Count on, and with, me

Yesterday I said I was eyeing a record for photos this year, but was running a little behind on what should be a fairly intensive end stretch. That had nothing to do with this. Nothing!

Okay, maybe a little…

I also mentioned needing to go around and chase fall colors, and so I did, kinda. I never left the yard today (well, yesterday now,) but found a decent selection nonetheless.

oak-leaf hydrangea Hydrangea quercifolia in autumn colors
We made a small mistake when placing the two oak-leaf hydrangeas (Hydrangea quercifolia) in the yard, in that neither one gets direct sunlight later in the year when they do their magnificent color change. This is probably for the better, because they’d be broiling during the summer and they’re not the best plant for direct sunlight, but it does mean that I’m always working in shadow with them. They produce the best autumn foliage of any plant that I’ve seen – well, maybe, and we’ll come to that. But I recommend them for anyone’s yard that can handle them. Here, the slower shutter speed worked against me a little, since this isn’t at optimal sharpness, though I may return and do some shots with either a higher ISO or a tripod.

rose of sharon Hibiscus syriacus backlit in fall coloration
Nearby, the newly-uncovered Rose of Sharon (Hibiscus syriacus) has been doing a late summer recovery after being overwhelmed by vines and competitors in The Jungle, which I finally cleared out this past August. It sported a few buds when I uncovered it, but unfortunately the deer were delighted with that and did some damage before I realized how much they liked it. I began treating it with repellent, a homemade concoction that tastes horrible, apparently, and thus works wonders – it kept the decorative sweet potato vines intact all this season, and they were like candy to the deer.

unidentified oak species in autumn in front of damnable longneedle pine
We’re close to peak fall colors here, but as I’ve said before, it’s a little misleading. The various trees native to the area all turn and shed at different times and rates, so a handful of them are already going bare, while others, like this oak sitting on the property line, won’t peak for a little while yet. I purposefully contrasted this with the longneedle pine just to show how ugly those are – the oak will go bare in a few weeks and still look better than this unhealthy-seeming crap pine. Have I mentioned how much I detest those?

This has actually been a great year for the colors. In my experience, being too dry makes the leaves tend towards brown, but the summer drought ended early enough to produce some great colors in the deciduous trees. Of course, I could be wrong about the cause, but no matter – whatever it was, worked.

big Japanese maple showing nice color layers
The resident Japanese maple out front, the one that was here when we moved in and has served as a setting or backdrop to countless photos, responded well to the season and produced the best colors that I think I’ve seen from it. Here I found a spot along the edge where I could capture the still-changing hues in layers, and get a little fartsy. That’s gonna get worse.

Japanese maple showing barest hint of autumn change
One of the various newer Japanese maples, most of which remain in pots, displayed some great colors last year, and so I was watching it this year to see how it developed. Four days ago, it was showing only the barest hint of color change along the tips of some of the branches, and I was a little concerned that it wouldn’t show off well this year.

I needn’t have worried.

same Japanese maple having undergone rapid change
The color change was very rapid and quite gratifying, and I was glad I was paying attention, because I watched a few of the leaves drop in the breeze as I was doing these photos. But it was looking so good that I had to make it the subject of extended efforts.

autumn colored Japanese maple with sunburst in background
I had shot some initial images of this color change with an Olympus 50mm f1.4, a lens from my very old Olympus kit, fitted with an adapter for the Canon body – I was experimenting to see if it might serve better during night exposures, like for the Leonids. Unfortunately, it performed rather dismally, especially wide open, so while I might try it for the high-ISO, long exposure starscapes that will be dominated by grain anyway, the test shots of the Japanese maple really aren’t worth keeping, so I reshot a bunch with the Canon 18-135mm. By that time, the sun (sitting much lower in the sky now) had moved on and thrown the tree into shadow, but it’s still potted, so I lugged it over to a sunny spot to do these photos. For this frame I closed the aperture down to f16 and leaned back and forth until I just had the sun peeking from behind a trunk. The flare in the lower quadrant was unavoidable, but I’m okay with it given the nature of the shot. You did notice the congruence between the shape of the leaves and the sunburst, as well as that one prominent leaf lobe falling right in line with the sun itself, right? Okay then.

Japanese maple seed samara backlit against leaves
It appears almost all of the various Japanese maples (I’ve lost track of how many we have – six, I think,) produced just a handful of seeds this year, called samaras. We should probably make the attempt to germinate a few, especially from this tree, though I’m not holding my breath because I suspect that they’re all hybrids. But it served its purpose as a subject for this tighter abstract when the light hit it.

This, by the way, is the one vying for the title of “Best Autumn Coloration” with the oak-leaf hydrangea up there. This one is more brilliant, but the hydrangea will retain its leaves for quite some time while this one will be bare within a week or so. All depends on what you want most, I guess.

Moving on now.

unidnetified probable maple leaves barely hanging on
Remember what I said about different peak times? This tree (some kind of maple I believe – I don’t know, it’s the neighbor’s,) peaked early and is now almost bare, the shed leaves pretty much covering the backyard of Walkabout Estates – it’s next to impossible to tell that there’s actually water in the pond. But, still being fartsy, I found this cluster of survivors just barely catching the late afternoon sun. You can call these the midmonth abstracts if you like.

backlit grape leaves and flare
I kinda consider this one my representative autumn shot. Not as bright as some of the others, it’s actually the most common color seen in the area, and the sun flare gives the impression of the frequent patches of blinding sunlight that occur because of the lower sun and the no-longer-screening trees. It’ll do for now, at least.

I’ll close with another strong one, actually the impetus to go out and do some shots (besides the lens tests, I mean.)

stark trunk silhouetted against bright autumn colors
This is actually a portion of the view out the front windows, only visible like this for an hour or two right at this time of year – the sun gets lower and breaks past various other trees to illuminate the colors of the background tree, while being shadowed from the intervening trunk. There are a lot more branches in there than I’d really like, but it was nigh-effortless, so who’s complaining? And the contrast still works well. Might have to try it in monochrome.

Stay tuned – I may still get out for a drive looking for more examples.

Gonna be a challenge

So let’s look at the ol’ personal progress chart, shall we? Here’s where the stats for Walkabout stand right now.

