Podcast: The most interesting podcast

No, it’s not really – I’m just making fun of my own terrible speech habits. If I embarrass myself enough about them perhaps I’ll break them.

In the meantime, we’ll talk about how the exhibit went, and where to go from here, and what to do when we get there. Or something like that.

Walkabout podcast – The most interesting podcast. Or not.

portion of author's photo exhibit at Chapel Hill/Orange County Visitors Bureau
portion of author's photo exhibit at Chapel Hill/Orange County Visitors BureauMostly, the topic is about the exhibit that just closed down, the impressions and aftermath, so of course I have to include a couple of examples. The initial display was 61 images, cut down to 32 a little later on – both of these are from the larger original. I’ve always been a fan of minimal presentation when it comes to wall display, so most of the images were ‘shadow-mounted’ on black foamcore (that might not be the technical term among the cognoscenti and I don’t care.) But I included a handful of full-framed images, three canvases, and a metal print which I really like – I would have been happy to sell it, but I would have immediately ordered another to display here at home.

As you may be able to tell from these photos, the Visitors Bureau was not built with the idea of doing art displays (or even displays of barely fartistic nature photos,) and so the lighting isn’t what you might find in a dedicated gallery. It was by no means poorly-lit, but also not what most would consider ideal.

Another view of the exhibit can be found here, with some remarkably dapper gentleman in the frame.

reproduction of someone's ridiculous cropI mentioned that the website for the 2nd Friday Art Walk used an image from my site as a thumbnail, and that image is here. The portion that they actually used, however, is reproduced from memory at left. Seriously, don’t ask me what that was all about – I had nothing to do with it.

I also spoke about doing a visit to the North Carolina Museum of Art, and that was the topic of my previous podcast, posted in between recording that short blurb and including it within this one. We’re being a little nonlinear here.

I can’t go this far without including the actual bio page that was on display; it might help shed some light on my unique approach to the art form.

Al Denelsbeck is a local nature and wildlife photographer who “lives on the edge,” as he puts it, but that’s only because his home is on the border of Chapel Hill and Durham. He focuses more on macro work, but has been rumored to take the occasional scenic image if he’s not feeling well. He has far more photos of spiders than anyone wants to see.

When asked about his style, his focus wandered off and we never received an intelligible answer, so we’ll just go ahead and say that he likes interesting portrait angles on his wildlife, and semi-abstract approaches to landscape images, but you can probably see that for yourself. When asked about his vision, connectedness, and spiritual journey, he just giggled and mocked us in a derogatory tone. “If you’re not getting your own impressions from my images,” he told us, “why should I have to provide some to you?” However, he did claim that if he didn’t get dirty chasing any particular photo, he didn’t feel right, but we suspect that’s just an excuse for being a slob.

Al’s website and gallery, Wading-In Photography, can be found at wading-in.net. He also teaches photography on a one-on-one basis, available throughout the greater Triangle area, and more information on this can be found on the site, as well as several pages on tips and tricks. He abhors social media, so you’ll have to like or dislike him in person.

Moving on. In the podcast I recounted doing a largely unproductive zoo trip, and one of the images from it can be found here – yes, I actually did non-captive, non-habituated wildlife photos while visiting the zoo, but don’t get too excited before clicking on that link. While on this trip, the red-shouldered hawk family that I’d been following decided to leave the nest; parts of that saga can be found here and here. The opening pic on that second link is among the last photos I got of the fledglings. Despite the obvious negative impact from seeking out something else to photograph, I still expect to get a butterfly house visit in at some point, with a couple of other possibilities stewing on a back burner.

This podcast from two years ago still applies very well to the season, and may provide a few ideas of what to do while the conditions aren’t all that conducive to nature photography. We can’t all get involved in wildly successful exhibits of our work.

And this time around, I suggested having a few photographic goals for the coming season, but that’s always half-assed advice, isn’t it? That’s like saying, “You should work to improve yourself.” So, let me list a couple of examples, and perhaps they might spark some additional ideas as well.

