We’re back to another installment of living out my glory years and realizing how unglorious they were, but you take what you got, because whatcha gonna do about it now? You should have thought about needing post material a decade later back then, shouldn’t you?
Though I admit, you have no idea how psyched I was to get this image back then, and I still find it pretty damn slick,
Back in 2011, I’d planted a whole bunch of wildflower seeds and, very typically I was to find out, almost none of them sprouted. At all. The only one that I could dependably say did was some form of aster, but it fulfilled its purpose in that it attracted a certain number of pollinators, and with them, a certain number of pollinator-predators. This is one of them, a jagged
I mention using this lens from time to time, and I’ve gone into detail here and there, but it deserves another look, especially as we come up on its 25th birthday, more or less.
When I bought my first ‘serious,’ new camera, the Canon Elan IIe, back in 1997, I picked a pair of lenses to go along with it, using my income tax refund for the previous year. The primary lens was the Sigma
Last year was largely devoted to arthropods, even though I’m not actually trying to limit myself – they were just what I had the greatest opportunities to tackle. And it seems this year may be largely the same.
The same holly trees that appeared here have been playing host to several specimens
I threatened earlier to return to this if you weren’t good, so you only have yourself to blame, but herewith, a quick tutorial on a method of macro photography called dark field photography.
Most times, this is used with microscopic subjects, which technically isn’t macro photography but photomicrography instead. The essence is, the visible background of the image is dark, yet the subject
Gotta take a break from kittens…
Oh, you want to know just how big my subject really is? Okay, then:
Earlier I talked about some of the basics, so now I’m going to introduce you to a new form of cheating (but one that may make your life oh so easier and perhaps considerably longer because, you know, stress…): captive aquarium photography.
Aquatic subjects are something that takes considerable effort to capture in the wild, and much more so if you’re after small subjects that need