Still more

I have a small collection of photos from two recent outings to throw down here, slightly scattered – nothing exciting, but a fairly good impression of what I get up to at times. First off, I have to provide some as an illustration. Not quite a month ago, I posted about the enormous rise in water levels down at Jordan Lake, without a distinctive way of measuring just what they’d been. Last Thursday’s trip to the same lake provided a little more of an idea with a curious couple of details.

fallen trunk trapped between standing trees showing damage from rising water
What you see here, spanning the frame from side to side, is a tree that had fallen among a few others, getting sandwiched between several standing trunks but still able to move freely when the water level rose. Its motion up and down, especially with wave action, left fresh signatures on the trunks of the standing trees flanking it.

Al Bugg standing alongside damaged trees for scaleThat wasn’t enough for a good illustration, so I sent the Immeasurable Al Bugg over to pose alongside the damage as a standing ruler. He’s about my height, so 182cm or so, which places the upper reaches of the water at least three meters from the ground here, which was still above the waterline. Bear in mind that the trunk would have sat very low in the water, and the rubbing damage likely sits a little below the water’s peak level; in other places, there were indications that the water made it as high as four meters above normal. That’s a hell of a lot of water, especially since the lake is 26 km long.

These photos, by the way, were part of my lens tests, even though I had the 150-600 affixed on that trip far more often. You see, my carry-around lens – well, okay, that’s a misnomer, because I carry around at least four lenses at any given time, so let’s just say my generic ‘average’ lens, intended for a broad range of uses – was until recently the Canon 17-85 IS that I’d repaired, which is a fine lens and generally pretty good for my needs, except for being a little on the short side. Basically, I wanted a bit more focal length for versatility, and as I’ve said, I don’t buy new too often. With the tax return this year, I shopped around until I located a Canon 18-135 IS STM at a decent price, and that arrived in the middle of last week, so I got a couple of brief opportunities to test it out around the local pond when the weather was nice, previous to the lake outing.

pair of Canada geese Branta canadensis in pond
There was another purpose in obtaining this lens, and that was my increasing forays into video, which is where the ‘STM’ part comes in. It refers to the autofocus motor, which is a new ‘stepper’ motor, very smooth and almost completely silent, so it is far less likely to intrude into the audio portions of any video recording I’m doing; this is helped by also using an external mic rather than the crappy internal one provided by the camera body. The Canon 18-135 comes highly recommended for both still and video, and is almost the exact same size as the 17-85 (before full extension, anyway.) Above, one of the lens tests at 135mm on a pair of Canada geese (Branta canadensis) in the nearby pond, full frame, while below is a full-resolution inset.

full resolution crop of same frame
I honestly can’t complain about those kind of results.

I have yet to do any video tests of it, but those will come soon enough. While out, I had the opportunity to try out the ‘macro’ function, which will not get much use from me, mostly because I have the bestest macro lens in the whole wide world already (the Mamiya 80mm macro intended for the M645 series, adapted for use on Canon bodies,) but you know, in the interests of thoroughness…

unidentified damselfly on water reed, full frame
A word about the ‘macro’ designation on the vast majority of lenses anymore: horseshit.

Okay, a few more words. ‘Macro’ doesn’t have any specific meaning to lens manufacturers, so they’re kind of free to interpret it as they like, and of course saying a lens can do macro work increases its value. In most cases, it only means the lens can focus within two meters, and may make as little magnification as 1:5, which isn’t terribly close. Dedicated macro lenses can usually do 1:1 magnification and are optimized for flat field work, meaning they can photograph a flat page or surface with consistent sharpness and little distortion right to the edges – this is mainly for copy work, which I have done only once or twice myself and am not really worried about, but that’s what makes dedicated macro lenses so expensive. And this lens will never get as close or as sharp as what I normally use, but for a casual attempt, it wasn’t too shabby to be honest. That’s the full-frame above, and a detail inset below.

detail inset of same image
Again, I’m not complaining, even though I have lenses that do better. If it’s not evident from the other details within the frame, the damselfly measured about 30-35mm in overall length.

Now, while I’ve done exercises such as only using one lens during a session, or even one focal length, I wasn’t that strict with myself while the conditions were so nice, and used the 100-300 L as needed, such as on the yellow-bellied slider below, one of countless turtles taking advantage of the pleasant temperatures.

yellow-bellied slider Trachemys scripta scripta basking on stump in pond
I also got a collection of frames of a brown-headed nuthatch working on a nest hollow, this time with no female in evidence, but between the dim lighting where it was and its frenzied activity, those shots didn’t pass blog muster, especially when I got much better photos just a day later.

