It’s overcast and rainy, so no showers

Got a glimpse of a star the other night, but other than that, it’s not the time to be trying to view a meteor shower, much less three of them. I’m not sure why I even post about them anymore.

Worse, it’s still hot as hell during the day – the rain comes in the evenings, but even then it doesn’t really cool anything off, the largest part of the reason why there have been no posts. But something’s in the pipeline at least, so you’ll have a new topic for the break room at work pretty soon. Patience.

Showers predicted, if it’s clear

There are two meteor showers peaking soon, the Delta Aquarids and the Alpha Capricornids, though both are taking place as you read this and have been for several days now – they tend to spread out a bit. Notably, the moon will be new on the 28th and is plenty dark now unless you’re up at like 4 AM, even then being a mere crescent, so provided the skies are clear in your area, the moon won’t be interfering at least.

Around here, the humidity might be, but I’ll still likely give it a try at some point. Neither shower is predicted to be elaborate, though the Delta Aquarids can sometimes leave momentary trails behind. We’re also overlapping the earlier stages of the Perseids, which typically perform better, but again, early stages – their peak falls around the time of the full moon in mid-August, so you might as well try now.

As always, I’ll be here to show you what I captured, if anything, but don’t get too excited – my past experiences haven’t been remarkable in any way. One of these days…

Visibly different, part 30

We’re gonna jump the gun a little here and not post this on Tuesday as normal, because I’ve been putting this together over a period of weeks and don’t want to delay it even a couple more days. So let’s see what our opening image is.

North American beaver Castor canadensis peeking out from under log
This dates from 1991 and is a negative of course, not too long after having moved to North Carolina. I discovered, quite by accident, that the creek behind the apartment complex hosted North American beavers (Castor canadensis) by hearing noises in the tall weeds near the banks and coming across an absolute monster, at least 18 kilograms in mass, who was not at all concerned about my presence. I was not armed with a camera then, so it took several more weeks before I found they were still active briefly after sunrise and began staking them out, resulting in the image above. At that time, this was with the Wittnauer Challenger rangefinder with its 50mm lens, so getting this close was actually an accomplishment – granted, the first encounter would have yielded a better pic than this, and convinced me to carry the camera more often.

From the same roll, we have the typical view, a head plowing shallow ripples silently through the water.

North American beaver Castor canadensis cruising through creek
This eventually led to my joining the Beaver Project when I was employed by the local humane society, and despite observing lots of habitats, as well as doing dam remediation and giving public talks, the opportunities for more photos were few and far between. All told, less than a dozen images accumulated in a 30-year period. But that brings us to now.

tight portrait of North American beaver Castor canadensis gnawing on bark chip
It started in February, and saw some some decent improvements in May, but I’ve been pursuing the images and video as we go, fitting it in where I can. The Mammals folder in my photo stock has undergone a significant expansion, and the video clips have exploded. So let’s see a few more of those, and the new discoveries; settle in, it’s not brief.

While I should probably have spaced these out into multiple, smaller/shorter videos, I knew about the baby beaver and was endeavoring to obtain some slick footage – this took some time. I feel the need to point out that, in the past two months, the weather has cooled down once, for a couple of days, so all of these were obtained in sweltering conditions, thus the video title. I finally got some nice clips only a few days back and felt I could continue with the video editing, which by now had grown to a serious collection (there are 36 separate clips in there, spanning a few weeks, and those are just the ones I selected.) And of course, the video techniques and accoutrements are expanding, slowly perhaps, but progressing nonetheless – there may be another post regarding some of the details.

Here’s a better peek at the rig and conditions (and my yarmulke,) courtesy of The Girlfriend:

author behind telephoto camera rig with North American beaver Castor canadensis seen in background, by The Girlfriend
This was a fairly typical working distance, though perspectives and viewing angles changed a lot. The fuzzy thing above the camera is a ‘dead cat’ wind muff for the microphone (the little green light) and not my hairpiece blowing away. Shithead.

Still, a few details can only be glimpsed in the video, and I have some ancient photos that show things (slightly) better. Not only are these dating from 1992, they’re copy slides of original negatives which causes significant degradation and color shifting – this is as good as they get (and I did indeed look for the original negatives, but it seems they were lost somewhere along the way.)

detail of foreclaw on deceased North American beaver Castor canadensis
This is an illustration of the foreclaws, showing their powerful nails for excavating burrows in the banks. I don’t recall the exact circumstances, but this beaver was deceased and undergoing a veterinary exam, and I was able to get a few frames for exactly this purpose (though how I knew 30 years ago that I was going to do this post remains a mystery.)

hindclaw of deceased North American beaver Castor canadensis
And this is the hindclaw, showing the strong nails but especially the webbing – the hind feet are the principle propulsion when swimming. We noticed something while observing the baby beaver: while the adults could swim smoothly and glided through the water, the baby tended to kick harder and thus moved a little jerkily, allowing us to differentiate who we were seeing when the size and scale were impossible to tell.

This specimen, by the way, is fairly comparable in size to the male seen in the video.

tail of deceased North American beaver Castor canadensis
The tail of course, and it’s just as leathery as you might imagine it, with limited flexibility, a lot like a diving fin. I don’t believe there are any muscles through the tail, just at the base of it.

teeth of deceased North American beaver Castor canadensis
The powerful and very sharp teeth, which continue to grow during the beaver’s lifetime and are worn down constantly by all the activity. I had a beaver skull at one time (actually, it may well have been this one) and can tell you that the lower incisors extend way down into the mandible. But that color is only on the front surface, a thick layer of enamel, while the inner portions are softer and wear faster, naturally producing the necessary chisel shape.

