Going through channels


So this past fall, seeing my shadow falling across a view of reflections in still water, I decided to get a little fartsy again (I’ll never learn) and make it an intentional part of the image. I didn’t really want a shadow of someone in the peculiar and recognizable position of taking a photo, so I set the camera and held it down by my hip, assuming a more natural-looking read more

More Monday monochrome

Let’s take another look at converting color images into monochrome. It’s not very often that I’m out with the intention of shooting images to be converted, and I never switch the camera over to monochrome mode instead, during sorting or editing I’ll pick a handful of images that look like they might fit the bill and see what comes up with the conversion read more

Monday color. And monochrome


We’re going to go beyond a simple color post with this one, because it’s more interesting that way. I started off with a macro shot of a small (as yet unidentified) pond lily, which loses a little bit when displayed at this size because the contrast in focus is distinctive at a larger scale, but so be it. The contrast in color is distinctive too, and it’s images read more

On composition, part 11: Nullhue


Or, if you’re less hip, you might know this as black & white, or monochrome, or greyscale (grayscale, what-evah,) or einfarbig. There are a lot of ways to accomplish it, but the first thing to consider is what you’re after. In times past, all photography courses required not only shooting in B&W, but developing it as well. I won’t read more

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