm, dry day. Birds that are ill often do this to conserve their body heat and divert their resources towards areas where they’re needed more. Something was amiss, and I have a lot of very detailed frames of her while she simply sat on branches, not quite oblivious to close approaches, but certainly a lot more tolerant of such than is typical.
Both of these images were taken on the same morning, after a deep overnight fog that I failed to take advantage of. Above, a lone Graphocephalo genus leafhopper aligns itself with the shape of the leaf yet somehow manages not to be inconspicuous – it still attracts less attention than the lone red leaf that fell across its healthier brethren. I know you were waiting to see if I could make it ten days without posting images of some insect, but it was not to be. Let it go a little longer – the winter months will be hard on me, and I’m already doing too many ‘studio’ shots because the pickings are leaner. The other day a small male mantis appeared on the porch, but only allowed a couple of half-ass frames before flying off in desperation. I really need to live in a rainforest someplace…
And so I leave you with a katydid portrait, because everyone should have one, don’t you think? Once again shooting wide-open in poor light, the background colors set up a pleasant but low-key contrast to the orthopteran, who adopted an insect-of-action pose for the shot – some species just can’t act natural in front of a camera. One antenna is of course rather visible, but the other droops down in an arc over the head, and believe it or not, I shifted position and timed it to be that way – I’ve been burned many times before on antennae falling in front of an insect’s eyes and ruining the shot. It’s one of those stupid things you never imagine you’d have to think about when chasing macro photos, but there you go, a little tip from your Uncle Al. Who’s wondering why you keep forgetting his birthday, not to mention Uncle’s Day…
This is just a couple of quick comments – nothing really thought-provoking. I say that as if it’s different from the rest of the content…
While waiting on those responses (I imagine it will be a while,) I’ll leave you with an animation made from twelve consecutive frames of that storm. These were all ten-second exposures with roughly ten seconds or less in between, so overall this spans just under three minutes – you’ve seen cropped versions of two of these frames in that earlier post. Right after the last frame seen here, I switched camera position, so the big ground strike – which occurred three frames later – could not be included in the gif (pronounced “hal-a-PEEN-yo”) without drastic cropping. Still, this does a great job of illustrating the twisting and depth of the clouds, and the activity therein.
My specimen is small, as the male spiders often are, this one measuring 8mm in body length at best (I forgot to confirm when I could.) I went in for a face shot because, hey, anyone can do an overhead full-body pic, plus I was, as I said, testing out the lighting. After I unloaded the memory card, I noticed (besides the eye reflections) that the chelicerae appeared somewhat distinctive, and since I had not yet identified the species, I decided I’d like a closer look. He was still sitting where I’d taken these shots and left him, which was on a graduated container sitting on the porch (containing other arthropods, if you must know, ones not half as interesting as this one,) so it was an easy matter to capture him and go for slightly more controllable conditions.






Now we get to fluorescence. Fluorescence (and phosphorescence, a close relative) is a curious trait where a substance absorbs energy that it then re-emits as visible photons. In cases of UV fluorescence, possessed by some substances, some arthropods, and even some minerals, the UV photons are absorbed into the substance as greater activity in the atom, electrons jumping to a higher energy state. Almost immediately, they drop back down to their ‘normal’ state and re-emit this energy, but at a different level, thus producing a different wavelength, one that we can see. So it’s not like the normal situation we find ourselves in every day, where photons simply bounce off of an object and reach our eye, but a trade, where objects keep the photon energy and exchange it for photons that we can see – a chemical ‘currency exchange’ system.
Anyway, as I was typing all this I realized that I hadn’t tried out the UV light around the new yard yet. I had done a little exploring in different areas around the old place, finding very little of interest, but so far hadn’t checked out this area. I knew there were no scorpions to find, but what about other arthropods? Some macro photographers,
At one point, I found the juvenile form of an Apheloria virginiensis montana, a large black & yellow centipede that’s not hard to find around here – see 

