Yeah, back in a rut – or I never left, whatever you like. But these finds from last night couldn’t be passed up.
I semi-routinely check out the property, day and night, to see what can be found, mark progress, and so on. I’d like to think that I’m getting even better at spotting extremely subtle things, but there’s no real way to determine this, no ‘master list’ of what there is to be spotted. I just know what I do find, which might only be 2% of what could be seen if I didn’t suck. Man, empiricism isn’t good for the ego…

The oak-leaf hydrangea (Hydrangea quercifolia) in The Jungle has been a good place to spot things this year, though not every time I’ve checked (see above.) The flowers from this past spring are still there, dried and brown now, and may hang on through the winter, providing a nice accent to the overall appearance as well as hiding places for various small critters – that tail hanging down is the clue, though it’s only 3cm long. And there’s more to see, if you look very closely, but I’ll make it easier in a moment. Don’t keep scrolling if you want to challenge yourself first.
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Yep, our old friend the Carolina anole (Anolis carolinensis) is once again sleeping within those flowers. So you know, the individual petals might be fractionally larger than your thumbnail – this is one of the juveniles, almost certainly this year’s brood. They appear to grow much slower than the frogs do, and a few days back I believe I spotted one of last year’s brood, only half of adult size. There’s no way to tell for sure, and all I can go on to differentiate them is their locale, which may change at any time when they decide to move on. I suppose I could sneak up some night and attempt to give them a tiny tattoo…
By the way, you can tell this is a juvenile by the awkward sleeping position – adults of every species know if they try to sleep like this they’ll be worthless the next day.
About two meters away on the rose of Sharon (Hibiscus syriacus,) was another find.

This one probably heard my attempt to get closer up the overgrown slope of The Jungle, through the ivy and blackberry iris and various unwanted vines, thus the open eye. It didn’t budge from position, though – and it is this position, shot perfectly upright and level, so the anole really is hanging head down like that. I’m not at all sure how it’s remaining that way, since neither the hind legs nor the tail seem to be latched onto anything, so perhaps it just licked its own belly and stuck itself to the leaf? Maybe this is a very localized example of those gravity anomalies? Maybe… nah, let’s not be indelicate.
The other day when I didn’t have the camera in hand (the horror!) I viewed some behavior that I’m dying to get on video, and it was almost certainly displayed by one of these two, given that it was on the top of the same hydrangea roughly midway between these two photos. I’ve already done a few short video clips, nothing fascinating, but I intend to catch more behavior before the season ends and these spuds go into hibernation. The problem is, there’s no way to get a decent view without them being acutely aware of my presence, which likely affects their behavior – it could be a while. Still, it’s been a good year for video efforts, so we’ll see.



























































Here’s how it looks – this is from GIMP, but most other programs are very similar. The mountain range at the bottom of the graph is a representation of how many pixels in the image fall into each brightness value – black at the left, white at the right, so you see a very sharp spike at the left edge, a good portion of black pixels, and none of white – this is what made the original muted and a little dark. [You can do this for each color channel as you like, but the default is ‘Value’ as it shows at top left, which means overall brightness, and since we’ve eliminated the other colors for this image anyway that’s all that we have to work with: 256 shades of grey, super kinky.] The bold diagonal line across the image is the adjustment curve, only slightly curved here. I moved the upper right endpoint to the left slightly, lining it up with the brightest pixels on the ‘mountain’ below, which means that they got moved up all the way to white. This skewed the whole diagonal (the ‘average’) away from the original values, the faint blue line, and so over to the left more – which are the shadowy portions of the image – I brought those back down to where they had been, just clicking on the line and dragging it. This increased contrast a little because the first move had increased all brightness. Make sense? Seriously, just play with it sometimes if you don’t already – it can greatly improve your images.





It may be obvious that this is running backwards, but I couldn’t start with the one lightning flash now, could I? And that was the way it went: after changing position, I got one noticeable burst and then nothing for plenty of frames, but the glow from the streetlights off of the low clouds made them visible, and the sequence of frames (there are ten here) made their development clear. You will also notice another shift in there, because I changed angle slightly and apparently the focal length too, though this was unintentional, and I only did a half-ass job of correcting it for the gif (pronounced, “JOB-smakt.”) Actually, I’m only keeping the one frame and discarding the others, so this is the only use they’ll ever be put to. If you want to consider this an NFT, I’ll be happy to 


























