This has appeared before, but it remains a nice color image so I’m using it again. Plus it has callback value!
The surreal effect was generated by shooting in natural light at f4, which produced an extremely short depth-of-field that let most of the frame go into soft focus while only a few portions of the subject stayed sharp. But there’s another detail to the effect that is visible
This is just a tiny preview of posts yet to come – I think. I’ve learned not to bank on such things now, but we’re off to a good start, anyway. It’s likely to get a bit more precipitous around here.
It’s been a long time since the last ‘Just because’ post, and I am truly ashamed. Or something. I am truly something…
This one has been kicking around in my blog images folder for a long time. It had been sized this way for a particular post, and I can’t even remember which one now, or what it was intended to illustrate. Other than, of course, being weird-looking as
I actually took all of these photos before I shot the fossil rock for the previous post, but I intentionally posted them in this order to break things up a bit. It probably doesn’t help, but I get credit for the effort, right?
After the heavy rains Monday night and Tuesday morning, I went out to do a walk-through of the yard, and one of the first things I noticed was what you see here, a leaf
So, in the recent trip to New York (the state, not the city,) the schedule was tight and there were several obligations, so I had only tentative plans to get out to a couple of areas to do some exploring and/or photography, and they never came to pass. One of those plans was fossil hunting, since there are several areas close to where I was that were surprisingly easy to find fossils within.
However,
This is one example of matching light to your subject. I often recommend that, when the light is bright and high-contrast, photographers should seek low-contrast subjects, and this is an example of the opposite: a high-contrast subject shot in low-contrast, near overcast lighting. The shadows are kept under control, but more importantly, the highlights don’t get too strong
You know, there are a lot of misconceptions about animal psychology and behavior out there, and they’re all over the map. I’m going to address a few of the more prevalent ones here, with the hopes of at least promoting a little more perspective and forethought among the topics.
Let’s get one thing out of the way right from the start: “animal” is a simple
Every once in a while someone remarks about how many frames I take, or why it might be necessary to take more than one of any given subject, or most especially, whether they should be doing this. It all depends on what one wants to get out of their photography, and what their end purposes are, but the answer is, “Yes.”
Took care of that one easily. Next post.
Okay, sorry, let’s
The purpose of these weekly posts was to present a splash of color, originally in the winter when such was scarce, but either way just as a cheery visual thing. I’m not sure how well this works when the color is from a cluster of tiny spiderlings, but if you haven’t determined this about me by now, well, it’s par for the course.
I haven’t identified these, but they look to
Or early this morning, if you prefer…
After the rains, I went out to try a few artistic photos with the water drops on the plants, but was having issues with the on-camera light I use to focus, cutting those plans short. I still had a headlamp, but it doesn’t aim well past the camera, especially not down right in front of the lens where it’s necessary for tight macro work. But while
