This is just a quick rundown on shooting film, should you decide to give it a try. I admit that I haven’t shot film in years – and still have several film cameras in good condition, numerous rolls of film, and a complete darkroom packed away that may get set up before too long, since I have an ideal space for it now. If all you’ve shot is digital, the good news
Tag: monochrome
Tip Jar 12: Greyscale
Greyscale, grayscale, monochrome, black & white, whatever you want to call it. Too often viewed as the realm of the darkroom photographer, greyscale images can add a lot to your galleries and really grab the eye when done well. This is a demonstration of several different digital editing techniques to give your color-free images a bit of an edge.
As before, it’s best if your monitor is
It’s Thursday – you know what that means
It means… actually, it doesn’t mean a damn thing, because I haven’t done a weekly topic on Thursdays since, oh, 2021, but I like the idea of new people coming here and thinking they’re missing out. Well, sure, of course they are, if they’re new, but even more so than they really are. All this presumes that new people are actually coming here, and this whole
A batch of autumnal monochroma
“Wait, monochrome?” you say, “As in, black and white? Al, you fucking moron, fall is the time to exploit the colors, not eliminate them entirely. What, are you trying to be avant-garde or poetically ironic or something equally spastic?”
Which hurts, I admit it, even when I wrote it myself. But I saw the possibilities of some of these, which worked better than most of what
Miss Monday Monochrome?
It’s been a while, hasn’t it? I’ve had a couple of images set aside for this purpose, and just added a few more. Let’s see what we have now.
The color version can be found here, but in this case, after converting to individual color channels, I reduced
Tripod Holes 41
N 28° 8’49.32″ W 80°38’37.62″ Google Earth location
Part of the challenge of doing these posts has been seeing just how specific I can get about a location, and this one is within a meter or so (though I probably should have more decimals in the Lat/Lon coordinates for that.) I knew the rough location and started cruising through Google Earth, and with Street View and some
Tripod holes 28
N 35°14’12.95″ W 75°31’41.43″ Google Earth location
A few weeks back, I presented my favorite true B&W image this is my second-favorite, though the rankings may swap depending on my mood, so be warned. And this is largely as-shot, with perhaps a slight
Tripod holes 25
N 28° 8’18.14″ W 80°37’49.41″ Google Earth location
This one’s precise – not of where I was standing, because the angle isn’t perfectly recalled, but certainly of the tree itself, which is still there despite this image being taken in 2003, I believe. I was cruising around at night on my bicycle looking for good subjects for B&W film and realized that
Tripod holes, part 5
N 35.888237° W 79.015528° Google Earth Placemark
I should have done this one two weeks back, when it would only have been six years and three days after it was originally taken, but oh well. This was from January 2017, and there was still a smidgen of snow on the ground even though the morning’s temperatures were pretty nice for January – this is hinted at with the fog, but granted,
Visibly different, part 41
Our opening image this week comes from Florida in 2004, a grab shot as a brown pelican (Pelecanus occidentalis) launched itself away upon sighting me. The day was near-overcast and windy, and the pelican was just emerging from under deep shadows of the causeway bridge, visible as the blue banding in the lower half of the frame. I was never enamored of the shot, thinking