And finally, a slightly surprising find in a region of an overflow channel; the pond itself doesn’t have an adequate drain when we have heavy rains and it overflows its banks fairly frequently, so frequently that it has a serious channel cut across a meadow for the water flow, and portions of this retain water most of the time. Far too small to be considered ponds in themselves, they’re more like glorified puddles, but the amphibians like them.

American toads Anaxyrus americanus during egg laying and fertilization
I spotted the random loops of the egg strings first before realizing that the leaves in their midst weren’t, and sprawled on the banks for a better vantage. These are American toads (Anaxyrus americanus) and they’re busy producing those coils of polka-dots. Well, okay, the female produces them, the male fertilizes them as they appear – credit where it’s due. I had been thinking it was still a little early for this, but on checking last year’s posts I found that the major breeding session that I’d caught then had occurred just about a week later in the month. Curiously, The Girlfriend and I just did a weekend trip out to that same area with not a toad to be found, nor any eggs – all a matter of timing, I guess.

Right now I’m considering collecting a small handful of these to keep in an aquarium, in the hopes of photographing their emergence as tadpoles before I introduce them into the backyard pond; considering that the puddle here isn’t going through too much water turnover at the moment, there likely isn’t a lot I’d need to do to maintain favorable conditions until hatching at least. Hmmmm.

Odd memories, part 24

A lot of people have stories of this nature, and there’s a good chance you’re tired of hearing them, so I’ll try not to make it too long (yeah, this is me, so good luck with that,) but this is also distinctly me, and may give you an insight into the depths of my mind. Which you may regret. Seriously, best to just skip to the next post, or another website entirely.

About 24 years ago or so, I was scheduled to have my wisdom teeth removed, since three of them were doing that serious impacted bullshit, and this was going to be dental surgery for which they would have to knock me clean out. Mind you, this is the only time in my life I’ve ever been anesthetized other than a local, and my experience with local anesthetics previously was that they seemed to have less effect on me. So on the day of the surgery, lying back in the chair with the IV drip in, I realized that I was remaining perfectly lucid (or as lucid as I ever am, which is perhaps arguably less than perfect, but nominal, anyway.) This state remained as various people prepped, and I was about to bring it up to someone when the surgeon entered the room and introduced himself. As he went around behind my chair, he adjusted something back there with a faint rattle, and suddenly I felt a chill in the arm with the IV line. Ah! They’d only had a saline drip going until the surgeon opened the anesthesia valve. Okay then.

It was only a minute before my vision began to blur a bit, but more noticeably, the ceiling tiles (no I wasn’t counting them,) started to shimmy, sliding upwards a little before jerking back suddenly, over and over. I recall asking the surgeon if he knew why there was only a vertical component to the hallucination and not a horizontal one. He admitted that he did not know, but I was alert enough to recognize the amusement in his voice. That’s the last memory I have of consciousness.

Except for one bit. I knew wisdom teeth can be a pain in the ass, and often have to be fragmented to be removed, and I recall my head jerking sharply as they hammered on the chisel to break one of them up. There was no pain or discomfort involved, no distress at all, just the awareness of the action, and I thoughtfully put one hand up under my jaw on that side to help brace it. It was the same kind of thing where you wake enough to realize that your arm is asleep and shift to correct this before dozing off again. How much this move assisted them, I cannot say, but there was no reflection of this on the bill.

After the surgery, they encouraged me to just take it easy as the anesthetic wore off, and I was determined to speed this along, so I got out of the chair while no one was in the room and began walking around to burn it out of my system – such a thing likely doesn’t work, but it seemed like it should. There was music playing, and as a favored song came on, I’m reasonably certain I was dancing to it. Now, I don’t dance. Not ever, even when fully coherent. It probably wasn’t pretty.

I considered myself quite alert at the time, but looking back on it the following day, there are large portions of the post-surgery period that are simply blank, including whether I actually paid for the meds at the pharmacist on my way home (no I wasn’t driving – they insisted on that, for some reason.) I certainly must have paid, since I’m sure they never hand over the drugs until the payment is made and I did have them, but damn, someone on the ball could have probably bilked me into emptying my account.

Makes me wonder how hard it is to target e-mail towards people recovering from oral surgery…

Avian anecdotes

eastern bluebird Sialia sialis on pine stub
The temperature is beginning to resemble spring, even if only a few things are budding out right now, and the Immutable Al Bugg and I did an outing to see what was in the area. I was suspicious that the osprey and such had not yet migrated back into the region, but there were a handful of birds to be seen, including some surprises. The pic above is not one of those surprises; eastern bluebirds (Sialia sialis) appear early and are visibly active in search of nest sites right now, so we managed to snap a few poses as this male observed us to see if we would move on soon.