  • Find out what endangered species can be found in your area, and endeavor to get some photos of them (always respecting their habitat and sensitivities of course, so some research may be in order.) Additionally, find out why they’re endangered and what impact their extinction may have on the ecosystem.
  • For a more abundant subject, flesh it out in detail. Get images of growth, habitat, behavior, life cycles, and so on. If there’s something particularly interesting or special about your subject, try to illustrate that. Remember that some aspects will only be visible during a certain portion of the year, so you’ll have to plan ahead to be ready to capture this.
  • Have a project that’s supposed to assist your photography? Finish it! Your deadline is March 31st.
  • Have a lot of photos illustrating something interesting? Find someplace to show them, especially if they can be used to educate. This means schools of course, but there are other options in any given community as well. You may even like doing presentations at retirement homes. If you’re not the type to do presentations, think about teaming up with someone who is.
  • Pick one of those esoteric functions on your camera that you never thought you’d use, and build a project around it. Second-curtain sync? Trap focus? Highlight Tone Priority? Be creative. Additionally, figure out a way to do something digitally that used to be available only in the realm of film (such as multiple-exposures without the use of an editing program.)
  • A couple of old standbys: take one image every day that has to be a keeper; close your eyes and put a pin in a paper map (or a mouse-click on a web-based one) and go there to shoot something; find the most creative way to get an image of yourself; determine something trivial about past photos, such as the highest and lowest elevation that you’ve shot at, and aim to beat those; choose a particular aspect of composition to tackle for any given outing.
  • Do some different with display prints, such as making a literally three-dimensional print (by layering different portions, or curving, etc.) Or make unique frames from odd materials such as hardback books, shells, leaves, patches of fabric, and so on. Aim to complement the mood or idea of the print itself.
  • Go someplace new every month.
  • Recreate an older photo of yours – same position, angle, and so on.
  • Long exposures are fun – be creative and find a new subject to tackle using them. Also, find a way to use the fastest shutter speed your camera can handle (without just aiming into the sun.)
  • Hopefully, at least one of those will spark something creative in you, or give you something to do in the slow season.

    Going back to opening topic as I wrap up this post, you likely asked what my favorite image in the exhibit was (no, you likely didn’t, but humor an old man.) Except I don’t really think in those terms, and probably couldn’t even narrow it down to five – the intention was to show off, of course, so there weren’t exactly a lot of photos that I wasn’t fond of in there. But what I can leave you with is one of only two images (I believe) that weren’t published elsewhere in the web gallery or on the blog – though a variation was. This presently serves as my screen background too, having switched to a new one when I converted to Linux to make the operating system obvious, and because I’d had the old one for years.

    green treefrog Hyla cinerea napping on pokeweed plant

    Ever see a guy say goodbye to a month before?

    Let’s see, January 31st; there’s something I’m supposed to do today – now what was it? Extortion payment? No. Take my SATs? No. File an anonymous report about a former boss being a child molester? N–… well, yes, but that doesn’t have to be today. Damn, what was it?

    Oh yeah, the end of the month abstract!

    rough ice patterns on pond
    Today’s photo was actually taken today, so kudos to me and all that. We’re not getting anywhere near the shitass weather that half of the country is getting and thus has taken over every last aspect of media available, so in a couple of ways I feel bad about this, but then again, there’s little else to photograph out there – the great blue heron that I was stalking didn’t let me get close enough for a decent shot, so this is what we have. And as skilled as I am, I haven’t mastered making dead grass look interesting.

    The tree was actually an integral part of this image – and don’t disappoint me by saying, “What tree?” The reflections were there to add a little more to the photo, and provide some nice dark lines that enhance the textures of the ice by being reflected from the edges. Had there been some really smooth ice, I would have aimed to have more of the branches in there, a little window among the rough patches of ice, but nothing that I found was smooth enough. Without the trees, the pic would have been a lot more monochromatic, so it gains a little more character this way.

    But don’t ask me how ice forms like this. I’m a photographer, not a… coldologist.

    A picture!

