Been meaning to get to this one for a while, just never set aside the time to do it. Finally started this past week with a few days to spare, which was good, because I ended up having to re-record it after finding the screen capture software wasn’t capturing, like, the screen, instead cropping off the sides a little. So let’s take a look at using layer masks, because they’re
Tag: GIMP
Tip Jar 26: Perspective tool
We’re halfway through now, and I regret picking this kind of topic a little, because many of these posts take a fair amount of work and I’m often pushing the deadline, like I am now. It’s not like there’s a firm deadline anyway, just the one I arbitrarily chose, and you probably couldn’t even tell me the one I blew by several hours. Still, I’m trying to be conscientious,
Tip Jar 25: Using the Clone or Rubber Stamp tool
Another entry in the GIMP tutorials, this one in patching grunge and unwanted doodads within your image. Generally a pretty straightforward process – until it isn’t, and this is intended to head off some of those stumbling blocks that can make things frustrating. Don’t get me wrong you will still have a lot of trial-and-error, back-and-forth attempts, especially
Tip Jar 24: Dodging and burning
Another post on digital editing, this one for (as it says,) dodging and burning, which is lightening or darkening selected portions of an image. This used to be a common darkroom technique, though it’s probably a bit less-so now, but it’s still handy to know how to accomplish. This is definitely one where practice and experimentation will improve the results. So herewith, a quick video
Tip Jar 12: Greyscale
Greyscale, grayscale, monochrome, black & white, whatever you want to call it. Too often viewed as the realm of the darkroom photographer, greyscale images can add a lot to your galleries and really grab the eye when done well. This is a demonstration of several different digital editing techniques to give your color-free images a bit of an edge.
As before, it’s best if your monitor is
Tip Jar 8: Curves, part 1
I’ve been meaning to get to this for a while, and finally tackled it this past week. Herewith, a tutorial on using the ‘Curves’ function in many image editing programs to adjust brightness and contrast within an image, selectively as needed.
As noted therein, this won’t work very well if your monitor is poorly calibrated for brightness, contrast, and gamma, so it’s recommended
Tricksy tricksy
I left you hanging with yesterday’s end-of-month abstract, so I am making good on it and revealing just what it was now. This is almost disorienting to me, because the weather has changed drastically since it was taken and it really wasn’t that long ago, after the sleet and freezing rain. So let’s take a look at the original.
Note, first, that letting the camera
Just because, part 54
Stepped out at dusk last night, then stepped back in to get the camera and shoot a couple of frames.
Well, it was more than a couple, because I was both focusing manually and freehanding the long lens, trying for an exposure that would bright out the branches against the last light in the sky I have a lot of discards. It would have been better about ten minutes
On composition, part 32: Post
By that, we mean, “Post-processing,” which some may argue doesn’t really apply as composition, but it all depends on how you use it, doesn’t it?
I’ll lead off with saying that getting the image that you want in-camera, while your chosen subject is right there in front of you, is not just preferred, you want it to be an integral part of your shooting – it’s
Visibly different, part 17
Another take on the subject this time instead of comparing older and newer images, I’m going to show the alterations done to a single older image. I suspect this is the only image of mandrills that I have, and I can’t even recall where I took it, since I’m pretty sure the NC Zoo hasn’t ever had them and I’ve never been anywhere on the African continent.
Anyway, the
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