The morning remained resolutely overcast for several hours, far from ideal conditions, and this meant that many of the birds we spotted would be mere silhouettes against the sky without exposure compensation, and sometimes even then. The capture below was initially too dark, even with 2/3 stop overexposure, but then again, I suspect this camera body runs about 1/3 too dark at ‘normal’ exposure, so call it only +1/3 compensation which wasn’t enough. Thus it’s been lightened a bit in post.

likely second year juvenile bald eagle Haliaeetus leucocephalus in flight
This is what a juvenile bald eagle (Haliaeetus leucocephalus) looks like, seems to be 2nd year to me – they don’t get the coloration we’re all familiar with until their fourth year or so. It was a quick pass, but reasonably close, so I’m good with it. And a hint of things to come.

The initial spot that we checked out on Jordan Lake was slow, but this was not a surprise due to the overcast and chilly conditions, so we moved further south to examine another spot. And we’ll stick to bird photos for this post; there will be another with various other pics following shortly.

As we headed out along the lake edge, I could see a perched bird in the distance that I took to be an osprey, even though it seemed slightly odd, but it wasn’t until I got back and examined the photos in detail that this vague suspicion turned out to be confirmed.

juvenile bald eagle Haliaeetus leucocephalus likely third year perched on sweetgum tree Liquidambar styraciflua
This is another juvenile bald eagle, probably 3rd year, seen from the back; the dark stripe along the eye is now becoming visible. They really do change a lot until full adulthood. This was shot, by the way, hundreds of meters distant at 600mm and cropped further, and soon after this frame, the eagle flew off behind some trees and wasn’t seen again. By us at least.

broken trunk with old woodpecker nestsThere were a handful of ospreys to be found, but only flying level at a moderate distance at best, against overcast skies, and no hunting behavior to be seen, so I’m not posting any of those shots since there’s much better to be found here. We hiked out to a nest location from two years ago, hoping to perhaps see some nest-building or courtship behavior (since raptor nest sites are often reused), but the nest itself was gone entirely; my suspicion is that woodpeckers had also nested in the same dead tree, and their hollowing activity had weakened the trunk to the point that the top broke free in some storm since then. There was at least one trunk that matched such conditions, shown here later in the day after the sky had cleared because we needed more color in this post; I just can’t be sure that it was the same one that we’d seen the osprey nest within two years ago.

However, while skirting the lake we heard some telltale faint drumming sounds. The previous day I’d been photographing a brown-headed nuthatch excavating a nest hollow, much as a woodpecker does, and the faintness of the sound and the apparent proximity were pretty strong indicators of this. It took only a moment to find the culprit, who wasn’t too concerned about our presence. I’d turned away after a few frames, so it was Mr Bugg that spotted the female coming over to make the family portrait, and these are faintly out of order because I know how to write posts.

pair of brown-headed nuthatches Sitta pusilla at nest site
Brown-headed nuthatches (Sitta pusilla) really have no discernible differences between male and female (on sight anyway,) but I’m going to assume the male is the nest builder since that’s typically the way among birds, one of the ways they convince the females that they’re good dad material. Curiously though, the female seemed to be already committed, long before the nest was complete, because she was nearby and giving alarm calls if we moved incautiously, but it only took a step or so back and about 20 seconds of motionlessness to convince them we were harmless. Again, longer focal lengths here and tighter crops for detail, but really, we’re talking only a handful of meters distant. Close enough to get some real detail.

brown-headed nuthatch Sitta pusilla posing proudly along nest hollow
This is the full frame at 600mm, but I said some real detail.

brown-headed nuthatch Sitta pusilla removing excavated material from nest hollow
Same image, tighter inset. No, he’s not feeding young, but removing wood pulp from the hollow. Check out that feather detail. Ya gotta love the cooperative subjects.

By the way, if you spotted the weird ripply effects above and to the left of the bird, those aren’t editing artifacts (I’m better than that,) but a twig or vine much closer to the lens than the nuthatch is; this is the way they get rendered by aspherical lenses. We were shooting through small gaps in all the surrounding branches.

A little later on we heard faint drumming again, and paused to try and locate it – we’d spotted several woodpeckers in the area on previous trips. It sounded very low to me, and I crept forward to see if a suspicion was correct – at times like this we use hand-motions to avoid speaking, both to prevent alerting other species to our presence and to help us hear their own sounds. After a minute, I determined that the sound was coming from the short remains of a dead stump right smack in front of us, like less than four meters away. I cautiously circled it until I found three little excavated holes lined up vertically, with the sounds definitely coming from one of them, and we stood and waited. This kind of thing tests your muscles, because long lenses are heavy things and you want them raised to shooting position, both to snap off a shot quickly and to not have to move them around obtrusively when something does show. Meanwhile, the sadistic snot within was staying busy, digging away, without showing his little beak.