    A photograph, an image, a daguerreotype, a portrait du nitrate of silver! Or some such rot.

    blue and yellow pansies - I think
    This is just to celebrate the raw fact that I actually took a couple of photos! Seriously, it’s been rotten conditions around here; nothing to see, and crappy weather whenever I have even a few moments. These were taken during a student session in a park that’s often used for weddings, and obviously not growing wild. I was heading back to the car and decided I needed to shoot some damn thing.

    And hard as it may be to believe, my legion of readers somehow didn’t take me up on my previous suggestion and send me a ticket to Belize. I suspect that you all felt someone else had it covered, but hey, honestly, if I get too many I’ll send them back to you – no worries.

    Too cool, part 39

    Just a quick one here, but check out the Astronomy Picture of the Day from Friday. It features an image of a meteoroid striking the moon during the total phase of the lunar eclipse the other night. This is pretty lucky timing, because had it occurred during any phase that had full sunlight on that portion, it would have been too dim to see against the reflected light of the moon itself, save for perhaps very sensitive measuring equipment, and even if it had occurred in the dark region of a partial moon, exposure times for the photos would likely have been too brief to register it.

    edited estimated image of total lunar eclipse by naked eyeAnd seeing it in person? Not very likely, unless you had at least a decent set of binoculars or a telescope and were paying close attention. I edited one of my frames of the total eclipse here to give a rough idea of what it looked like to the naked eye – of course, back away from the screen enough until you can hide it under your thumb to get a more accurate size estimate. The meteoroid, by the way, was estimated to be quite small, perhaps about melon-sized, and to have left a crater 7-10 meters in diameter, which is roughly the footprint of a smaller house. So actually pretty cool to have been visible at all from 800,000 kilometers away.

    Yes, I looked through all of my images, and no, I did not get even a hint of it. I only had a few frames from the approximate time period that it occurred within, and most of those were too badly focused to have registered it anyway, even if the timing had been bang on. So, fame eludes me once again. Well, greater fame, anyway…

    Storytime 4

    expressive sign on Rt 41, rural North Carolina
    Not so much a story this time, as a more-than-accurate representation of rural North Carolina – or indeed, rural anyplace-in-America. I’d been out with The Girlfriend and, you know, that Jim Kramer, and we were returning from a little side trip out by Elizabethtown, NC, and Jones Lake State Park. Jim was driving, but I spotted the two primary elements in the image and made him turn around so I could get this shot – I assured myself no Buck-Roys were hanging around outside the hunting club before I positioned myself behind the sign, believe me.

    I don’t do photojournalism much, mostly because it involves photographing people, but this is probably one of the most expressive shots that I’ve done, and it illustrates rural America pretty damn well, if anyone from another country wanted to get an impression from a single image. Pickup trucks are everywhere, and road signs with bullet dents are pretty common in any quiet area. And just to clarify for anyone that needs it, they’re typically from rifles, not handguns – this is not gang-related or anything of the sort, but bored yokels looking for something to shoot other than old bottles and cans (which require a hell of a lot more accuracy.) You’d think a hunting club would provide some other kind of opportunity, but there you go.

    Now, I presently live in a bit more of an urbanized section, so bullet-ridden road signs are much less common. But there’s a different kind of damage instead, and it took me a while to figure it out. From time to time, really far too often, I’d see signs that were twisted and mangled, usually still attached to the posts and upright, which was what made them very curious. Mangled while lying flat, sure – some drunk-ass fuckhead, or some kid who wasn’t capable of handling a car at the speeds they were driving, had taken out a sign. But still attached to the poles? A utility truck lost a ladder in passing, maybe? But suddenly, after seeing one in a particular location and time, I knew what it was (especially since I’d almost seen it happen somewhere else): the guys trimming the roadside verges with the huge mower attachment on the end of a hydraulic arm are notoriously bad at watching what they are doing, and swinging the arm clear of the road signs before they make contact (or shutting the blade down when they lift the mower into a vertical position, as they really should and are probably required to do.) As you can see from my image above, most of the bullets never actually penetrated; road signs are tough. So mangling one with a mower almost certainly results in a bit of damage to the blades as well. I imagine that the budgets for such services could be vastly improved by hiring more people who can actually pay attention to what they’re doing.