Last year’s number of posts was a new record at 233, which has already been beaten handily – we’re at 263 (um, 264) right now, so easy victory there.

For images, however, it’s a different matter. Last year set a record for those too, at 1,037 uploaded, which was way above anything previous. This year, we finished October at 831, meaning I’d have to upload over a hundred for each of the remaining months of the year. Not outside of the realm of possibility; four months this year, and last, had over a hundred. But trickier during the slow season. So far this month, I’ve uploaded 41 images, so running just a little behind the goal for average.

Now, second place is already locked in: the previous second-place spot was 747, so it will bump down to third now regardless. Just eyeing the gold for this year.

Monster and Little Girl looking down from the upstairs balcony
42 now

Chasing this might mean putting in a lot of images just for the sake of it, which I’m loathe to do – I don’t want to cheapen things by resorting to crass tricks like that. So will I have some legitimate reasons for photo-heavy posts? Well, I know of one potential outing that may produce a number, but nothing else planned, though I should be chasing the fall colors because they’re doing good this year. But of course, personal records are meaningless anyway, so pursuing this is solely indulgence. Not to mention that I’d had a loose goal of having twelve podcasts this year, and there’s no way in hell I’m gonna make that.

So I should probably just relax, let the content fall where it may, and not worry about records. Whatever happens, happens, and I’ll post as it seems warranted. We already know that itself isn’t a very good metric.

For giggles, feel free to skim October of last year, which had a whopping 192 images. I mean, October? And I didn’t beat that with three trips this year, the eagles and so on? Man…

green treefrog Hyla cinerea hiding between yellowing leaves of hosta plant
But while I’m here and typing, I’ll feature a recent image, of yet another treefrog. One of the two hosta plants is doing the autumn thing, so blending in this frog was not, somewhat amusing since the plant immediately alongside, also a hosta but apparently a different variety, remains deep green and much easier to blend in with. Lazy…

But how? Part 29: Selfishness

It’s been over a year since the last example of this topic, which is intended to answer the questions raised by a non-religious worldview, and it was making me suspect that I’d exhausted just about all of the possibilities, but new ones still pop up here and there. Today’s is kind of a multi-level one, because several aspects run together, so bear with me. I’ve also tackled one aspect initially before, which I’ll link to at the appropriate time, but that was over a decade ago and I don’t mind revisiting it a little. So with all that, and in recognition that the original question format doesn’t quite work this time either, we’ll delve into, But isn’t atheism selfish and meaningless?

The initial aspect of this is the assumption that only religion provides Meaning™, and things like altruism and even morality, which is repeated ad nauseum. Without the remarkable and innovative guidance of scripture like the ten commandments, we’d all be vicious animals; this is, of course, also used to handily trash evolution. That a ridiculous number of animal species have much better and stronger social habits than we do is generally ignored or, most likely, never realized in the first place, and I challenge anyone to name a species that has killed even a notable percentage of its own kind, much less the numbers that we’ve managed for our brethren. I’ve tackled the topic of morality twice before, including in the very first But How?, so I’ll simply refer to them for the detailed treatment. And we’ll get to meaning in just a moment.

But I think the topic of selfishness deserves a very close look, because it’s an insidious little elephant in the room. While most religions get credit for instilling morality and a lack of selfishness, the bare fact is, most of them are pretty terrible at it. And I’m going against my cardinal rule of avoiding going on the attack in the But How? posts, since they’re intended to answer questions, but this will serve to highlight a really damning trait. While not every religion suffers from this, the most prominent ones, with the greatest number of followers, are enormously guilty of promoting an astonishing level of selfishness: the very idea of ‘salvation’ through faith, obeisance, and devotion is strictly personal, and literally, to hell with everyone else. First off, it almost demands the question, “Are you actually in favor of worshiping a being that even developed the concept of everlasting torment?” And of course, there remains the question of what purpose this would even serve. I mean, fuck it, just keep spanking and spanking and spanking the kid, endlessly, because we get our morality from scripture.

Personal salvation is pretty much the pinnacle of selfishness: the entire emphasis is on the individual. And in far too many cases, it has nothing to do with what someone does, only what someone is, as in, faithful and devoted to god and all that. Hell, the Abrahamic religions (islam/judaism/christianity) hold that title in recognition of Abraham, told by god to kill his fucking son and perfectly ready to do so, until he was informed that it was only a test (and worse, that he passed.) That’s what deserves recognition as the definition of morality? And it’s far from the only example within scripture. christianity gains the barest recognition for subverting the overwhelming authoritarian narrative of retribution and wrath with a hint of altruistic guidance and non-judgmentalism – which quickly gets buried under the various rants from those purported to be jesus’ followers, so we see how valuable that firsthand guidance was. More importantly, far too many churches/temples today are more interested in the judgment and authoritarian aspects than in actual guidance, providing more than a hint that their vision of religion, at least, is intended for controlling other people rather than informing the devotees. There’s also a very distinct class consciousness endemic within religion, the followers and the heretics, which has historically allowed for some truly horrific actions to be taken under the guise and overwhelming belief that this is how ‘good’ should be defined. It is often argued, naturally, that these occurrences, all umpteen thousand of them throughout history up to and including this very week, are all examples of people that do not follow the True™ meaning of scripture, which is, again, just a class consciousness thing: I know what was really meant by that, better than all of these devoted followers all over the world, a remarkable display of ego. But one really has to ask how good the guidance is if it has fucked up that badly, that often? Not to mention that any omniscient god knew this was how it was going to turn out.

Which is a dangerous road to go down, because it quickly leads to (for anyone not abysmally blind) sinners gonna sin, and lots of people were born destined for hell, so where’s the guidance supposed to be anyway? Predestination is like that. Honestly, and logically, you can’t have it both ways: if god has a plan, you’re just a puppet, and your actions are just gonna happen the way he has already seen it, so welcome to nihilism.

This is where we discover that atheism is actually less, far less, nihilistic that at least the majority of religions out there, if not all of them. Now in all honesty, atheism offers nothing whatsoever along those lines; it’s a standpoint, not an ideology. But the dismissal of the assumption that meaning must be provided by religion and/or scripture and/or devotion is distinctive enough; meaning is a personal thing. It can be as diverse as making a name for ourselves (which is ego, even as it manifests in creations or discoveries that many can benefit from) to dedicating ourselves to a worthwhile cause – and it bears recognition that such things are remarkably self-affirming, more meaningful than applying a simple label to oneself (such as, “baptist,”) and believing this has fulfilled a role or a need.

