Edit: I’d already used “part eight” on a previous post and missed it, so this has been renamed.
I have a small collection of school presentations that I’ve put together, primarily about arthropods – life cycles, feeding habits, camouflage, and so on. For one of them, I have pretty much everything about lady beetles illustrated, save for just one thing: a photo of one with the elytra (wing sheaths) raised and the wings extended. I have one crappy image obtained by chance several years ago, but I wanted a sharper and more detailed one, since this is something that few people get to see. Now, let me enumerate the activities of a nature photographer.
Lady beetles (genus Coccinellidae) fly for particular reasons, but more often arrive where they intend to be (such as a food source) and then remain, sometimes for days; their defenses include a shape that’s difficult to get under, a hard chitin, and the ability to exude foul-tasting hemolymph, so they rarely have to fly to escape threats. This means that observing even a colony of lady beetles waiting for one to take off is an exercise approaching pointlessness – especially when you need macro magnifications which translate to extremely tight focus. Pick one and stay with it, because you won’t lock focus on any other in time to capture the action. Lady beetles raise their elytra only a fraction of a second before launching into the air, so timing has to be impeccable.
There’s a small workaround, however. Holding a lady beetle in your hand can induce it to fly fairly dependably – they know when they’re not on a hospitable surface. Chances are, they’ll climb to the highest point on your hand and almost immediately launch themselves into space, so it’s possible (emphasis here) to control the conditions and nail this behavior. In fact, this should be easy, right? Simply capture a lady beetle and keep the camera focused on your fingertips waiting for the takeoff. No sweat.
This is where theory and practice clash. Lady beetles do not always take the shortest path directly to the highest point, and may pause an indeterminate time when they arrive. Focus has to be bang on, and tripping the shutter too soon might mean a delay while the flash recharges (do not even entertain the thought of trying this without a strobe) which is always when the beetle will take off. Macro work is indeed controlled by certain fates, including the best behavior happening while the strobe recharges and a wicked breeze starting up just when you’re tackling a subject that moves easily in the wind. If you happen to pursue this outdoors in a nice natural setting, you have but one chance at the image before the beetle has flown off.
I spent the winter simply waiting for the reappearance of the lady beetles, and with the spring have captured the first few specimens to emerge, taking them into the bathroom and trying to get the shot I wanted therein (small space, no hiding spots, easy to recapture my model.) Holding the camera in one hand and the beetle in the other, I struggled to maintain the precise distance between each for sharp focus, as the lady beetle wandered around, to be ready for the key moment, that 0.1 seconds of the exact pose I needed before my model disappeared from sight (generally to land on the window screen and be recaptured.) Most of what I got was what you see here; just a fraction of a second too late (or I’m extremely narcissistic about my fingertips – your call.)
Lady beetles do seem to have a certain pattern recognition: after a couple of attempts, they’ll simply tuck in and refuse to do anything, sitting as if dead in your palm. Once on the window screen, they tend to hang on tightly and are difficult to dislodge, and may even get into the little gap between screen and frame where they’re challenging to extract (not to mention coating themselves in dust rather unphotogenically.) Each attempt can end up taking several minutes, a tense build-up to, generally, a complete failure.
And yet, patience may win out. Eventually, you get your timing down and actually capture the beetle in midair just after launching and…

…WHERE ARE THE GODDAMNED WINGS?!?! Seriously, they’re smoky-colored and twice the length of the elytra – where the hell did they go?
Oh, sure, the pose is adorable, with the little bowed hind legs hanging down and the hunched wing sheaths – how often do you think you can capture an insect photo that spells out “Wheee!” so well? There’s even dislodged dust from the screen in the air! But holy shit, is it too much to ask to actually have the prominent wings in a photo of a flying lady beetle? Just… one… image to complete the presentation – I’m a nature photographer, I should be able to obtain this, right?
Yes, in a fit of generosity/stupidity I’d released the beetle once I’d confirmed in the camera’s LCD that I captured it in midair, and I didn’t realize the lack of this pertinent detail until I’d uploaded the images to the computer. So it’s going to take capturing another to try again (a previous attempt had run into strobe issues, so I’d released that specimen too.) It’s one thing to get images of whatever you might happen across, maybe with a little planning, and yet another to try for a specific type of image or behavior – this quest has been going on for months now, with a species that really isn’t rare at all. So my message to any budding nature photographers here is, have a better grasp of your patience and frustration than I have ;-)




















































There were two things that prompted me to read this book: an interest in the curious history of psychic research within the US military, and the reputation that the author seems to have in skeptical circles. I’ll skip the dramatic buildup by saying that the book failed to address either of these.


