Recent tasks brought this one to mind, an aspect of composition that can have significant effect but often remains entirely subconscious, so let’s talk about the subtle and tricky topic of impressions.
First off, I’ll say that from my own perspective, I more often stumble upon an image that provokes a certain impression, more so than I’ll actively aim for it, much less create it
It’s been a while since the last composition post – I think I’ve covered nearly everything now ;-). But at the risk of talking out of my ass, I’m going to tackle an aspect of composition that’s often very important to get a good
This one was inspired by this recent post, but let’s look a little closer at using photos for illustration.
While all of photography might be considered illustration to some extent, there’s also a more specific purpose, separating it from genres such as portraiture, journalism, art, and so on. If it helps, the idea is to visually represent something explained in accompanying
Moods and metaphors are present in a lot more images than many suspect, and in many cases they’re recognized only subconsciously. Being able to induce them in the viewer is one thing, but simply noticing when the opportunity presents itself to your camera is a directly related skill.
Sometimes it’s simple. When I say, “Dawn on the beach,” you automatically get a visual impression