But attendant with this is the idea that we do not have a state of being after our lives, most especially not some reward (that, let’s be real, 99% of religious folk believe they’re in line for) to be bestowed. What’s important is the here and now, and what matters is how we treat other people and what benefit this produces going forward. Our survival as a species is not guaranteed, our distinction as a culture is not as prominent as it could be. We are not in the hands of anyone but ourselves; we cannot abdicate responsibility nor ‘the future’ to some magical being or master plan. There is no single arbiter of our worth, checking off a list of carefully delineated (and woefully inadequate) rules, but an entire planet of them: everyone around us has to determine the benefit of our actions, and that’s really what morality is, the reason why it has value at all.

There are two tangent aspects, not directly related but close neighbors. Secular humanism is the ideology that our morality and any ethical guidelines should remain unburdened by any religious, cultural, or national biases, and while not all atheists embrace humanism, it’s the default choice the moment anyone begins to discuss ideologies in the first place. It is, in fact, the purest form of ideology since it eschews the burden of any underlying motive or allegiance, and is thus the fairest. Contrast this, of course, with the attitude of many religious leaders towards it, who claim that its goal is to destroy religion, which (surprise surprise) is not very accurate or astute, since all it destroys is religious influence upon others. Humanists do not even have to be atheists, but they do have to recognize that religion is too narrow a focus (and mostly, too archaic and inadequate) to provide effective guidance. It is worth noting that the vast majority of laws, in most countries, are humanistic in nature, relying on demonstrable benefits and detriments rather than scriptural pronouncements, and especially eliminating the self-importance and class-consciousness of a religious ‘morality.’ Meanwhile, history and even the daily news is rife with what happens when religion is given free rein within a governing body or the lawmaking process, and the results have never been what anyone would consider an ideal society; the primary guidelines of the US, among others, were laid out with this in mind.

An evolutionary perspective also contributes to a stronger reduction in selfishness and a better grasp of morality. Humans are one among many species, ‘special’ only if we settle for narrow and egotistical distinctions, and we had a long path from simpler ancestors to get here, without being a finished form or pinnacle of any kind. Within our species, the demarcations are incredibly muddy and of no particular value, something that helps us view our previous class distinctions with loathing (slavery, manifest destiny, and all that horseshit.) Moreover, we recognize that not all of our decisions are evidence of rational consideration, but too frequently influenced by emotional bias; this is perhaps most distinct in the topic of capital punishment, which we’re slowly realizing is a relic of fear-based vindictiveness rather than serving any useful purpose, as well as preventing any recourse in the case of wrongful convictions (which occur far more often than they should, also often due to emotional reactions.) But a knowledge of evolution also helps us to realize that we’re all driven by the same needs and desires, and that our goals must at least recognize these, even when they have to deny them. We get a certain satisfaction in the various forms of tribalism that we embrace, whether it’s sports teams or national boundaries or ferreting out heretics, but outside of very narrow circumstances, this tribalism is actually detrimental and should be disparaged. Laws and policies that we personally benefit from, that marginalize others for no useful purpose, are the kind of things that we need to recognize as selfish (rather than, in far too many cases, rationalized with crass and elaborate justifications.)

All of this is evidenced and demonstrated throughout most cultures around the world, perhaps all of them. There are the aforementioned religious governments that are exceptionally bad about instilling altruistic and cooperative societies, while the ones with the highest standards of living and satisfaction, the greatest number of residents reporting as being happy, are overwhelmingly secular. Atheists typically display a much greater grasp of ethics and fairness than the religious, in far more polls than not; they’re also notably underrepresented (compared with the general population) within prisons, while vastly overrepresented within the scientific community. While it should be pointed out that these are correlations and not necessarily linked closely – someone with a more critical and scientific viewpoint may gravitate towards atheism, rather than the reverse – it’s exactly the opposite of what the premise question implies should be true. And of course, religious motivations underlie the majority of restrictive and marginalizing attempts at legislation in the US (Texas, we’re looking at your brain-damaged ass,) while, and I’ll know you’ll be shocked at this, fostering all sorts of exemptions for religious folk, such as churches not having to pay taxes, religious deferrals for medical treatments and vaccinations, and even the ability to be considered beneficial fundraisers while pouring most of the money solely into the perpetuation of the church itself. As I type this, countless high-profile religious leaders, so exemplary in their selflessness and moral guidance, are insisting that vaccines and herd immunity and a federal health policy are somehow infringements on their rights. That’s exactly the kind of guidance that we really don’t need, and beneficial to absolutely no one, including their own flocks – but it plays to the insecure rubes, and that’s what’s important, it seems. Make of that what you will.

*     *     *     *

I feel obligated to add a little aside, not directly related to the main question but often implied by the underlying attitude, and this is far from the first time that I’ve addressed it, though again, it’s been a while. Quite a few people feel that a naturalistic worldview leaves no room, no opportunity, for awe and wonder and ‘spirituality,’ for want of a better word; they think that seeing things as chemical interactions and atomic valances takes away the magic, turning the atheist or the scientist into a clinical, emotionless drone or something. I can only speak dependably for myself in this matter, mostly because I don’t bother interviewing others over how they see such things, though more than a few scientists and atheists have spoken to this. But to be brief, this is horseshit. The bare fact (and it is a fact, in every sense and interpretation of the word,) that these things take place while governed by a few fundamental forces is utterly fascinating. Surrendering oneself to, “god made it that way,” is no more enlightening than, “Because I said so,” and demonstrates not just a total lack of interest in these supposedly wonderful things like life and ‘creation,’ but a willingness to settle for the party line, to perpetuate the idea that the church actually has any answers at all. You can only fall for this if your own insecurity overwhelms your sense of curiosity, because of course it answers nothing.