Eventually, he burst from the hollow and had a quick conversation with the female in the branches overhead, and we backed off slightly and held still. Outside of their crucial danger line now, the male quickly returned to work while the female watched without apparent concern. The male did, however, check outside the hollow a lot more often; even though we were silent, the shutters were still making noise very frequently.

brown-headed nuthatch Sitta pusilla looking suspicious
I posted this one for the expression, since he looks so suspicious, but since he immediately dove back into the nest hollow it isn’t an accurate impression.

brown-headed nuthatch Sitta pusilla in nest mouth
How about this one? Nice detail shot? Or maybe one framed in their doorway?

brown-headed nuthatch Sitta pusilla head in nest opening
Just so you know, each image on the blog gets a description in the meta info, which helps search engines find them, and I include the scientific name as well, but I’m getting damn tired of typing “brown-headed nuthatch Sitta pusilla.” However, once more, as we back off to full frame of this same image just to show you something.

brown-headed nuthatch Sitta pusilla head in nest opening full frame
It isn’t perhaps as distinctive here as it is in thumbnails as I’m sorting, but the shadows of the background trees and the overall color makes it seem as if the trunk was standing very close to a beige wall instead of, you know, a fully wild shot in a stand of trees just in from the lake’s edge. I can take you to the exact location if you don’t believe me.

Eventually, our time ran out even as the sky cleared, with too few species making an appearance and nothing very scenic out there yet – the new growth is coming soon. We were driving back, along another spur of the lake, and I spotted two big birds wheeling around directly over the road in front of us. Often this spells vultures, which we see plenty of, but as I caught patches of white on them I started to think ‘osprey.’ A moment or so later, as the white areas became more evident, I realized we were seeing a pair of bald eagles playing tag, and we passed almost directly under them. We were on a bridge, with no good shoulders on the road afterward (welcome to North Carolina,) so I quickly turned into a fishing access lot which doubled back almost to the point where the eagles had been seen. In the time this took (adding in the time to get the equipment out,) they were no longer in evidence, but soon made a brief appearance as they ceased their circling and flew off further down the lake, allowing just a couple of frames at distance as they departed.

pair of adult bald eagles Haliaeetus leucocephalus departing in distance
Considering how rarely I’ve seen eagles around the lake, despite knowing they’re around and being told the “good areas” (heh!) to spot them, finding four in one day (granted, in three separate regions) is an auspicious start to the spring, at least. Now we’ll just have to see if that’s misleading or not.

On this date 11

First off, we’ll start with the calibration image. Below is an 18% grey ‘card,’ a fully-neutral image that camera exposure meters are specifically set for, representing the average in light levels for images. Adjust your monitor so that this appears to be the most medium-toned, colorless image that you can, and we’ll go to step two.

18 percent grey image, almost
All set? Any imperfections now visible in the image are the fault of your own monitor or video driver, and should be dealt with accordingly.

Okay, fine, I’m lying, sue me. If your monitor is adjusted pretty well (and you’re not using a smutphone,) there should be something visible within the image. This is actually a mildly-modified version of an image that I’ve had sitting in my blog folder for quite a while now, originally brought in for long-forgotten purposes, that I played with a little to have something to post for the lean winter months. And then after I tweaked it, I checked the original date and realized that it would fit into an ‘On this date’ post in just over a week hence. So here we are.

Really, all I did was drop contrast a little from the original, which was shot in dense fog over a wetlands dam – the original looks like this:

Canada geese Branta canadensis in very dense fog
But the bit about the 18% grey calibration is actually pretty accurate, because the camera adjusted exposure to meet this programmed standard – in reality, it was probably a bit lighter than this, but that’s really hard to say because it’s all relative, isn’t it? It all depends on how your eyes have adjusted and where you’re looking and how bad your hangover is and all that jazz. But if you’re looking hard, you should be able to see a pair of Canada geese (Branta canadensis) on a rocky shore. If you look very closely right alongside one of them, there’s evidence of a male mallard (Anas platyrhynchos) too, but it doesn’t show well at this resolution – it’s barely discernible at the full resolution version.

A quick word about 18% grey calibration. Cameras do not, of course, know what they’re seeing or what it’s supposed to look like, so they’re programmed to set exposure for the most common situations, the ‘average’ scene, which has a nice mix of highlights and shadows. There are plenty of situations – not this one – that do not fall into this average, and trusting the exposure meter for them means the image ends up looking too dark, or too bright. So recognizing these conditions is important for any decent photographer, and it’s one of the primary facets that I cover with my students (and more than a few times here on the blog.)

