I had two other potential topics slotted in for this one, and had stalled in deciding which one to tackle, much less begin on. Then yesterday my gut decided I should be spending a lot more time in the bathroom, and I didn’t get to either of them. Finally stabilizing much later, I still decided to put the whole post off until today, and instead just started checking out Walkabout Estates by
Category: Reference
Numbers don’t lie. Do they?
I realize my posting has been pretty thin of late – still tackling home projects, still stalling on another video. And then I go off on these tangents that don’t help at all, but I want to put them down while they’re still fresh, so here we are.
While working on the post about Ultrafinitism,
Tip Jar 22: Condensation
Quick one this week – I think I mentioned someplace that I’ve been a little busy, and so too little time to prepare with images and so on. However, we’re just entering into the season for this in roughly half of the US, while the northernmost portions might see very little application of this advice, and the southernmost may have already been dealing with it. There are also times
Tip Jar 21: Not to worry
In going back through some of the things that I advise new photographers on, I realized there were a few things that I suggested not to be concerned abut, a whole list actually. So herewith, some of the things that you can put out of your head.
Equipment. A big one here, because it’s one of the most common misconceptions. While there is no doubt that better equipment can assist
Tip Jar 20: Modifying light
Learning how to manage light is an important part of getting the images that you want, and improving those subtle little nuances that can affect your images negatively. Yes, you can spend beaucoup bucks on lighting units and modifiers and reflectors and diffusers, and these will certainly make your life easier if you’re doing portraiture in a studio – but not so much
Tip Jar 19: Disconnect
From the title, some people may think I mean going ‘off-grid,’ disconnecting from social media and internet and so on, or even disconnecting from a regular job or routine pursuits. But I mean something much subtler instead, and that is, thinking in terms of the strictly visual and not the ‘object’ and ‘location’ aspects in our heads.
To illustrate
Where will it end?
I’ve had a topic sitting in my ‘Other Ideas’ file for a while now, waiting for me to tackle it, and in the meantime, an article popped up that, well, tackled it. Again, actually, because within my file were two links to different articles. They’re all related to a standpoint I fostered in a much earlier post, to wit: ‘Infinity’ is a pointless concept.
Now, the
Tip Jar 18: Back up!
If you’re pursuing anything even remotely ‘serious,’ much less as a profession or sideline income, some (a lot) of what you do won’t be the actual pursuit, but all of the supporting tasks that are required, and for photographers, one of those is ensuring that you always have backups of your work. Hard drives fail, sometimes without warning, and of course
Tip Jar 17: Stalking
If you’re like me, even as often as I do it I still picture something like Elmer Fudd when I hear this word, or someone creeping up with a detached bush as camouflage while pizzicato strings play with their footsteps (I think that’s the term, but I’m not a music person.) This is misleading, even in the circumstances when it’s not entirely inaccurate, and
Tip Jar 16: Moving water
While some consider it trite, there’s still a fascination and popularity with the effect of moving water in images, and so, here are some pointers for tackling this on your own.
The primary bit, of course, is a slow enough shutter speed to have noticeable water motion to blur it out, but of course, everything else being sharp. This generally means shooting from a firm tripod, though I have