The development of species from simple origins, the interactions of all lives within this ecosystem that we call home, the methods of teasing information out of inanimate objects or even the bare traces left behind – these are fascinating. And all the more so because they ‘just happened,’ that events produced a confluence of factors that provided the opportunity. We see the sudden increase in fossil species at the same time that oxygen began leaving more evidence in the geologic record, indicating that a richer atmosphere helped spark speciation. We find the sudden cessation of sauropod fossils past a distinct geologic timeline, coinciding with a layer of iridium across the entire planet; iridium occurs very rarely in sediment, generally coming from two sources, volcanic eruptions and asteroids. From this, we may infer that either some massive volcanoes or a huge asteroid strike contributed to their extinctions; lo and behold, we have evidence for both popping up in the same geologic layers.

One of my favorites was when anthropologists determined about how long ago wild pigs were domesticated, from just the ancient jawbones. Teeth from a wild pig species were showing both distinctly shorter lengths and different shapes, due to a change in diets, as well as mineral content consistent with eating a large amount of millet fertilized with nitrogen – animal feces. These appeared only after a certain time – older specimens showed no indications of these. Millet doesn’t grow in large patches or quantities on its own, and animal feces tends to be sporadic and not concentrated, unless it’s collected and used as fertilizer. Conclusion: the pigs were eating farmed grain. These results are consistent among numerous remains, and pin down pig domestication to roughly 10,500 years ago in what is now Turkey, and 8,000 years ago along China’s Yellow River.

Another example is that avian feathers all have a specific pigment-producing cell, called a melanosome, within them if they’re black, which isn’t present for any other colors. Careful evaluations of the sediments that surround the fossilized imprints of dinosaur feathers revealed patches of these same cells, only in the region of the feather imprints, indicating that the melanosomes were deposited into the encapsulating sediment as the feathers decayed, and remained there. Conclusion: some dinosaurs had at least some black feathers. In other words, we could tell some of the coloration of a species that we have never seen, that’s been gone for 55 million years.

Further examples can be found throughout this blog of course, many of which make it into the Too Cool category. Meanwhile, anyone that fails to find things like this remarkable, that tries to find faults within to shore up their concept of a loving god, that simply denies anything that we’ve found and continue to use if it fails to gibe with their scattered, contradictory, and asinine scripture, well, I can honestly say that I don’t feel sorry for you; I’m openly contemptuous of you. It’s a ridiculous, and selfish, worldview to maintain.

Not that lazy

Two posts back, I mentioned the Leonids meteor shower, and how it might be useful to go out earlier than the peak of the 17th/18th to see what could be found. I will smugly inform you that this was not a case of, “Do as I say, not as I do,” because I did go out to a dark sky location nearby, in the wee hours of the morning on the 11th (so, an hour or so after posting that,) and made an attempt. I’ve just been sitting on my ass since then without posting anything about it.

Well, I had a decent reason, in that I saw nothing, and captured nothing. Or almost nothing. I was experimenting a little, because I’ve had a Sigma 24-60 f2.8 lens for a while without using it much, since I have other lenses that cover better zoom ranges and the chief benefit, that maximum aperture of f2.8, is applicable in narrow circumstances, so I wasn’t carrying it routinely in my bag. But I thought it might give me an edge on getting shorter time exposures of the night sky and thus avoiding a lot of star streaks; maybe I’d even get a decent rendition of the Milky Way.

Alas, no.

night sky exposure of Leonids origin
First off, I was manually focusing of course, but at night such things have to be done on distant points of bright light (as in, brighter than stars,) and I only had one real choice, which I didn’t quite get pinned down. This showed me that the lens was notoriously bad about purple fringing, the diffraction effect that some lenses show, especially when focus isn’t quite on and you have bright objects (like stars) against a dark background (like space.) This frame doesn’t show it too bad; we’ll see worse in a second. This is almost centered on the origin point of the Leonids shower: the ‘radiant’ for most of the meteors sits just a bit left of absolute center, within that little inverted triangle of stars. You can also see the Beehive Cluster of stars just right of center, closer to the top of the frame. The smears at the bottom are just clouds close to the horizon. This was a 20 second exposure at ISO 1600, short enough not to streak the stars into lines unless you look at high magnification. But no meteors, throughout several frames and varying exposure times.

night exposure showing Orion above treetop
Here we get a better example of the purple fringing with Orion, that cluster of stars straight over the tree, but I did at least get the faintest hint of the prominent nebulae that sit around the dagger, those ‘three’ vertical stars. That’s in quotes because it’s a lot more than three stars in there, quite a mess really, but without magnification we pretty much see three. This was better than 90° away from the radiant, so not the best direction to be facing if the target was meteors, but the target was instead Orion, so it was precisely the direction to be facing. Not to mention that the sky was notably darker this way, so better definition of the stars. Well, it would have been, had the focus been better.

night exposure spanning across Orion, Taurus, Auriga, and Gemini
I stared at this one, and the plots within Stellarium, for quite some time trying to recall which direction I was facing, until I realized I might have been shooting vertically and trying for the Milky Way. Abruptly I pinned it down, since that’s the head and shoulders of Orion at the bottom, and the entire frame spans up through portions of Taurus, Gemini, and Auriga – the bright star at the top of the frame is Capella, if that helps. I’m not an astronomer, even an amateur, so this attempt to capture a portion of the Milky Way (which I knew was there even though I wasn’t seeing it too clearly) wasn’t destined for greatness because this faces out towards the edge of our galaxy, rather than towards the center; winter is not the time to be trying this, since the more distinct center, with its bulge and dust lanes, sits behind the sun in this season. There’s the faintest hint of it within this photo, but really, even in ideal conditions with a tracking motor, I wasn’t likely to capture much.