    [It occurs to me, as I type this, that I should see if there are any examples nearby to show you. Stay tuned.]

    Stay with me here

    You might recall that October 31st is International I Need Some More time Day and is actually 48 hours long instead of the usual 24. As handy as this is, it turns out there are repercussions, the biggest being that despite our valiant efforts, it still takes a certain amount of time for the Earth to orbit the Sun, which is where we get our concept of years. Thus, celebrating IINSMTD kinda screws things up by shifting the calendar around.

    To compensate, January 23rd is January 23rd Does Not Exist Day, bringing us back to normal (well, nominal, let’s say.) This was determined by an astute group of astronomers, sociologists, and numismatists as being the least valuable day in the year, so the easiest to get rid of. Therefore, those that celebrated IINSMTD can find themselves back on track, perhaps soothing some of the enmity earned during the winter holidays.

    You may have spotted what many perceive to be a problem, however. If January 23rd does not exist, then the holiday on that day cannot exist either, which is what eradicated that day to begin with, thus it exists, and so does the holiday. The majority of people consider this a paradox, but that’s actually incorrect. The existence or not of the day and/or the holiday are consequential; one relies on the other, so there is always a ‘then’ to any given ‘if.’ If we celebrate the holiday, then January 23rd does not exist. And if January 23rd does not exist, then we have no holiday to dismiss it. Rather than being mutually exclusive, they both exist in a constant state of flux relying on the other, creating not exactly perpetual motion, but perpetual changes of state at least. No energy is involved, and nothing physical, so this isn’t quantum indeterminacy or anything silly like that. Instead, this is Appellative Redeterminacy.

    This is not to say that it has no impact, however. Since the day is in a constant state of flux between existence and nonexistence, then anything that happens today may not actually happen, depending on whether it happened (or not) in the picosecond between the day existing and the holiday eradicating it, or the picosecond between its nonexistence and the holiday’s extinction that brings it back. Just be aware that anything important today might not be.

    Could be better, could be worse

    Lunar eclipse at totality 01/21/19
    So, if I had to pick something dramatic to get back into taking photos, the total lunar eclipse of 2019 really isn’t a bad choice. And it was certainly better than most of my other options, which are bare trees, overcast skies, and mud. We’ve really had too damn much rain lately.

    The title has a double meaning. In part, it refers to the conditions: we had reasonably clear skies for this eclipse, which is rare enough because waaayyy too many astronomical events that I might have tackled in the past were clouded out (or on occasion ruined by a too-full moon.) A couple of very thin patches of clouds passed through, but very quickly, so I had mostly had a good view overall. That “very quickly” part is a hint at the down side of the conditions, which I mentioned in the previous post: markedly low temperatures with some gusty winds, making wind chill to be absolutely bitter – as I type this less than an hour after wrapping up photography for the evening/morning, it is -4°C (24°F) and dog only knows what the wind chill dropped it down to. All I can say is that, between brief sessions I was bringing the camera back into the house, and as I removed the memory card from the last session, the card itself was chilly. Touching any metal part of the tripod got painful in a hurry (yes, I was working without gloves because I needed the fine touch to keep making adjustments.)

    The other meaning of the title refers, of course, to the images. The long lens I have is far from ideal and will be replaced eventually, but more of the impact came from the subject itself.

    Total lunar eclipse of 1/21/19
    What you’re seeing here is much brighter than what you’d see in person. The moon was so dim that I was having a devil of a time trying to get it within the viewfinder, and focus was strictly up for grabs – I did a lot of focus bracketing hoping to nail at least one in sharp focus. But there’s also the side-effects of all this, because a dim subject needs one of two things, if not both: a longer shutter speed, or a higher ISO. A longer shutter speed isn’t the best option, because the Earth is still turning, with the camera carried along, so there’s apparent motion from the moon at high magnification. But boosting the ISO doesn’t work all that well either, especially not with the Canon 30D, because its upper ranges are next to worthless – the grain and overall blotchiness at anything above ISO 400 doesn’t make for good images. The frame at top was shot at 1.3 seconds, f5.6, ISO 500, while the second one immediately above was 1.3 seconds, f5.6, ISO 320. I did a few at ISO 800, more towards the darkest phase (those above were very close to totality’s end,) and between that and the focus, they weren’t worth using.