Oh, yeah – this is from 2006. I left this shooting locale with 2/5 of a tank of gas in the car, got a Belgian waffle for breakfast and left a $1.45 tip, and read pages 205-232 in Terry Pratchett’s Thud! when I got home. I remember it like it was yesterday.

Just a little nudge

kayaker on Jordan Lake against sullen skyThe image here was originally shot on slide film, many many years ago, and I think I’d scanned it for the Sunday Slide posts that took place back in 2017, but never used it then, and it’s been sitting in the blog folder ever since (far from being the oldest in there, too.) The thing is, I’ve always liked it, but felt there was something just a little amiss. It’s the kind of abstract that largely stands by itself, yet didn’t quite feel strong enough to throw up as a random pic, nor was it considered for any of the end-of-month abstracts because I try to use something current for those.

Now, a word about my habits. When scanning slides, I was always striving for the most accurate rendition of the slide itself, for multiple reasons. The first is, representing it without any editing or tweaks shows the real image captured, the skill of the photographer and all that – no corrections after the fact, no ‘retouching,’ blah blah blah. But there was also the matter that any of my slides could be sent off to a publisher or editor, and if I misrepresented them in any digital media, this implied that I needed to correct my work, and might even lose the sale if they found the original was not what they were after. So I’m comfortable saying that this is as close to the color register of the original slide as I could manage, with all the little variables that come in there like current monitor calibration and the color of the light source used to view the slide itself – really, ‘accuracy’ is a fudged concept throughout photography, no matter what.

And with all that, there’s a definite magenta color cast to it, though whether this is perfectly accurate, the water reflecting the colors of a sullen sky, or if the film itself had undergone a color shift through excessive heat or something, I cannot say. But this is what was preventing me from feeling very comfortable with the image; some people might like the color register, but to me it looked more like the white-balance was off, or that I’d done a bad job scanning the slide (perish the thought!) So there it sat in the folder, just… not quite right.

Things change. With digital images, little alterations (and some not-so-little) are easy to do and thus no longer frowned upon, and an unwanted and perhaps unrealistic color cast is a liability of film, not a trait. After all, anyone can pick their own base color and contrast and saturation settings in-camera, to say nothing of post-capture editing, and while there are those that can easily recognize an unrealistic color register in an image and know it was altered, there also remains no reason to retain an unrealistic hue when it’s so easy to correct. Even if it isn’t actually unrealistic.

What I’m saying is, a mindset that I’d developed with good reason many years ago was suddenly found to be almost pointless, and I shrugged and tweaked the color register the other day – shameless retouching, from an earlier standpoint, but trivial corrective editing from a current one. And what a difference it made.

same image with more realistic-seeming color register
Maybe it’s because I really don’t like magenta, or maybe it’s because I couldn’t help but feel the color register was off and this grated on my editing skills, but this version feels a damn sight better – the clouds themselves certainly look more like what we expect. The idea, to me at least, has become more a deeply-hazy day rather than an impending stormy one, which fits more with that glitter trail. The isolated position out in the middle of the lake seems a little less dire.

And as I type this, I realize that there’s a subtle aspect that affects how I, and I alone, view it. Because I know where the nearest dock was, the precise distance, and in which direction – but you don’t. So your impression might be entirely different from mine.

Which is one of the things that I find cool about photography. Different people get different impressions, and the photographer’s is always tainted by their knowledge of the conditions and locale, things not evident from the image itself. Dismissing them can be difficult – actually, it’s probably impossible – but recognizing what the viewer doesn’t see or know or feel can help with determining what images will be stronger.

I tried, I really did

park trail in NC winterThere are a handful of benefits to maintaining a blog, especially if you do something “professionally” (leave the comments be,) among them providing backstories or amusing anecdotes, passing along tips, and just the general reassurance to everyone that you’re remaining active, and of course this bit requires regular content (which in and of itself provides writing exercise and a quest for new topics.) The rot sets in when there’s too little to write about, even when you make the effort. You might take that to mean this post will be less long-winded than my normal fare, and you’d be wrong.

I set out today (today being Friday and not whatever date this actually posts, but it’s still 11:57 PM right this second,) to check out one of four potential areas for nature photography – new to me, and in some cases not known very well among the public at large. The goal, besides just getting out to chase pics, was to discover some hidden gem that would provide plenty of opportunities for photos without, you know, beach trips and all that. This was not to be, but in all fairness, it’s still freaking winter, despite some warmer temperatures for a small portion of the day, and nothing is really growing yet. My destination is remaining nameless for the time being; as unimpressed as I was, there remains a chance of it getting much better in true spring. If it doesn’t, I’ll trash it in a post then.