I did eventually refocus, and nailed it much better this time, so the next frames are less annoying. However, initial experiments told me to cut the ISO back down to 400, since this is a much longer exposure.

long time exposure showing stars pivoting around Polaris
It’s always fun to do this, but I didn’t let it go very long, because I’d been up for a while and wasn’t willing to be out there a whole lot longer. This is a 20 minute exposure (actually one second shy,) framed with Polaris, the north star, right alongside the tree. Ursa Major was quite distinct, allowing me to find Ursa Minor without difficulty, and that’s where Polaris sits. This is the motion of the Earth spinning while looking straight out over the axis point, what would be directly overhead were we standing at the North Pole. At full resolution, it becomes clear that Polaris isn’t the focus of the arcs – it’s just close. Meanwhile, the brighter stars towards the right side of the frame are Ursa Major, the Big Dipper. And, we have the only potential evidence of success from the night in there, but we can’t see it at this resolution, so we go in close to the two end stars of the ‘scoop’ of Ursa Major – that would be Dubhe and Merak, for the record.

section of previous frame showing faint streak
Sitting perfectly horizontal in the frame, my old-ass photographer’s instincts tell me this is a scratch in the film before my rational brain kicks in and points out that this is a digital image, granpa. So, something out there actually made this faint streak, but whether it was a meteor or a bit of manmade orbiting material is up for grabs. I did run Stellarium back and forth through that timeframe to see if any known satellites were cruising through, and got a Delta rocket booster, but well after the period that this image was exposing for, and not quite in line either. Right now I’m more inclined to say this was still human debris rather than cosmic, given that I saw nothing at all that night despite the dark conditions and the amount of time that I was staring at the sky – it was not an active period, for sure.

So, will I try again before peak? Not sure, really – the moon, as it does, is setting close to an hour later every night, so it’s already setting about 2:30 am tomorrow morning, starting to cut into the prime viewing periods. I’d have to be out within the next two nights/mornings to make it worthwhile. We’ll see, I guess.

Profiles of Nature 45

male giant stag beetle Lucanus elaphus Linus beseeching the heavens
Yep, another week, another Profiles – there’s no respite. But what are you gonna do, go to another blog? Ha ha ha ha haaa!

No, seriously, don’t go to another blog…

This week we have Linus, filming the climactic villain’s death scene for the upcoming Bridge on the River Kwai II: Nicholson’s Son, only the squibs didn’t go off. According to Our Girlfriend, we probably weren’t supposed to say anything about all that – something about the definition of “non-disclosure,” but we can’t be bothered with hyphenated phrases. That’s like, trying to make a word longer by cheating. Linus is struggling to become more of a household name, but as himself, because ‘Linus’ is already a household name to everyone except Millennials, and we’re not even sure we’re defining that one right, but ‘twenty-somethings’ is even stupider. Regardless, he’s trying to reduce the association of the name ‘Linus’ with precocious six-year-olds or vitamin C, but it’s an uphill struggle, and he refuses to autograph any blue blankets. He’s attempting to create his own distinctive ‘brand,’ which explains that semi-reverse-Flock-of-Seagulls hairstyle, except that he doesn’t have hair and spent a lot of time trying to find an exoskeleton stylist, but it’s all for the good of the cause; he hasn’t yet tumbled to the idea of simply changing his name. He insists that’s his natural color too, but we’ve found empty henna bottles in his trash. Not that we were looking. We were just walking past his house while out for a stroll, 726 kilometers from where we live, and just happened to see them sticking out of the tied garbage bags within the lidded bin. He also has really weird taste in streaming services. We’re guessing. Linus hopes to pull down the kind of film role that will become iconic and memorable, but since only indies shoot on film anymore, that’s not happening. What are the names of those actors from The Blair Witch Project? Right. People know the actors from the porn parodies better, but don’t tell him that, because we really don’t need stag beetle films – you’re probably too young to get that pun. Linus’ favorite grammar rule is the one about where the apostrophe goes for names ending with ‘S.’

A week is the perfect spacing for these; the scars haven’t really healed but most of the pain has faded, unless you bump it hard. So we’ll see you next Thursday!

I’m just sayin’…

… that the Leonids meteor shower will be peaking on November 17th, but it’s going on right now. And in fact, it’s better to try and catch it before peak, because presently the moon sets early and the best time to see meteors is after midnight, so the skies are better the earlier you try. By the 17th, the moon will be about full and not set until 5 am or so.

The constellation Leo, the point of origin of the greatest percentage of the meteors, is to the east-northeast and in fact rising after midnight, so at least distanced from the moon a bit and growing higher as the early morning progresses. From my experience, you might spot something in any direction, so aim for the darkest spots you can.

Be aware, there are a shitload of satellites up there anymore, so unless we get a really active storm this year, any streaks on your images are much more likely to be satellites than meteors – sad but true. Stellarium is pretty good about plotting these now, and easy enough to go back and compare if you keep track of where you were aiming the camera. As for picking a spot and/or times when there are no satellites to pass through the frame? Yeah, good luck with that.

But seriously, good luck with it if you try at all – I’m still making the effort from time to time, dog knows why, since my luck has been pathetic, but perhaps one of these days I’ll be back with a decent pic.

As the season clings resolutely

While the temperatures have (like most of the east coast) dropped significantly for the past two weeks or more, I think this is a phase before real autumn and winter, and the past couple of days it’s actually gotten quite comfortable during the day. This prompted a little activity that surprised me, but I’m not knocking it.

The treefrogs remain largely sequestered, because they’re nocturnal and the overnight temperatures haven’t been too inviting, but the diurnal anoles have been taking advantage of the warm daytime sun and scampering around a bit. Yesterday, I glanced up at the back side of the house here at Walkabout Estates and noticed a Carolina anole (Anolis carolinensis) perched way up on the window frame, two-and-a-half stories up – and then another.

pair of Carolina anoles Anolis carolinensis facing off on window frame
The larger one is, I suspect, the same one that I’ve been seeing on the corners of the house for a while, though not recently until now, while the smaller one – got me. The tail was slightly truncated, evidence of a narrow escape from something, and it was about 3/4 adult size. Male? Female? I don’t know, and the behavior didn’t answer this question.

I have to note that I was out checking the yard while The Girlfriend was in a Zoom meeting, so I only had the 80mm macro affixed and all of the other lenses were on the opposite side of the office from her, out of my reach during the meeting, so I could do nothing about improving my views here. Yes, say anything you want about lack of preparation – I was considering myself lucky to even find a decent subject to shoot at all. While these are cropped slightly, they’re framed to still give the more-distant perspective that I had from several meters below, not to mention that I had failed to get focus pinned with the manual Mamiya lens.