    The colors come from the sunlight filtered through the Earth’s atmosphere – the thicker, the redder; the top left portion of the moon was closest to the edge of the shadow cast by the Earth (the moon rarely gets centered in the shadow during an eclipse, and come to think of it, I’ll have to check to see if that’s even astronomically possible, given the inclination of the orbital planes.)

    Twenty-some minutes later, I went back out to capture the emerging phase and demonstrate the huge difference in light levels.

    moon leaving shadow, total lunar eclipse 1/21/19
    At this point, by naked eye you can’t really make out much red in the shadowed portion at all, and you can see how badly I had to overexpose the sunlit portion to bring out the color in the shadow. This is .8 seconds, f5.6, ISO 320.

    moon leaving shadow, total lunar eclipse 1/21/19
    1/4 second, f5.6 at ISO 320. I will use this opportunity to point out how you can tell the difference between photos of an eclipse or simply a crescent moon: moon phases always describe a curve that touches the widest portion of the moon or, if you like, the centerline of the visible portion – call it the ‘poles’ if you like (rarely ever the actual poles, as in the axis of rotation, but the same basic idea.) Here, and especially in the photo from the previous post, you can see the tips of the curve are too far from the centerline.

    moon leaving shadow, total lunar eclipse 1/21/19
    1/5 second, f5.6 at ISO 320. Subtle difference, but 1/3 stop is noticeable in conditions like this.

    moon leaving shadow, total lunar eclipse 1/21/19
    We’ve dropped all the way to 1/80 second, f5.6 at ISO 320 now. The sunlit portion looks just about ‘normal’ while there is nothing to see from the shadowed portion. All four of these images were taken within 130 seconds of each other, so not a lot of motion from the shadow itself and the moon didn’t even leave my shooting frame (all of these are cropped, by the way.) To give you the translated numbers, there are six stops of exposure difference between the first and the fourth in the sequence, which means this last frame admitted 1/64th the light of the first in this series of four, and somewhere around 1/200th the first image in the post. A typical full-moon exposure would be around 1/640 second, f5.6 at ISO 320, but this exposure had to be longer because the sunlit portion is still is Earth’s shadow, the thinner penumbral one. I actually have an illustration I can use for this.

    shadow showing umbra and penumbra
    The sun is much bigger than the Earth of course, and while it’s distant enough to make the effect far subtler than this, it works the same. Notice the darkest shadow that gets narrower directly behind the lip balm, but the thinner ones spreading wider to either side of it. A total lunar eclipse occurs when the moon enters that darker shadow, called the umbra, but before and afterward it’s still passing through the lighter shadows to either side, the penumbras, which darken the moon a bit without being very obvious about it. Usually this can’t even be discerned by eye, but it does affect the exposure times for decent detail of the surface.

    Anyway, that’s late enough – I’m going to bed.

    We now go live to Walkabout Headquarters

    Lunar eclipse in progression
    I’m doing this mostly to thumb my nose at the Insouciant Mr Bugg, who likes to bray that he’s doing more than me and putting things up first. This was taken eight minutes ago as I type this, at 10:58 pm EDT, or 3:58 am Zulu (otherwise known as Greenwich Mean or Coordinated Universal Time, UTC.)

    More will be coming, but it’s wickedly cold out there right now with a stiff wind, so no sequence shots or stacked multiple exposures or anything like that – I’m going to be lucky to keep the vibration out of the tripod. But I simply had to post this, because I’m evil.

    Storytime 3

    least tern Sternula antillarum
    North Topsail Island is turning into a regular haunt for us, but years ago, I made a brief visit at the direction of a friend, since we were in the vicinity, and spent some time chasing the seabirds along the New River Inlet (and let me take this opportunity to chide people for ever using the name “New” for anything – what, do you think it’s never gonna get old or something? Hell, try to be a little creative at least.) The sky was clear, the sun was getting low but still bright and mostly behind me, and the birds were coming reasonably close – good conditions to do avian photography. One least tern (Sternula antillarum) in particular allowed me a nice sequence as it cruised along a predictable flight path. I don’t see terns very often, so I was happy to add it to my stock.

