We’re going to go beyond a simple color post with this one, because it’s more interesting that way. I started off with a macro shot of a small (as yet unidentified) pond lily, which loses a little bit when displayed at this size because the contrast in focus is distinctive at a larger scale, but so be it. The contrast in color is distinctive too, and it’s images
Tag: contrast
On the negative side 7
It’s been a busy week, and I haven’t had much time to even look at some of the drafts I have in the folder, much less tackle anything new to write, and I’m not sure this will improve before christmas. So for now, we’ll step onto the Wayback Crack and break causality’s back. And here, you didn’t think I could turn a metaphor…
Monday color 18
This is one example of matching light to your subject. I often recommend that, when the light is bright and high-contrast, photographers should seek low-contrast subjects, and this is an example of the opposite: a high-contrast subject shot in low-contrast, near overcast lighting. The shadows are kept under control, but more importantly, the highlights don’t get too strong
But of course
This autumn has proven to be one that I’ve rarely had the chance to take advantage of: a fairly good display of colors, peaking during clear weather, with no storms or even high winds to strip the leaves from the trees. So while this area has few vantages that provide the best display of colors – generally something that overlooks rolling hills with a wide variety of
Pics from the oceanfront
A friend of mine in Kansas (you know, the one who won’t go to a water park,) wanted to one-up me on the frost pics, which is fine, since mine were extremely limited. We’ve always had this minor competition going on since he got into nature photography, a nice motivation to keep improving as
On composition, part 20: Contrast
I find it hard to believe that I never actually tackled this in a separate post before – I guess I kept thinking I’d done it early on, and have certainly touched on it in numerous posts. But it’s such an important part of photography that it really deserves its own specific, detailed treatment.
First and foremost, and something I teach my students right off the bat, is that photographs
A matter of timing
I’ve been watching the autumn colors developing slowly, wondering what this year’s conditions are going to be like. The pursuit of “peak colors” is a routine activity for anyone who chases landscape images, and some photographers and painters are quite dedicated to it, ensuring that they’re in a prime location in time to see the best displays. I’m
On composition, part 19: Distractions
When we’re learning how to do something even vaguely artistic, there is a series of pitfalls that can arise: while concentrating on following “rules” or guidelines or better techniques or whatever, we can get too wrapped up in details and forget the more important aspects, like style and message and appeal. This particular topic is one, in the