I have a small collection of photos taken last night that I need to put up, and they were bumping four others from a few nights ago, but they all got kicked out of line by what I took this morning. These are the privileged piccies, the ones too good to wait in line. Yes, I’m terribly classist about my photos…
I was just setting up to reshoot an illustrative image for tomorrow’s Tip Jar, when I glanced out the back door while I had the 70D with the Tamron 150-600 in hand, and said to myself, Hmmmm – that kinda looks like the green heron. Stepped out onto the deck and aimed the camera, and confirmed this.

Yep, that’s the green heron (Butorides virescens,) or at least, one of them. I’ve seen two on several occasions, but always in pursuit mode, so I’m surmising that we have one resident and one frequent interloper. Judging from the behavior and how long it was in view, I’m going to call this the resident, the one we saw just a few days ago.
That was taken from the deck, and I watched for a minute to see if it was settled into this spot to hunt (this is a tree on the former Turtle Island, now totally submerged.) And then began to creep down there, switching image modes and eventually setting exposure compensation for the lighting conditions – the pond surface was bright enough to darken the heron a bit, so I added 2/3 stop overexposure after the following frame.

Only part of the path could be done under cover – the rest was wide open on the back ‘lawn’ (if we had an HOA, I’d be fined for even calling it that, but we don’t – woot!) only passing in and out of open shade. The heron could easily see me, and paused from time to time to evaluate my presence, which was largely motionless and unassuming while I was under its gaze.

Over a period of about ten minutes, I sidled ever closer, taking frames as I went, convinced that at any minute, the heron would spook and fly off – or, see the interloper and do the same. This is full-frame, showing my view as I was approaching – these are all at 600mm, of course.
Now the detail crop of the same frame:

I had changed a couple of settings on the autofocus, and it’s been behaving much better recently, as this demonstrates. There were plenty of things for it to lock onto instead, but I was keeping the focus point right on the heron as much as possible, and it was working. The good light certainly helped, and who knows? The color of the heron might have been ideal for the contrast detection function that drives the autofocus. Not questioning it.

This was just after making a slightly more conspicuous move closer, and was likely the heron’s reaction to seeing this, though curiously, the eye is almost blocked. I’m not sure if it was stretching out in preparation of flight, or if it was attempting to camouflage itself by mimicking water reeds – I’ve seen bitterns do that as a standard response, but never green herons.
I held still and let it calm down again, which really didn’t take more than a minute or so.

Now it’s resumed hunting, and we get a good look at the coloration – which doesn’t seem very green, does it? So why isn’t it a blue heron? Well, there are already great blue herons and little blue herons, which probably got there first, but this is also a trick of lighting and the feather qualities. They do actually appear very deep green in the shade where they tend to stay; it’s only in bright sunlight that you get this dark slate color. I have never collected a feather from one, but if I come across any, I’ll do some photo experiments with it.

Again, I’m standing upright in the yard, probably about 16-20 meters distant, so the heron knew I was around – that wasn’t enough to forestall it preening a bit.

Quite a bit, actually – it went through several different short sessions while I was there. These are cropped, of course, but c’mon! Look at the feather detail! Now you know why these images took precedent.
Let’s have some more establishing views:

Again, full frame, now at my closest approach not too far from the edge of the pond, and giving an idea that I was doing careful shifting to prevent my view from being blocked by intervening leaves and branches on the pond edge, not at all helped by the heron wandering back and forth in search of that key spot that would reveal all the fishies. And now, a full resolution inset of that same frame:

The little feathers over the eye. The optical hotspot from the sun refracting through the cornea even though the iris remains in shadow. The duckweed on the bill. I’m chuffed, is what I’m saying.
[So you know, 267 images over the space of 40 minutes, though I’ll likely only keep half that – I’ll try to tally them during the sorting. But some of that quantity was solely to ensure that I had at least a few like this.]
But it wasn’t all wine and roses.

There were times when the view was obscured, and by this point I had sat down in the grass in a persistently shady spot, so this necessitated careful shifting on my bum to try and maintain a decent view, without the heron getting too spooked. It would notice, but by now it seemed to accept me and only paused long enough to confirm that I was not about to launch myself at it.

Tight crop here, after an unsuccessful strike at a fish, where it was likely clearing duckweed or algae or grit from its beak, but yeah, that’s the tongue, and I’m pleased I caught it.

Of course, it had to happen. There were several unsuccessful attempts at a snack, but when the heron finally snagged one, then the autofocus decided to wander off and pay no attention – this entire sequence will be discarded, because all nine frames look like this. This is perhaps partially my fault; the strike took the heron out of the autofocus zone momentarily, and when I saw it had a fish I cranked off the frames, without pausing to ensure that the AF had locked back in. I know better, but I was thinking that with such a small fish, the heron would swallow it in seconds (which it did.) Yet, without that pause for AF to lock on, none of the shots is useful so I still missed the action.
It’s not like I don’t have any decent keepers, though.

Yeah, the tip of the beak really is only about 2cm off the water’s surface. Look at the feathers on the nape of the neck.

The focus could have been a tad sharper, but now I got one of its capture, kinda. The snack isn’t terribly well-focused and I can’t make out what it is, but from the few details I suspect a dragonfly nymph – there should be thousands in the pond, because there are nearly that many adults winging over the surface. Fine by us – there are too many other insects down there, so eat all you want, guys.
When I decided I’d gotten enough frames and it was clear the heron wasn’t going to take flight and give me an opportunity for in-flight photos, I rose slowly and made my way straight back to the house, though I checked partway back: the heron had not spooked at my rising and remained in place, so perhaps it got slightly habituated to me. It was still there as I went indoors.
We’ll close with two portraits, because fifteen pics wasn’t enough for a post.

This is the representative heron shot, full body pose even showing the edging of the body feathers pretty well, good overall light, even on the clear eye looking at us and all that. The neck is tucked in typical fashion, by the way, disguising how long it truly is, which you only get to see occasionally.

But I also like the drama of this one, the intensity and the visual impact of that beak. At least one from this session will be a framed print soon enough.