    But now, take a look at the image below, shot in the same location and conditions not fifty seconds later, at only a slightly different angle.

    unidentified tern showing catchlight
    I could challenge you to find the difference, but there are far too many. I can’t even be sure what species this is because many of them sport these same basic characteristics, with subtle differences visible only in areas that I didn’t capture, for instance the upper body and wing edges. It could even be a juvenile of the same species above it. What I’m drawing attention to, however, is the eye, specifically the bright reflection therein that’s called a catchlight. I’ve mentioned this multiple times before, but this is a goal of nature photographers quite often, because it gives a bit of distinction and ‘life’ to the eye, and in species where the iris is dark against dark plumage or fur, it lets you know where the eye even is. If you go back to the first photo, you will notice that it’s missing.

    I just don’t know why. The sun angle should have been more than adequate, in fact ideal. There’s no reason to believe the eye is not actually reflective, especially since one of the frames in the sequence shows a catchlight. The only thing I can think of is that the shape of the skull is such that it flared just enough behind the eye to shield it from the sun, but that seems farfetched considering that the spot almost immediately ahead of the eye, where that little white bump is, is a highlight area, bleached out to pure white. Believe me, I’ve looked at that image at high magnification and even then the eye is almost impossible to distinguish.

    It’s very easy to be in conditions that don’t contribute to a catchlight – many animals endeavor not to be in direct sunlight, and even when they are, it doesn’t take much of an angle to prevent it. And I imagine that this is intentional at least some of the time, since it means the sun is glaring into one of their eyes, which can’t help them with predator or prey. But I’d have every reason to believe those were optimum conditions up there and still didn’t get it. I feel cheated.

    It’s all behind us now

    As I said, I have a handful of photos from 2018 that never made it to posts, plus I might add a couple more from even earlier that have just been sitting in that folder – dunno yet, we’re still in the first sentence. And yes, I know you’ve probably had it up to here with all of the “Let’s look back” shit that’s all over the place, but what do you want me to do in the slow season? “Let’s look forward to some of the photos that I’ll be taking later on this year:

    .

    .

    Doesn’t work, does it? Okay then.

    Now, I can tell you that another trip to North Topsail Beach is in the planning stages, so there’s a good chance some of those will appear around late May to early June. Beyond that, there’s nothing specifically planned, though a mountain trip is in discussion. It’s been ten years since The Girlfriend and I hit Florida, which is too long, but I’m not sure if such a trip is viable this year or not. Get out your Ouija board and see if you can figure it out before we do.

    snow piled on unidentified berriesJanuary

    Let’s start with the big winter storm that struck a year ago, and an image that never fit into the post-storm post – too similar to another, and nothing in particular to say about it. There’s still nothing in particular to say about it, really – I don’t even know what kind of plant this is, but the little indigo berries stood out nicely. I still suspect we’re due for another big winter storm at some point, though nothing is forecast as of yet. We’ll just have to see.

    yellow trout lilies Erythronium americanum with sun raysFebruary

    Three weeks further on brought us some remarkably warm weather, for a short while anyway, and during a froggy outing I sprawled on the ground to get this trio of yellow trout lilies (Erythronium americanum) that were venturing up through the ubiquitous pine needles – the sun not only added a little backlight glow, but some accent rays. It would be easy to get the impression that we had an early spring, and that impression would be ever so wrong – the season consisted of warm spells interspersed with more freezes that lasted through the normal spring season for North Carolina, which stunted a lot of plants that were just as fooled as everyone else, but did at least kill off the normal hatching of ‘inchworms’ that tended to decimate one of our rose bushes, so that did well this past year. But yeah, even as we approached our beach trip in May we were wondering if spring had truly settled in – it had, finally, but that’s pretty late for us. My first year in NC after moving down from central New York, I was waiting for the apartment complex to open the pool, and it was a month late as far as I was concerned; it was scheduled for the first of May, and the weather had been so warm that I was hoping it’d be the first of April. Just so you know, on a good year in NY you might be able to go swimming by mid-May, but generally the water wasn’t pleasant until June. I don’t miss that.