It was sunny when I walked out the door, but I drove into mixed clouds in the ten-minute trip, and most of the excursion was spent in near-overcast. In scattered locations were trout lilies, an early bloomer in the region, and a handful of Virginia spring beauty (Claytonia virginica) blossoms peeking through here and there.

Virginia spring beauty Claytonia virginica
Green was barely visible anywhere, the ground was littered with fallen trees by the dozens, and there wasn’t a living thing to be seen. Worse, however, was the constant background whine of I-40, not far enough in the distance – not exactly the kind of mood you hope to evoke when hiking in a ‘remote’ area.

The sun finally did make an appearance after I’d made it down to the creekside, at least. I had hoped this was for good, because it had been chillier than I liked, and I’d dressed a little too lightly for the wind (I know better.)

creekside in scattered sunlight
Near the water, I could hear a red-shouldered hawk, a downy woodpecker, and a handful of songbirds, but got just the barest glimpse of the latter. The water was the most visibly moving thing, and that wasn’t notable.

Not ten minutes later, the sky clouded over with vigor and the wind started to almost howl, setting all the trees swaying and convincing me, despite the weather reports, that a storm was blowing in fast.

creek in overcast
fallen trees in park areaI’d checked the trail map before setting out and knew I wasn’t quite halfway along it, so I backtracked to take the shortest route back to the car. The entire way I listened to the wind whoosh and roar among the trees and, taking a hint from the voluminous fallen trunks, paid close attention to any sign of cracks or rumbles that might signify a tree falling – I did indeed hear one, far off to the side, but luckily saw nothing fall while I was out there. And it did start raining, but in a halfhearted manner that by itself wouldn’t have been enough to end my photographic efforts; coupled with the wind and overcast though, there was a threat of it getting much worse, plus the lack of anything interesting to be found, so I cut the trip short. I will return again in a month or so when things really start growing here, to see if the region gets a bit better, but overall, the conditions weren’t impressing me at all, and about the only thing I could hope for is that it’s a haven for deer or something; nothing that I saw pegged it as being a good habitat for much else, at least during the day. It might be a great spot for raccoons, skunks, opossums, foxes, and snakes, but they’re generally active at night and the area closes at dusk, like virtually every place within driving distance.

There’s one more aspect that gives it potential, however: while this region is literally overrun with hateful and ugly longneedle pines, just about every tree that I saw here was deciduous, and the guide says that it’s home to maples, oaks, and hickories. That means the spring and summer months may be fairly picturesque, but the fall might be among the best views within easy reach. The only other area that features a nice blend of trees is open to hunters as soon as it gets colorful, except for the weekends when then you have to contend with too many hikers, that don’t feel their dogs should be leashed. So a relatively unknown public area with a variety of trees is promising, at least.

The entry drive bordered an old farm meadow that was lined with blossoming trees (that I’m not going to bother identifying,) so I shot a couple of quick compositions on the way out, just because I didn’t want to ignore the meager evidence of spring that could be seen.

unidentified blossoming tree probably cherry
Okay, they’re probably cherries – looks about right for them, anyway.

Later the same day as the sun was setting, the wind was still gusting excitedly but the clouds were scattered, and I didn’t want to ignore the potential of a decent sunset, so I scampered over to the pond to see what was happening. This time I included my light jacket, but the temperature had dropped further than I thought and the wind made it pretty bitter out there – as The Girlfriend noted, it was easy to believe that it might snow, even though the temperatures weren’t predicted to come anywhere close. In the meantime, I watched the sky to see what would brew up.

low clouds near sunset
sun peeking through trees at sunsetThe scattered clouds were clearing fast, as it is wont to do at sunset around here, for some reason – my recent trip to New York reminded me that not every place is like this. I knew the low clouds might catch any kind of light as the sun rolled off over the horizon, so I kept watching. Meanwhile, as an illustration, the image at left shows the sun just barely peeking through the trees surrounding the pond, not yet technically “set” though having been out of sight for several minutes by this point. It was this kind of thing that prevented me from getting sunset pics for so long, because the close trees limit what can be seen throughout the area. Wide open spaces tend to work better, with of course some foreground interest, and this generally means open fields or lakeshores or beaches, none of which have been within easy reach where I’ve lived for the past, oh, sixteen years or so? I’ve done a few quick trips to local vistas for sunsets, and the wild variability of sunsets in general thwarted those attempts more often than not – that’s why I take advantage of the beach trips.