Obviously, there is no place that’s nowhere – there’s an implied following word: nowhere good, nowhere nice, nowhere interesting, nowhere important… whatever. (Reading that last string of phrases makes me feel sorry for anyone trying to learn this language, because they really don’t make sense, do they?) But how much are we affected by using such terms? When we’re isolated from so much of our human accoutrements, are we feeling alone, desolate, or abandoned? Does this make us, even subtly, fail to appreciate what we’re actually surrounded by? Do we ignore that the lack of trash, of industrial noise, of exhaust fumes is actually a remarkably pleasant thing? Are we conditioned to miss the interactive system right at our feet, millions of lives playing out in the dance of energy and ecology that encompasses the planet? Or, can we actually enjoy the lack of human contact for a while and drink in the sound of the grasses and the taste of the air? Do we, however subtly, recognize that we’ve taken our technology and ‘civilization’ a bit too far and need to leave it behind, if only for a few minutes or hours?
If you’re the least bit familiar with frogs and toads, you know that anything but the most cautious approach to any pond where they hang out will send them sailing off the bank into the cover of the water, or vanish beneath the surface if they’re in the water in the first place. This, however, is a set of rules that does not apply to mating season.
Here’s something that I didn’t notice until I was proofing the images after arriving home. I captured several toads perched in obvious locations and calling eagerly, but note the ripples surrounding this one, produced by the frequency of its calls. I have to say that this was subtle, because I missed it entirely even while taking numerous frames of several individuals. Then again, looking at the apparent point of origin of the ripples, maybe something else is at work here – do toads like beans? Maybe the calls are actually cover sounds, like how we cough loudly sometimes to disguise our, uh, nether emanations (yeah, like that ever works.) But then again I don’t see bubbles, so let’s stick with the mating calls as the culprit.
Here, we’re still wondering if spring has finally decided to settle in, or if its meds are going to wear off and send it scurrying for safety someplace, wherever spring goes when it’s not around – my guess is a shop that does specialty jams. The past few days have been spent dealing with the peripheral effects of a minor surgery – not mine, but that of The Girlfriend’s Younger Sprog, removing a bracing bar they’d put in earlier (make up your mind.) The surgery only took 40 minutes, but all the hoohah around it, not to mention the rescheduling because of an emergency that occupied the surgeon, meant two days of, really, not a damn thing happening while taking a very long time at it. The weather wasn’t bad then, though still a bit chilly, but now that all of that’s past I was able to take advantage of today’s warmth and went out looking for stuff, knowing full well that it’s still early yet.
There was one fisher around who certainly did not miss me, no matter how you interpret that wording, and this was a targeted find, meaning one of the specific subjects I was looking for on this little trip. The same comments about shooting position apply here too, since I was on my side on a rock in the river, head hovering only centimeters over the water to get this portrait. While it may seem like I’ve flopped the image, the fishing spider (genus Dolomedes) was hanging out in just this position on the side of a log in the water, warming itself in the sun. They’re often pretty mellow and will allow a cautious approach, but I admit to coaxing this one to turn this way after it had shifted away from me, facing down into the water in a position that would have required a waterproof camera to nail the eyeball shot. Which makes me realize now that an image of the spider reflected from the water’s surface would have been supremely cool to obtain, even though the river was too turbulent here to attempt that – I’ll keep it on the list. I need to point out the other face visible, an owl-like visage on the abdomen – had you missed it? And yes, I remain true to form; a post without creepy things would make any regular reader (is there such a thing?) wonder what happened to me.
And the same with National Wildlife Week, which has just passed. Sure, wildlife is visible throughout the year, yet there are still times when you’re far more likely to be able to spot it than mid-March. The northern latitudes are still waiting on spring and may even be seeing late snowstorms, and here at the mid-latitudes of North Carolina we can see activity of the birds, but the best season comes when the spring’s newborns are leaving the nests or dens, and the plants that serve as food for so many species are leafing out in earnest. And from a photographer’s standpoint, a setting that includes actual foliage is only going to help.

There’s a reason that I show mostly tight closeups in pics taken locally, and it’s because my immediate surroundings are loaded in every direction with ugly landscapes – houses, fences, wires, cars, and so on. So presenting a better idea of how bad this time of year is for wildlife photography would require driving someplace more scenic just to show how un-scenic it is anyway, which seems almost pointless for a blog post. But perhaps I can still pull it off – this pic is from just now, out in the yard. The drop from the steady rain is acting as a lens, and what you see through it (inverted) is the bare tree that represents most of what’s visible right now – couple it with patchy brown grass and dead leaves on the ground and you have the idea. This is, by the way, a full color shot. It’s still an improvement over living in New York, but not by much, and I can’t help thinking we’re overdue for much better conditions. But at least you know what’s to blame for too many posts ripping philosophy or religion ;-)