Meanwhile, the encounter progressed, often in slow motion.

pair of Carolina anoles Anolis carolinensis on wall with dewlap display
side of house showing distance and path of fallThey were both aware of one another, and eventually the larger one began displaying its dewlap as it drew close. I would put this down to territoriality, but I’m not ruling out a mating display even though it’s much later in the season than I would suspect was ideal – I’m not sure about my knowledge of anole behavior, is what I’m saying. I was expecting an altercation, or at least some contact, but things were happening in minor increments with lots of pauses.

Which is why I wasn’t looking directly at them when something happened, but I spotted the falling object peripherally, and provide this image of the location (taken a day later when I could get my wide-angle lens) to illustrate. One of the anoles fell from the wall, bounced off of that little roof halfway down, and plopped into the leaves at the base of the rainbarrel, not quite at my feet (since I was standing back a bit for the view.) I crept forward slowly, and was rewarded by the anole scampering across the leaves to the base of the rainbarrel, quickly shinnying up it and pausing momentarily on the lip, since by this time I was leaning in close. It was certainly none the worse for wear after that drop, showing not even an inclination to move slower – this is likely a factor of their minimal body weight and ability to distribute impact, and given their territorial habits, I imagine it happens more than occasionally. Meanwhile the anole (clearly the smaller of the two,) was undeterred and started back up the downspout in the general direction of where it had come from, but I’d gotten a few closeups before that.

unharmed Carolina anole Anolis carolinensis on rainbarrel
Ha! Now I was using the proper lens for the job!

pair of Carolina anoles Anolis carolinensis facing off on downspout
The little one started up the downspout, while the larger one slipped over to the downspout itself and began moving to intercept. I’d been watching this for a few minutes now, and even shot some brief video clips as the smaller one was down within range, but again, things happened sporadically, and eventually I stopped watching when no exciting encounter appeared to be imminent. When checking back, I found the larger one near the top of the downspout, peering around carefully, and I can only assume the smaller one had dodged past somehow, especially when the larger one eventually slipped over the lip of the gutter on the roof edge, gave a couple of flashes of its dewlap, and disappeared a little at a time, being over a minute before the tail tip disappeared.

Today was just as warm, but I saw no sign of the antagonists/paramours, though I did find a little juvenile on the back fence.

Carolina anole Anolis carolinensis perched on fence slat
This one was about twice the size of the juvie that I’d been following out front, of which there’s been no sign for weeks (but I’ll still take every opportunity to link to that photo.)

While doing some yardwork, I had dug up a small patch of sod that was mostly moss, and wanting to get a good patch established by the backyard pond, I took it back there to deposit it. As I brushed away the layer of ubiquitous pine needles, I unearthed a green treefrog (Hyla cinerea) that had dug itself in for the winter. I left it partially exposed while I fetched the camera, but on my return it was nowhere to be seen – until I crouched down and peeped underneath the layer of mossy sod that I’d just brought back.

juvenile green treefrog Hyla cinerea hiding under sod layer
That’s the sod on top, having formed a handy hollow, and the frog had lost no time in establishing a new hidey hole – this one considerably safer because it’s far less likely to get walked on there. I had adjusted the flash for the low angle, eliminating most of the natural shadows under the overhanging sod, making it seem like it’s much more exposed here than it really was.

That was not the only treefrog to be found, though.

juvenile Copes grey treefrog Hyla chrysoscelis perched on branches of paper bush Edgeworthia papyrfera
A Copes grey treefrog (Hyla chrysoscelis) was tucked in on the branches of the paper bush (Edgeworthia papyrfera, I think,) obviously not enamored with the colder nights. It also looked like it had put on plenty of weight for the winter, if its rotund nature meant anything.

The next day it was still there, though having moved to a leaf that provided a better portrait angle.

Copes grey treefrog Hyla chrysoscelis perched on leaf of paper bush Edgeworthia papyrfera
There was no wind at all, so no, this wasn’t motion sickness no matter how much it looks like that. But it’s till a nice shot to close the post with.

How much more will be found before winter really sets in? Well, it’s impossible to say, especially when I found an active treefrog on christmas of last year. But the goal is to try and branch out away from these standard subjects a bit more. Still waiting on that funding for a winter trip, readers.

De sat Sat

Which, for those of you too slow on the uptake, is short for, “Desaturation Saturday,” dedicated (mostly) to monochrome images, also known as, “Sat de sat,” “Sabato senza colore,” and, “Quit relying on your stock images you lazy shithead.” Yes, once again we’re completely defeating the reason you bought that high-end color monitor (of course you’re viewing this site on a proper desktop computer) and showing off nothing but grey. Mostly.

It all began when art teachers couldn’t master color developing in the darkroom and made black & white into something edgy, back before “edgy” was even a term, though they totally would have adored it if it was. It gained a lot of traction when photographers found they could call their nudes “art” because they were monochrome, and museums actually bought it. Eventually it became de rigueur among art directors who use the term “de rigueur” unironically. And here we are.

[Now, this is a little creepy. This post was about half written when I did a search to find something I’d covered previously, and I discovered this post from last year. Really, I had forgotten completely about it, and these images, edited over a period of several weeks, were only intended to be put up during the slow season when I needed a post and hadn’t been shooting much – the weather right now is seeing to that quite handily. So, we have an entirely unintentional callback, which you won’t believe and I don’t care.]

We’ll start with one from the ancient depths of time, back before the continents took shape, or at least, back not quite two decades during my time in Florida. Close enough.

sunbeam through mist over boardwalk, red channel
I liked the way this image was composed, and the light levels, but the color print film that I was using for it was not at all right for the subject, or perhaps any subject – my scans weren’t even impressive, and no amount of editing brought the image where I liked it. So I went mono, using the red channel for this one, with a slight and very selective tweak to contrast.

[Two notes here. First, I’ve found contrast adjustments work much better using the Curves function than anything else, because you can determine where the brightness of any aspect should be – midtones can come down while the rest isn’t moved, for instance. As with any editing, it should be subtle, or you may end up with curiously flat and unnatural tones in sections. Second, film behaves slightly differently in channel clipping. With digital, a particular channel (usually Blue in my experience) can get ‘blocky,’ as if overcompressed by jpeg algorithms, making it a bad candidate for being the sole channel chosen to convert to monochrome. With film however, any channel can and often does get grainy, but usually all three will in equal amounts, and when converting to greyscale, graininess is often just fine, mimicking the monochrome films of old.]