That one cloud up there wasn’t moving much, and no others were blowing through or developing, but at least it produced some light wisps at one point. This might have been a light rain shower, one that may not have even reached the ground, or it could only have been wisps too low to catch the sunlight anymore.

cloud with stray wisps at sunset
I remembered my own advice about watching all of the sky, in every direction, and could seem some thin scattered clouds hanging out near a bright moon. I was hoping that the sun would throw some nice color on them, knowing the moon would remain bright white in contrast, but as the light was reaching the right angle the clouds were vanishing, so all I got was the faintest hint of pink in the sky.

fain vestiges of pink clouds at sunset with gibbous moon
Meanwhile, that sole cloud in the west was disappearing itself, remaining around long enough to catch just a little more color from the evening – by itself pretty lackluster, but it served as a backdrop for the withering spring blossoms of a (still unidentified) tree on the pond edge.

withering blossoms against sunset clouds
Yeah, too similar to what I’ve done before, but the pond itself doesn’t have a lot to work with either, and only gets strong when a large portion of the western sky turns colors and reflects in the water. Even the geese remained put, and a lone cormorant wheeled against the blank sky as the last of the light was fading. Not a lot to add to the folders, and I’m glad I didn’t make a lot of effort reaching either of these places.

Even the moon phase doesn’t show a lot, being too close to full, but the details around the edges intrigued me, so not long before starting this post, I ventured out in full night and did a couple more frames at four times the focal length, just to try and feel like I got some keepers from the day. At the very least, the details from those were sharp, so I got that going for me. Which is nice.

waxing gibbous moon
But yeah, things aren’t going to be too exciting on this blog until the season changes a lot more. Perhaps not even then, but right now I can blame it on the winter.

On this date 10

unidentified insect trapped in tree resin
On this date, fourteen years ago (that makes it 2006, just so you don’t have to do the math,) I came across a future fossil, an insect recently trapped in tree resin. Okay, probably not. Probably not a future fossil, I mean, since to make amber, the resin then has to be preserved in certain conditions, and this particular situation did not have them – what you’re seeing here is almost certainly long gone. For the shot, I was using the Canon Pro-90 IS with a reversed Olympus 50mm attached for high magnification – if this frame wasn’t tightly cropped you’d see the vignetting it caused in the corners. And you probably already got this impression from the short depth of field, but this was a tiny subject, hard to pin focus upon, but I liked this frame because it focused instead on the lensing properties of the air bubbles within the resin. From the length of the legs and the habits of the species, this is quite possibly a mosquito.

I never backed off and shot a wider, more establishing view, a bad habit that I’m prone to, but I also wasn’t blogging then and didn’t have the habit of seeing any story potential in such shots. Still, I seem to recall this was in the yard of Jim Kramer, and subsequent frames in the folder lend weight to this. And no, I don’t know what you’re seeing magnified within that bubble. Looks like a tiny terrarium.

And another, even though I featured a similar frame back at that time.

long exposure of creek ripples by moonlight
This came from 2015, a spot that I’d frequented when I lived about three kilometers away, even though I’d moved much further off the year before – the conditions made it worth the return trip. We had a wonderfully warm evening with a bright full moon, which was an invitation for long moonlight exposures, and so Buggato and I did a late-night session by the creekside. Not a lot of ripples and no rapids at all, but it was within easy reach, and I’d never heard a banjo while there.

You might have expected this to look more blue, but that’s only because our own low-light vision lacks color reception – moonlight is sunlight reflected from a neutral grey surface and is pretty much the same color as sunlight. And yet, this still looks a tad yellowish to me, so I suspected that I might have had the white balance set for something other than full sunlight (which means neutral and uncorrected.) The EXIF info wasn’t a lot of help: it said white balance was ‘Manual (1),’ which is meaningless to me – I’ve used actual manual white balance, set by a card reading, I think once in my life, so I suspect it really means Sunlight.

Okay, I had to confirm this, and checked some recent images that I know were shot in that setting; yep, ‘Manual (1)’ really means Sunlight, no compensation or automatic correction by the camera. So the light then really did have a yellow cast to it, either from humidity or stray ambient light from other sources.

And in fact, we will revisit this idea of neutrality with next week’s episode. I know you can hardly wait.

I would have posted something new, but…

Man, you know how it is at that time of the year, where you’re getting out the holiday decorations while simultaneously putting away the decorations from the previous holiday? Yeah, of course you do, especially right now, because after yesterday’s holiday, today’s is Revisit Old Content Day. Back before the webbernets, this day was spent poking through unused recipes or overturning the screw-and-bolt jar, and before that, it’s rumored, shoveling the bones from the back of the cave to examine the charcoal drawings on the walls again – it’s a pretty damn ancient holiday, truth be told. But now that we have vast electrons and, I dunno, magnetic thingies dedicated to archiving our efforts without yellowing, we can simply go back to random entries on the blog to see things that we pretty much ignored the first time around, because doing it again is somehow less of a waste of time. Don’t ask me to explain it; it’s physics, I think.

