On composition, part 33: Impressions


Recent tasks brought this one to mind, an aspect of composition that can have significant effect but often remains entirely subconscious, so let’s talk about the subtle and tricky topic of impressions.

First off, I’ll say that from my own perspective, I more often stumble upon an image that provokes a certain impression, more so than I’ll actively aim for it, much less create it read more

Hello? I’m sorry, the connection is weak…

Let’s start off with the correction, or at least the admission that a statement that I’ve made numerous times in the past was not supported by facts. The statement, in various forms, was essentially that before various empirical proofs came along, people generally believed that religious scripture was literal and factual this was largely used when I was discussing the read more

Underlying

As you may have been told in high school, many great works of literature and filmmaking are actually metaphors, using familiar characters and situations to represent deeper, more nuanced abstract ideas. The reasoning behind this is obvious: even small stories, seemingly inconsequential events, are part of an overriding narrative and purpose, reflecting in their nature that everything read more

It’s like a metaphor

Walkabout podcast – It’s like a metaphor

I realized I haven’t been trying hard enough to earn my Shrill and Strident merit badge, which is funny, because there are certainly enough subjects that reinforce my atheism which could be lambasted. So let’s delve into the use of metaphors in scripture. While this will largely apply to the abrahamic scriptures (meaning read more

On composition, part 12: Mood and metaphor


Moods and metaphors are present in a lot more images than many suspect, and in many cases they’re recognized only subconsciously. Being able to induce them in the viewer is one thing, but simply noticing when the opportunity presents itself to your camera is a directly related skill.

Sometimes it’s simple. When I say, “Dawn on the beach,” you automatically get a visual impression read more