    But while we’re at it, here’s another photo from the same outing, another where I went down low for the personal perspective. The conditions were incredibly muddy, so I was propped on my elbows with the rest of my body raised out of contact with the muck. One of these days I’ll start my own line of nature photographers’ outerwear, with waterproof reinforced knees, elbows, and seats. And lots of pockets.

    unidentified small frog, likely cricket frog, in debris at water's edge
    Can’t tell you what species this is (because you don’t have clearance) – I’m leaning towards cricket frog, one of the Acris genus, but northern or southern variant is beyond my ability to determine from the photos I got. Only about 20mm in length, this one was exceedingly well-camouflaged against the debris at the water’s edge, and I only spotted it because I’d seen it hop there at my approach.

    fruit developing on yoshino weeping cherry treeApril

    Wait a second, what happened to March? Well, in March the weather was still being spastic, and I published everything that passed muster back then, so nothing was sitting unused in the blog folder. Thus we’re jumping to April. It’s not the only time it’s gonna happen either.

    Despite the conditions, most of the plants still kept largely to schedule, and in April The Girlfriend’s weeping cherry tree even started producing fruit, as seen here – I wasn’t even sure there was anything around to pollinate it, but there’s the evidence. The birds, however, were not at all taken by surprise, and the cherries (tiny little ornamental things, no use for any decent sundae) vanished virtually overnight.

    The wretched and hateful longneedle pines were not at all hampered by the weather, and produced copious amounts of pollen that got all over everything, even wafting through the screens and coating everything on our back porch. Below, a smallish wolf spider (genus Lycosidae) sports what passes for spring fashion around here.

    wolf spider Lycosidae with pine pollen dusting
    But wait! Let’s not forget the American five-lined skink (Plestiodon fasciatus) that sought shelter within a log crevice, then peeked out again a couple of minutes later while I waited patiently. Had I been able to hold still long enough, it may have ventured out farther, since reptiles are not terribly high on the reasoning scale; the skink was more attuned to my motion than my appearance, and stillness spells safety to them no matter how close I might have been. With a rarer species, or a more compelling setting at least, I might have exercised my patience more, but I have enough photos of skinks and simply moved on before I passed the lizard’s test.

    American five-lined skink Plestiodon fasciatus peering from log crevice

    May
    Copes grey treefrog Hyla chrysoscelis pausing during calling
    So with these, a little story – just never got around to posting this at the time. During the frenetic Cinco de Mayo celebrations around here, I ventured over to the pond and was chasing a few calling Copes grey treefrogs (Hyla chrysoscelis,) including this one which paused at my close approach and sat there with flaccid throat pouch, probably not impressing any females in the area. Remembering that another pond not far off usually played host to the green treefrogs (Hyla cinerea,) I drove over there and started chasing subjects therein – not quite as active as other times that I’ve visited, but I still found a few models.

    green treefrog Hyla cinerea perched on limb
    In fact, during this session I took the 50,000th image with the Canon 30D, but did not realize this until much later.

    green treefrog Hyla cinerea sitting precariously on thin branch

    damselfly, possibly female Eastern forktail Ischnura verticalis, sleeping on dried flower
    A small damselfly, possibly a female Eastern forktail (Ischnura verticalis,) was asleep on a dried flower, so I was able to lean in close without spooking it off. Overall length was probably around 25mm if I remember correctly. Tiny, anyway. What gets me now is, what the hell is that in the background? It certainly looks funky at this level of defocus, but I never took note of it while there.

