
Can you guess the category for today’s Ancient Lore image(s)? No, it’s not ‘Aquatic.’ No, it’s not ‘Beach.’ No, it’s not ‘Lakes/Streams/Waterfalls.’ We’re doing these in alphabetical order, and we last had ‘Leaves/Plants/Trees,’ so what must be next? You should have memorized the order of the folders by now.
That’s right, it’s ‘Mammals,’ a surprisingly underpopulated category among my stock images – you’d think a nature photographer would have a decent selection in there, but I guess I suck. Anyway, that image up there isn’t even the featured one, it just illustrates things slightly better, having been taken the same day and a minute or so before. “Before what?” you say, “Get to the freaking point, Al,” but you should have known by now that wouldn’t work. Anyway, we find ourselves once again atop the causeway, looking down into the Indian River, full name Indian River Lagoon, more specifically the sound behind the barrier islands on the Atlantic, mid-coast side of Florida. It was pretty much salt water, with access to the ocean many kilometers north and south of this region, but broad enough to make numerous ocean inhabitants happy enough, and among them were the Atlantic bottlenose dolphins (Tursiops truncatus.) However, one had to be sharp-eyed to even see them most times, and even faster on the draw with the camera to get any kind of photos, because the typical behavior of dolphins is to surface as if they were cresting the top of a very small hill, exposing their blowhole for about a second before disappearing beneath the surface again. Moreover, this is almost completely unpredictable, far less of a pattern than you might imagine. So even when in prime viewing conditions from the height of the causeway with excellent light, getting a decent shot was challenging, and in fact, after all these years I still don’t have anything that I would consider printable, even with the help of a dolphin tour.
And it’s worse, believe it or not, with autofocus, which needs a certain amount of contrast to lock onto a subject, something that doesn’t often spring up with subjects beneath the surface. Add in the shutter lag for the older digital cameras, and the aforementioned brevity in appearance, and you end up with a very frustrating shooting session – generally, the discarding of numerous shots of blank water, a blurry subject, or if you’re lucky a disappearing tail. Expect to cuss a lot.
The notable aspect of this particular session was, one of the dolphins had been progressing steadily closer, starting to come in right underneath my position (I may have shifted along the bridge to accommodate this, of course,) when it spotted prey, likely a ladyfish or tarpon. Immediately, the placid, ‘strolling’ nature of the dolphin’s progress changed to hot pursuit, and it bulleted through the water after the fleeing fish, easily three times as fast as it had been going. Dolphins, however, are still massive creatures, many times more than its intended prey, so the fish had a distinct edge in maneuverability and used this to good advantage. The dolphin was likely faster, but the fish could turn a lot better, and the chase was something to watch.
At one point, just as the dolphin was almost within seizing range, the fish snapped off to one side and the dolphin attempted to emulate it, twisting so hard during its frenetic chase that it completely overturned, rolling all the way over from its own momentum and utterly destroying any concept of the grace of these sea creatures, and that might be what I captured here.

First off, the intended meal is that dark streak towards the center of the image – the dolphin had indeed been very close. And the wandering autofocus has made its effect known. But you’re seeing the side of the dolphin here; that distinct fin is not the the dorsal (back) fin that we’re all familiar with, but a pectoral, since the dorsal points towards the lower right corner here. You can just make out a hint of the paler underside pointing away from us. The odd shapes up towards the head of the dolphin, to the left, are likely air expelled during the desperate maneuver.
It might well have been more impressive with video, and the camera had the capability, but bear in mind that the chase started abruptly and lasted perhaps eight to ten seconds (the dolphin effectively lost its prey when it rolled over,) so even if I’d been instantly ready to switch, the very act of doing so might have meant capturing nothing, especially with trying to regain focus again on rapidly twisting subjects under the surface. It’s a shame, because I’d love to snag clips like this, but between the demands of the conditions and the sporadic, fleeting nature of such behavior, the chances remain very low – we’ll just have to see what happens. But in the meantime, here’s another story of a hungry dolphin, one that was absolutely breathtaking to see.




















































If you’re not familiar with the name, Ken Ham is a notorious Young-Earth Creationist, known for his debates with Bill Nye and his cute-as-buttons ark park in Kentucky, where he espouses his ideas about biblical literalism – essentially, the [christian] bible is absolutely true in all regards, even when blatantly contradicting itself. And of course, one of those absolutes is the timeline of creation, establishing that the Earth is only around six thousand years old because that’s all the generations that have been outlined therein. We know this because… because. It says so right there in the bible, and unlike every other book in the world, the bible cannot contain prevarications, myths, or self-serving fables. You may think I’m being snarky, but Ham says as much himself right in his book.
First off, no one is going to mistake this for a book on dinosaurs, despite Ham’s best efforts to list a lot of them. This is evangelical indoctrination, pure and simple, a hamfisted (a ha ha) attempt to use a subject that kids find popular to try and instill his own concept of biblical literalism. We’re not even talking the hoary old ‘Teach the Controversy’ idea, because he does not present controversies, only the idea that scientists are wrong, because bible. When he is presenting the fossil evidence of body types and habitats, for instance, he is content to simply refer to “scientists,” but when it comes to ages and diet, he begins to make the distinctions of “secular scientists” and “creation scientists,” a division to be found among evangelists and nowhere else, since science is not built around ideology, but around the strength of the research. This research is openly dismissed within the book whenever it fails to support any biblical passages, regardless of how much evidence and interconnectedness it demonstrates; Ham even goes so far as to say, multiple times, that secular scientists “guess” at how old things are, completely failing to address the huge body of work that supports the consensus of a 4.5 billion-year-old Earth.
This is why I never feel particularly threatened by books of this ilk. It is very easy for a questioning child to find all of the flaws in his desperate flailing, and even if their childhood was fully immersed in such selective ‘education,’ interactions with the broader world will soon start to show the myriad problems. As will the progress of (real) science, as his comment that we have never found a dinosaur fossil with feathers was 
The key portion that promoted the whole thing from an idea to a work-in-progress was a front-silvered mirror, and let me explain. Most mirrors are back-silvered, the reflective surface being on the back side of the glass because it’s delicate and easy to scratch. But doing any photography, especially high-magnification photography, with one of those means there are always secondary ‘ghost’ reflections from the front surface of the glass, so the goal is the make the front surface the most reflective. I thought this was going to be a tricky thing to purchase until I came across replacement side-mirror panels in an auto parts store; the unfinished back was exactly what I was looking for, and it was available in larger pieces for truck mirrors. The remainder is all PVC pipe and a piece of clear acrylic for the viewing window. The elbow is actually a T-joint cut on a precise diagonal and sanded flat for the mirror to mount to, and I painted it all green both to reduce its obvious contrast to any undersea denizens that I got close to, and to cut the glow from reflected light onto the photo subjects and surroundings. On the black collar (a simple reducer) was mounted a 1/4-20 threaded insert for a standard tripod screw, as well as a 3/8-16 threaded stud for a mini ballhead to hold a flash unit, which could be aimed to fire into the water just ahead of the scope. Seen behind the camera is a Manfrotto 3028 head, which as far as I’m concerned is a necessary tripod head for anyone into esoteric photography experiments, since it can get into countless different angles, and was the only one that would accommodate the needs here. All submerged seams were sealed with silicone, and the inside of the whole assembly was painted deep matt black to eradicate internal reflections – before the mirror and viewport were attached, of course. Planning ahead a little can make things much easier.
