But who cares about the history and mechanics of it? For the holiday, I present the Southwest Florida Eagle Cam, first featured here (well, not here, but you know, about 61 pages down that way) on December 29, 2016. It’s a live cam feed focused on a bald eagle (Haliaeetus leucocephalus) nest that is used every year.

https://www.dickpritchettrealestate.com/eagle-feed.html

This holiday actually highlights something curious, because normally, the young eagles would have hatched and perhaps fledged by now, since the first time I linked to the cam, the eagle parents already had eggs on the nest in December. But for reasons unknown (to me at least,) the first brood wasn’t viable – one egg never hatched, while the other did but the chick died at 26 days. The parents started a second brood, and the eggs are incubating at this point, due to hatch around the end of March. There is a countdown clock at the top of the page, as well as a chat window and a blog for further information. I’ll try to remember to post a reminder as we get closer to the hatching period – I could have saved this post for then but, you know, the holidays are imperative. And March does not have a Revisit Newer Revists of Older Content holiday – that’d be stupid.

But that isn’t exactly my content, so as an added holiday bonus, I link back to this post, which features an image that I still consider one of my best – and that tells you more than you ever wanted to know about me, I’m sure. At the very least, though, I do know that there are limited places where such a thing should be displayed, few contests that this even stands a chance within.

All right, fine. These are in the running too, and a little more socially acceptable. Okay?

It’s that time again!

Of course, I’m referring to February 29th being Annual Contest Submission Day, and you know me – I wouldn’t miss this one. But I’m having a little trouble deciding, so this time around, I’m soliciting some help in choosing. Since the intertubes is not very supportive of, you know, allowing people to express their opinions, I’m going to be magnanimous in opening this post up for such.

The contest is, “The Nature of Orange,” and the theme is, “Parks, Farms, and Trails of Orange County,” sponsored by the Department of Environment, Agriculture, Parks, and Recreations. This narrowed down my choices considerably, since most of what I consider my strong stuff (you know, like ammonia and forgotten cheese strong,) are either from outside the county, or were taken in my yard – since 2014, this hasn’t even been in Orange County because we moved (granted, the county line is literally within throwing distance even for me, but it still doesn’t contain the yard.) So right now, we have the possibilities below, though I have until the end of May to submit and may get some other options before then.

bluet Houstonia caerulea blossoms against sparkle reflection bokeh
I’m counting this one as a ‘trail,’ since it technically was, but not necessarily an approved or recognized Orange County trail – I’ll have to check. This unintentionally served as the first month-end abstract, several years ago; I noticed that two successive months featured abstract images on the last day, and a feature was born.

Contemplative Carolina anole Anolis carolinensis
Taken in the NC Botanical Gardens, I’ve always liked the anole’s expressive position, the defocus, and the colors.

tree in fog, red channel monochrome
From Mason Farm Biological Reserve, and it’s a ‘shopped version since it’s only the red channel converted to monochrome, but I see nothing restricting that in the rules. And since this is one of the nature areas that they’re encouraging people to visit (like the one above,) perhaps it has an edge in that regard.

bizarre fungus on treetrunk
Fond on the trunk of a tree in Anderson Park, I’ve always liked the textures of this one.

I could submit all four, since they allow up to five, and I’m going to sit on this for a little while to see if I get something stronger in the interim. Granted, I don’t think any of the images that I find the strongest were ones that I set out to do, that I intended to be compelling – they usually just happen that way, even though I may know it as I find it. Serendipity more than planning, is what I’m saying. So going out with the intention of getting something for a contest isn’t likely to work for me.

Here are a couple of initial Orange County selections that missed out due to the parks, farms, and trails criteria.

dewdrop on morning glory petal

dewdrops in spider webs with short focus

cryogenic aconite
And of course, anything not taken within Orange County, which is the bulk of my stock I think.

“Now, Al,” you say in that schoolmarmish way, “I distinctly recall you saying that you didn’t like contests.” Which is true enough; far too often, I’ve seen what’s won and wonder just what they were thinking. But I’m also trying to build more attention, and have seen the past winners and feel that the judges have some taste, and in fact, they’re looking for judges and I may apply to be one – if I decide to enter this year, then I’ll put off the judging option until next.

Anyway, feel free to comment at will, make comments about day jobs, and all that – I’m a big boy. No, wait, how did that go? I’m a big baby. That’s it.

Safari salama, February

wispy cirrus clouds with seagulls
Yeah, I’m not impressed with it either, but I have very few images from February that make good abstracts, and the better ones I’ve already posted. And this is with an extra day in the month to shoot in, too! Some of us just can’t work with deadlines.

Anyway, this is… I don’t have to explain this, do I? It is what it is. Better luck next month.

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