By that, we mean, “Post-processing,” which some may argue doesn’t really apply as composition, but it all depends on how you use it, doesn’t it?
I’ll lead off with saying that getting the image that you want in-camera, while your chosen subject is right there in front of you, is not just preferred, you want it to be an integral part of your shooting – it’s
I can easily claim that title, fully aware that I might even be underselling myself, but I’m trying to improve. This post is a small example of those efforts, at least.
Here’s the deal. I am (or was) presently writing a new composition post, and therein I stated the importance of having accurate color and gamma results from your computer monitor. The best way to do this is with a color