We’ll continue with the red channel for a bit.

gull against layered clouds in monochrome
If I recall, either of the other two channels (Green and Blue) did okay here, but red gave the best contrast, which is often the case. I’m not sure I did any contrast adjustments, since the original was already in a great range, one of the reasons I chose it for this treatment.

egrets on lake in distance against twilight sky, in monochrome
Any of the channels rendered the lake and the egrets the same way, but the Red kept the subtle cloud variations in the sky.

cedar branches against twilight sky, monochrome
I always check just to see, but it was no surprise that Red won out on this one, since the clouds were pink and the sky deeper purple. The other two channels simply destroyed the bright contrast from the clouds.

Before we leave the Red, we’ll have a curious example.

Canada geese against reflections of predawn sky, in monochrome
It works, stark silhouettes against an impressionistic background. But I never realized how curious the original was until I was comparing these back-to-back, which we’ll see here in an animated gif (pronounced, “JAY-peg.”)

monochrome and color original overlaid in animation
Now, the original looks a lot more like I choose selected areas of a monochrome shot to add an orange tint to, but there really was a band of almost pure monochrome across the original digital image, courtesy of the layered clouds selectively catching the predawn light. I’d never really noticed how unsaturated it was.

Now we switch to the Blue channel, because sometimes it works.

The Boogs in window behind morning glories, in monochrome
You can see the original here, for comparison. The Red channel brought out that blossom to the left better, but not the others, while the Green channel made the leaves brighter than I liked. The bright blossoms draw the eye, making The Boogs (you know, the cats – have you been here before?) almost a secondary subject, but they’re not too subtle.

But as I said, most times Blue doesn’t work well, and can produce very muted results. Example:

predawn sky over Jordan Lake, Blue channel monochrome
Pause here and just let the mood sink in, establish a nice impression of the conditions. I’ll add a little space below.

Space

Gimme some

… space

Ready? Okay, now we go to the Red channel.

predawn sky over Jordan Lake, Red channel monochrome
Different impression now? They’re really the same image, which is this one:

same image as previous two, in color
This gives an idea how the different channels are represented, but really, the best way to see this is to do it yourself.

Now we’ll start playing around with a little more advanced technique.

Looking Glass Falls in combined channel monochrome
You may find that one channel has a fairly good effect, but a little too high contrast, while another is too low but enhances a certain aspect of the frame. Whatever will you do? Well, since the channel clipping method presents each in layers, instead of choosing only one, you choose two, one atop the other, and then adjust the opacity of the top layer to let the lower one bleed through, combining the two in an adjustable manner. That’s what we have here, the Green channel letting the Blue show up a bit to render this in the way that I liked best. This is a vertical variation of the one seen here, by the way (a canvas print of which, left over from the gallery show, sits above my desk here in Walkabout Studios, which technically is my desk – I don’t even have the whole office.)

Another variant of the same method.

sunrise over beach, combined red and green channel monochrome
This time it’s the Red and Green channels, tempering the blowout of the Red channel from the bright yellows and oranges of the sky while keeping most of the contrast. The original already had good contrast, especially on the sand (the reason why I choose it – it’s much easier to do high contrast monochrome if you start close at least.)

One more? Kinda similar, I know.

sunset over breakers in Green and Blue channel monochrome
This is Green and Blue – the Red channel was way too bright in the sky, and even the Green channel largely rendered the sun as a pure white semi-disk, so the Blue channel tempered it down to allow the clouds in front to be seen. But since the opposite of Blue is Yellow in RGB color space, the largely yellow sun was very dark in the Blue channel, so the opacity change could go too far very easily.

Note, too, that you can also do contrast/Curves adjustments in individual color channels, whether you adjust the opacity or not. Go wild.

Now we depart from monochrome for a pair of examples that I was playing with at the same time.

glitter trail starbursts behind bare tree branches
The original was much wider than this, including the whole tree and the horizon, but that meant the starbursts in the glitter trails (courtesy of the smaller aperture) were made far too subtle, so this is a tight abstract crop to enhance them – as well as boosting the Saturation all the way up to the top setting, which worked only because the saturation of the colors was already pretty low to begin with. I’m quite pleased with the result.

But, it’s a shameless editing job. I mean, even more so than what I just said. Let’s compare:

comparison animation of previous image and original
The original had a few stray weeds and branches poking into the key parts of the frame, and I eventually decided to simply clone them out – which took a while, given the complication of the background. But it came out better than expected, almost no indication that they had ever been there, and now it looks like I added those branches to an original image that lacked them. Which I take as a vindication of my efforts, but I’m easy to impress [“No duh, Al…”]

But while we’re at it…

oversaturated sun glare image of osprey flying overhead
Since I snagged this shot as the osprey passed almost directly in front of the sun, the only thing that I did with it was to increase the Saturation to full – and then did it again, with a slight tweak to contrast to render the osprey a bit darker. The rainbow bands were already present, a glare effect from the sun and the lens (which is considerably less than I would have expected – the Tamron 150-600 really does have excellent flare reduction.) It would be easy for anyone to see this and assume that I’d added in all the color, trying to be surreal, but all I did was enhance it. Still, for that very reason, I probably won’t be using this in any fartistic manner, unlike any of the others in this post.

Anyway, that’s a few pics for the slow season, and perhaps some ideas. If you feel so inclined, I wouldn’t turn down funding for a trip to Florida or Costa Rica to produce more current and interesting content. I’d even provide you with exposure in compensation…

Found, um, kilobytage, or something

Funny, my spellcheck doesn’t like ‘kilobytage.’

Anyway, what we have here for this here post here, is a small collection of images that, during sorting, showed details that I was unaware of when shooting or unloading. It’s not found footage of course, because it’s not film, and we should be doing away with imperial units of measurement anyway, and how do you measure digital still images? Yeah, seriously, it’s been that kind of week. Moving on.

