An amusing (or maybe pathetic – I keep getting them confused) side note before I begin: damn near every time that I mention captive animal photography on the blog, I make some kind of defensive comment about it as if people are routinely, derisively pointing out that real nature photographers wouldn’t shoot captives, and all of their
It’s been a while since we’ve seen any crustaceans – let’s feature some crabs today.
Okay, sorry, I’m not in a rut, this is just one of the earlier images that still held some interest. We’re once again back in the Aquatic folder, on Day Two of the loaner camera and once again shooting in the little saltwater aquarium that I maintained while in Florida. Two of
This week, we go back to 2005, and over to the North Carolina Museum of Natural Sciences in Raleigh. There, a seahorse posed enigmatically among the fronds of seaweed in an aquarium, with just barely enough natural light to pull off the shot wide open at f2.8.
I make no bones about it: true underwater photography is demanding. Just being down there generally takes a good amount of
I really have to stop doing stuff like that with the titles…
As a section of the photo gallery shows, while I lived in Florida I ‘maintained’ a small saltwater aquarium – not exactly intentionally, and certainly not in the way that aquarium enthusiasts do. Instead, it was born simply from finding critters
While it may seem that “water” is more of a subject than a compositional tool or element, there are actually so many ways to use it that it begs for greater examination.
So let’s dive in sorry – sometimes you can’t resist.
The primary trait is, of course, reflectivity. It can mirror a subject on a lakeshore or provide a duplicate sky behind a subject without having to