
Some 14 years back while house-sitting for some friends who lived near the interstate, I went out for a walk one evening and noticed, off in the distance, a collection of flashing lights from emergency vehicles. At this point I was still largely shooting film, but my friend had left behind his Sony F-828, an upgrade from the F-717 that I’d used for a while in Florida, so I gathered that up with a tripod and hiked down towards the lights to see what was happening, with the thought that maybe I’d get something I’d long been after, which was a time-exposure with passing emergency vehicles in the frame.
Long story short: the accident looked minor, with not even an ambulance visible and just one disabled vehicle (looked like a spin-out, which people tend to forget is extremely easy to accomplish at highway speeds.) However, to allow access from both fire and wrecker vehicles, one lane of the interstate had been closed off with flares. The visibility of this extended for perhaps a thousand meters – I’d been that far away when I first spotted it, I believe.
I set the tripod up on the shoulder well away from the emergency vehicles themselves, but still within the region of lane closure and away from the road surface, so I was clearly not in anyone’s way, nor at risk myself. Well, much risk.
I was reminded how stupid people can be when, almost right alongside me, I heard a desperate squeal of brakes and locked tires and looked up to see a pickup truck fishtail to a halt within the closed lane. Either the idiot had approached the traffic ahead of him at way too high a speed, or had figured he’d duck into the ’empty’ lane to go around all those slowpokes. While he wasn’t too close to rear-ending a police cruiser, he also wasn’t far enough from it (again, highway speeds,) and somehow did not register the road flares that, really, couldn’t be missed unless you were unfathomably stupid. I quickly spun the camera around on the tripod and fired off a shot, so that’s what you see in the frame up there: the pickup is still rocking, with one of the road flares visible just beyond its rear tire, while a rig passes by in the correct lane. The blue ripples are reflections from the side of the trailer of the police cruiser not far out of the frame, strobes active (as they had been for the previous twenty minutes at least.) In fact, you can see a faint haze above the trailer itself, at the right end of the streak from the running lights, which may very well be the smoke from the idiot’s burned tires – I know I could both see it and smell it when I was there.
How close did he come? Well, here’s another shot that was a tad wider (shorter focal length) from the same position:

There’s the flare, and the police cruiser that was outside the previous frame. The other thing you’re seeing is a car carrier rig, illuminated by the blinking lights as it passed – cool effect. The flare looks closer or brighter than in the first photo, but I think that’s only because it wasn’t partially blocked by the idiot’s tire here – both exposures were only one second long.
A quick note about how hard it is to express field of view and focal length. Back in the day, as they say, it used to be relatively easy; with 35mm film cameras, each 50mm of focal length was about 1x magnification, so a 50mm lens was ‘normal,’ about what you’d see in person, while 100mm was 2x and so on. Everyone knew a 28mm lens produced a nice wide-angle shot. Then came digital, with much smaller sensors and commensurately shorter focal lengths, so this rule disappeared, and no guideline could be used among the different cameras. Eventually, the “35mm equivalent” started being used, and the Sony F-828 actually had such markings on the barrel of the zoom lens. Except, what’s saved in the EXIF info of the file isn’t the equivalent, it’s the actual focal length, so as I see that the top photo was shot at 37.7mm focal length and the middle one at 26.2mm, some translation is in order. It took a little research and a couple of quick calculations, but the equivalent is, top to bottom, roughly 100mm and 150mm – both short telephoto, meaning I was farther away than the photos make it appear, but not hugely.
I’ll close with one more, which only vaguely fulfilled my goals for that evening. As the wrecker pulled away with the accident vehicle (the original one,) I was prepared, up on the slope and dragging the shutter as it pulled into the lane. Interesting, but not quite what I was after – which I have yet to accomplish, but seriously, it’s not like I go out and try several times a year.






















































Of course, I have to close with my favorite lemur photo (among those taken by me, anyway,) which also appeared in the recent exhibit. This did not come from the Duke Lemur Center, but from nearby Museum of Life & Science – probably directly-related anyway due to their proximity. I think the ring-tailed lemurs get far too much attention, given how many species there are, but this was what presented the best opportunity so far. We’ll see if I can rectify that soon.



After the first grueling summer of 16-something-or-other, the initial colonists of what would later become the United States said, “Enough of this shit” (or words to that effect – probably more like, “Forsooth, we are unworthy of this bounty of excrement,”) and sailed down to Costa Rica to watch sunsets on the beach, a tradition that would eventually become our Thanksgiving holiday.

The primate at right is a mantled howler monkey (Alouatta palliata,) one of four different species to be found in Costa Rica. I ended up editing this frame to bring out a little more detail because the smutphone failed to compensate (or even offer the option) for the backlighting, and in the process brought out the grain as well. Most smutphones have an “auto ISO” function built in, where they adjust the sensitivity of the digital sensor to the existing light in an attempt to thwart motion blur in lower light, and this of course means that quality goes to shit – one of the many reasons why I recommend against them. True enough, most DSLRs would suffer the same to some extent, but with those, you have the ability to choose the ISO, aperture, and shutter to best match the conditions. Any camera yields best results if you know what’s happening and how to adjust for it, but real cameras allow for this control. She has a real camera, but 



In truth, I’d spotted the pickerel frog (Lithobates palustris) first, and was working around it cautiously to see how many different methods of framing I could accomplish before it spooked and leapt away. With the mushroom so close by, I chose it as a faux center of focus, going low enough that the eyes of the frog just peeked above the edge. The idea, of course, is to present the viewer with a sudden discovery, but the question always remains, whenever you stage something like this: how effective was it? As long as I remember the circumstances – or recognize that the image is stored in the Reptiles/Amphibians folder, which is it, but it’s also in the Leaves/Plants/Trees folder which is where I dredged it up this time – then I know to look for the frog, or spot it automatically. So how often are people surprised to find it themselves? Well, since this is the first public appearance of the frame itself, I can safely say no one has spotted it before now, but I suppose that’s not significant. Maybe someday, I’ll put a couple of these attempts into a gallery (you know, if I ever decide to do 

Some of the chorus frogs were already sounding off, but in a location where we couldn’t get very close, and all of the pics I shot from the greater distance lack critical sharpness, so I’m not even bothering with those. There were also several masses of eggs to be seen at two of the locations we visited, and I’m inclined to say, from the size of the masses, that they were bullfrog eggs, but I’m not even sure they were frogs. The smallest mass was a little smaller than your fist, while the largest would almost have filled a dinner plate. I may try to stop back and see what seems to develop – not even sure that would work, since I had enough trouble differentiating the tadpoles in my own pond.
At the first location off of Jordan Lake, I espied some clear evidence of American beaver (Castor canadensis) activity, in the form of clipped off branches 3-4cm thick, showing the distinctive teeth marks. This is not at all uncommon in this region; what got me was where they were, which was 2.5 meters (8 ft) in the air on a sloping limb. Now, beavers can stand upright and even do some limited climbing, which extends their reach much more than the expected half-meter, but this was well outside of even these accomplishments, especially since the base of the trunk was much more vertical. Instead, I’m almost positive this was evidence of the huge difference in water levels from recent rains; I know I’d seen the lake levels much higher earlier, and this would give an indication they were at least two meters higher than what we were seeing the other day. Mr Bugg was kind enough to pose under the limb, and he stands about 180cm – you can just see the two light spots on top of that crossing trunk, directly above his head.