We start with a distant eagle from the edge of Jordan Lake. This is the full frame:

adult bald eagle Haliaeetus leucocephalus perched in top of distant tree
Since this was shot at 600mm, you know the bird was pretty distant – as much as a kilometer, by my estimate. I could have measured it with a reasonable degree of accuracy through parallax, because it remained in place while I walked along the lakeshore, but I didn’t, and that we may all regret forever. Or not. This isn’t what I’m showing, however. For that we go closer (well, okay, a tighter crop at a different display resolution, so it only appears closer.)

adult bald eagle Haliaeetus leucocephalus perched above remains of nest
Now, we can see that the eagle is sitting right above either the remains of a nest, or washout debris from when the lake level had been way higher. Ya never know…

But this does give me something to watch for in the spring, since it’s the first eagle’s nest that I’ve seen in person. At least, I’m assuming it’s an eagle’s nest, though they co-opt old osprey nests at times.

And now another view.

adult bald eagle Haliaeetus leucocephalus in treetop not near dead tree
A few minutes later after curving around the lakeshore a bit, the relative positions of the eagle and dead tree have changed noticeably – check the original image at top. The eagle has not changed position and that is not the eagle’s shadow on the one limb (the light’s from the wrong direction,) but that of the limb immediately to the right. You see what I mean about parallax? My own change in position simply caused the trees to almost line up, despite being a dozen meters or so separate, at least.

Also note the change in light color as the sun got lower.

Some more from the same session.

great egret Ardea alba splashing wingtips into water
As a great egret (Ardea alba) flew off, it occasionally brushed the water’s surface with its wingtips, proving that they don’t fly any higher than they need to at times. Either that or their wingtips get too hot and need cooling off. And yes, it has a teeny little snack fish in its beak.

black vulture Coragyps atratus cruising overhead with dangling leg
A large number of black vultures (Coragyps atratus) cruised overhead on their journey to the evening’s roosting spot, and one showed evidence of a leg injury, since it wasn’t tucking the leg up tight against the body like usual – I have several frames, so I know it remained this way. Some injuries like this can eventually kill the vulture, because they have to perch on only one leg, unable to shift weight off of it, and that can lead to ‘bumblefoot,’ (akin to bedsores) which may not be able to heal if the other leg cannot take on its own weight in time, eventually growing septic and killing the bird. I know this from my rehab days, when we would pick different kinds of wraps for cage perches to prevent this from happening.

pair of great egrets Ardea alba showing distinctly different physiques
These two great egrets were hanging out together, which doesn’t mean much, since they’re semi-gregarious – it’s no indication that they’re related or anything. But what I found curious was the difference in physique, especially those necks – note that the one with the thickest neck is in the back, so this isn’t even a perspective thing. The best I can surmise is that the one in the front is this year’s brood and thus a ‘teenager,’ subsisting on ramen and Mountain Dew perhaps. I am now inclined to start calling people I don’t like, “fatnecks,” but I suspect this won’t catch on.

possible tussock moth caterpillar Halysidota on leaf with another on reverse
I don’t know what this is, though I did make a brief attempt to identify it (“It’s a caterpillar, Al,” you say, and I thank you profusely with elaborate sarcasm.) I found this late one night/early one morning and shot it casually, and only while sorting did I realize that there was another on the opposite side of the leaf. You can make all the indelicate suggestions you like, because I know that caterpillars are larvae, juveniles, and so no hanky-panky is going on. It was also way past their bedtime.

sun and reflected sunlight peeking through gaps in leaves
I’ve already featured a variation of this, but this frame in particular captured my attention because of an odd detail. If you look slightly above midpoint in the frame, you’ll see the trees of the horizon peeking through, so the glare towards the top of the frame is from the sun, carefully blocked by leaves. The distinct starburst down below is from the reflection of the sun off of the water, finding a tiny gap in the leaves – this was not planned, just a relic of timing in the faint breeze that stirred the leaves. Would that I could plan such things.

And finally, we have two aborted frames from an attempt to capture lightning as the storm blew through…

time exposure frames comparing reflections in water
Yeah, there’s almost nothing to see here, but I direct your attention down to the reflections of the lights in the water. Both of these are time exposures, but the top one was as the stiff breeze rolled in, while in the bottom one it had actually started raining (you can see a couple of diffuse raindrops on the lens.) The water rippling perpendicular to the wind stretched out some nice, elongated reflections, but the agitated and foamy water from the rain allowed a pattern to be cast from the one light shining through the gaps in the leaves – this was not visible at any given point while out there, but the time exposure showed the average exposure locations on the water. Fascinating, huh?

Okay, fine, I’ll try and find something of actual interest to shoot. Man…

Profiles of Nature 44

pair of snails, seriously just snails, Angusina and Zebedee
And here you were thinking that even if the Profiles won’t stop, maybe, maybe, something cute would be featured. Pitiful.

This week we have the mother and son vocalists of Angusina and Zebedee, on the set for the music video to accompany their new release, “WAE” – quite possibly not the best topic for a family duet, but we don’t judge. Actually, we do all the time, but we claim we don’t so we don’t get judged. Angusina and Zebedee started out in their church choir, but heroically overcame this crippling handicap to actually develop some talent; their pastor angled to get a cut, unsuccessfully, and now angrily preaches about the sins of “ignoring one’s heritage.” Meanwhile, Angusina and Zebedee have vowed (well, Angusina vowed – Zebedee just kind of grunted,) not to let fame go to their heads, and aim to keep it around the middle abdomen where it doesn’t affect balance so much. They maintain equal status in the decision-making process, even though Zebedee is young enough that he has trouble with his ‘th‘ sounds and still says, “pasketti,” which we never understood because that’s much harder to say than, “spaghetti” – are parents teaching this to their kids to be cute or something? But this means that their contracts often specify creative control and 10% of the gross, and some Legos. They’re both adamant about never lip-syncing in concert, saying that only belongs in the recording studio. Their harshest critics are of course the ones that studied Music Theory in college but still can’t play an instrument, the ones that think Zappa was a musical genius and not just trolling everyone, who are only heeded by those presently studying Music Theory. Angusina reluctantly admits that her favorite name for a paint finish (but not the finish itself) is ‘eggshell,’ while Zebedee firmly states that the type F-1 (Alt “B”) freeway interchange is the best, because the type F-1 (Alt “A”) is simply doodoo.

Still 2021, so still going on every week – we might even keep this up all decade! Won’t that be fun? Ha ha ha ha ha ha ha….

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