    By this point the weather was normal and I was in my typical shorts and water sandals, with the headlamp for night work. I was being careful where I walked, partially because of the possibility of snakes, but mostly due to the wild nature of the undergrowth bordering the pond. Nonetheless, I missed a thick dried stalk of a raspberry bush, and raked it along my leg. I’m out in such conditions often enough that I’m kind of used to this, and felt the stinging but shrugged it off.

    raspberry thorns embedded in author's calfA few minutes later, the stinging was still going on, and I glanced down to notice more than the expected thin lines of scratches on my calf – there were, in fact, several trickles of blood. Nothing I could do about it at the time, and I didn’t bend down to see it in detail, but I made a mental note not to wade too deeply and chance infecting the wounds with whatever might be in the water. On arriving home a bit later on, the plethora of embedded thorns became a bit more obvious, and I had to go into the bathroom for an extraction session.

    raspberry thorns removed from author's calfIt turned out to be a nice little collection, not counting those which might have been brushed off earlier as I continued to walk around, or got into the car. This just goes to show you how dedicated I am to bringing you these wonderful photos and narratives (which, naturally, I then didn’t even bother with.)

    July

    Chinese mantis Tenodera sinensis clearing mist from eyes
    Yep, no June stuff, but we have a leftover from July, a juvenile Chinese mantis (Tenodera sinensis) clearing water from its eyes after I misted it. Notice the nicely interlaced spines on the forelegs, providing an inescapable grip, which makes this habit all the more disturbing; mantids will clear moisture from their eyes and drink it in parched conditions (which by then we had reached,) but doing so with those wickedly-barbed forelegs seems to be just asking for eye damage.

    But I still like the water drops. Someday, I’ll ‘shop in a smutphone for giggles…

    September

    Tybeee Island lighthouse Georgia from below
    I had plenty of images from the Georgia trip, so I skipped these, but what the hell. Here we have the Tybee Island lighthouse from below, trying to make the most of the very wide 10mm focal length, but shooting up with such a wide angle is simply asking for sun flare – I just didn’t really expect it to be so distinct.

    While below, a shot of what I believe was a sunset dolphin tour – I would have greatly preferred the roof line to have fallen either above or below the horizon instead of blending in like this. However, the crowded conditions and moody silhouette make me think irresistibly of something like a refugee boat – not quite the effect I was after. And I can’t imagine any reason why people would be fleeing America, either. Can you?

    Nothing to do with Trump of course

    May 2017

    pink-stained pre-sunrise breakers and sky at North Topsail Beach
    Wait, hold on – 19 months ago? But yeah, it’s my blog and I’ll do what I want. This one from the first North Topsail Beach trip never made it into a post, but I like it a lot due to the color register and have been waiting for the right opportunity to use it – maybe this isn’t ‘right,’ but here it is anyway. The sun was just beyond the horizon yet turning the high-altitude clouds red, and this cast a pink glow across the entire landscape. The scattered clouds contributed a lot to the effect, since I have images from similar conditions without the clouds and they’re far less dynamic.

    July 2016

    katydid nymph consuming molted exoskeleton
    I have this one marked as a composite though I don’t recall doing it, but then again it was two-and-a-half years ago and we’re lucky I can remember my house number. I figure I combined two for maximum sharpness to help illustrate what I considered a curious action. This is a katydid nymph, and katydids are vegetarian – or at least I thought they were. Yet this one is consuming a molted exoskeleton, which I suspect is its own. So does it count as cannibalism if you’re only eating a discarded skin? How about if it’s your own? Is this a particularly ‘green’ form of recycling? Please remit answers to the address below.

    October 2015

    unidentified mushroom with tatters
    Okay, you’re welcome to accuse me of reaching now, but I still like this image and just never took an opportunity to post it. But one chilly fall morning I found a patch of larger mushrooms and chose one for a low angle approach; the little tatter is a great focal point in my opinion. Most mushrooms (that I’ve seen, anyway) erupt as kind of a sphere first, before this unfolds like an umbrella into the top shield (there are likely proper terms for these that I’m not going to bother looking up,) and this was a remaining fragment of that past state, like a poorly-cut pastry crust. The dappled sunlight communicates the conditions fairly well, I believe.

    Anyway, I think that’ll do it for the year-end retrospective. There remains nothing to shoot around here, but if someone gives me a photo challenge or assignment I’ll be happy to tackle it in my free time – I would suggest the Caribbean or Belize or something, and I’ll let you know where you can send the tickets. Won’t even charge you for meals.

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