Certainly a noticeable improvement, and it didn’t build slowly over the years, but blew up suddenly when a prime opportunity and conditions fell together; I now have more activity and behavioral images/video of the beavers than all previous efforts with both the mantids and the treefrogs, which dominate my stock solely from being readily found in the yard. Apples to oranges of course, and behavioral photos of beavers always remained a goal (like most local species) but never an immediate, driving one. Yet if the wind blows that way, I’m along for the ride.

closeup profile of North American beaver Castor canadensis

Just shirkin’

Some activities, I can only tackle for so long before I have to take a break, and that may not be very long at all. Up until a month ago, I might have said this included, “Standing in a lake waiting for a neurotic baby bird,” (though that’s probably more specific than I would have been,) yet we see how that worked out, so maybe I should buckle down more. But then we wouldn’t have these.

It was still my ‘last night’ even though it was early this morning when I’d had enough of editing for a bit and stepped outside. The moon was just rising, so I made a session out of it – not very long, and I think this is the first moon I’ve shot since the eclipse. No, wait, that’s not true – it’s the first I’ve shot since the neurotic baby bird. Anyway:

last quarter/waning crescent moon
Nope, not the right time to catch sunrise/sunset on Tycho, which I probably should seek therapy about – Tycho is that crater down a little too far from the terminator towards the bottom, with the deep shadow that denotes high, sharp crater walls. It’s not very big really, and only seems prominent because of the ejecta rays visible in near-full phases. Still, the overall detail of the moon is nice, and the color indicative of the rising humidity that has made it overcast this morning. And, I did catch the last vestiges of sunlight on the central peaks of Purbach and Regiomantus craters, so I can feel accomplished about that (which someone needs to send me a little gold star sticker over, thank you very much.) To illustrate:

sunset on Purbach and Regiomantus craters on the moon
This is the kind of conditions that I try for at times, because it’s almost not clear that there is still light hitting those central peaks – I know with my monitor, it can disappear with a slight change in viewing angle. But the drastic overexposure that I took immediately before shows it a bit better:

sunset on Purbach and Regiomantus craters on the moon more visible in overexposure
full-frame shot of moon scaled to viewfinder sizeIt was this frame that made me go back and look at the ‘properly’ exposed version; I’d thought I was seeing a few different central peaks in the viewfinder, but it turned out to be just the mostly-flat floors of a couple different craters, including those towards upper left. Even with the 2x teleconverter, the details of the moon are small, and I struggle to pin down the sharpest focus in the viewfinder, because autofocus is too imprecise. But these were so dim that there’s no way I was spotting those peaks – the image at right is pretty much what I was seeing, or at least it is if you have roughly the same monitor size and resolution as I do, which is unlikely, but what do you want from me?

I have the drastic overexposure because I was playing around with another subject while I was out there, which required a much higher ISO to capture in a short-enough shutter speed before it moved again.

eastern cottontail Sylvilagus floridanus exposed by streetlight
The rabbits – specifically the eastern cottontails (Sylvilagus floridanus,) have been constant visitors to the yard as soon as it’s dark enough, and they’re so used to me being out there now that they only scamper off if I’m moving too quick, too close, or making too much noise, which is rare. This one was in the neighbor’s yard instead, about six meters off, well aware of my shenanigans with the camera and tripod – it was wary of me, though the movement that I was trying to thwart was not of it fleeing, but putting its head down to snag more clover. The light was from the streetlamp, closer than I’d prefer really (I’d rather have it dark in the yard,) but the catchlight in the eyes is from the neighbor’s porch light. Not too shabby for, you know, ambient light at two AM.

Anyway, back to the grind.

While it’s still today

Just a couple-three images from today, before it’s not anymore. I could be doing video editing, but the posts have been thin, so…

very young Carolina anole Anolis carolinensis on rabbit statue
Going out to do some work on the car this morning, I espied this little guy and had to go back in to get my camera. By now you know this is a Carolina anole (Anolis carolinensis,) but to be honest, I’m not sure if this is the same guy that I photographed on the neighboring pelican statue (this is a rabbit, in case it’s unclear,) or the second anole bebby that I spotted some days back, or even a third one – it seems even smaller than I recall, especially when I expect to see them getting a little bigger each time I spot them, but who can tell? Makes no difference anyway – they’re quite welcome no matter how many, even when they seem to think that they’re not somehow. This one was already turning away to plot its escape route.

Then this evening, I was working on the computer when the lightning alert came through, and I looked at the activity band and the weather radar, suspecting there might be a show down at Jordan Lake, so I collected the Illustrious Mr Bugg and we went down there to see what was happening.

lightning over Jordan Lake
The activity was clear as we were driving down there (it takes about fifteen minutes,) but it was tapering off by the time we could set up. Still, a few good flashes were able to be captured, and this one is my favorite, even getting a little cloud definition in there from the light of the bolts.

Curiously, there was no evidence of ground strikes the entire time, nor even any recorded on the lightning trackers, but if we get nice cloud-to-cloud stuff like this, I’m good with it. The wind coming off the lake was fierce, stronger than most ocean winds that I’ve experienced, though not at all uncomfortable – the temperature dropped a couple of degrees at most while we were out there. But it had an unintended effect that I would rather not have had.

lightning image multiplied by wind shake
None of the discharges were long or flickering, as lightning will sometimes display – they were all singular flashes. So seeing this multiple image (this is almost full-resolution to illustrate it clearly) was very curious, especially since I have it in more than one frame. It’s simply evidence of the strong wind vibrating the tripod, even in the brief duration of the lightning burst, which is impressive. One frame, I might have credited to bumping the tripod, but I’m pretty careful about that and was using the remote release. The wind was so fierce, however, that conversation was challenging, so I can understand this, but I still would rather not have had it. Ah well.

Okay, back to editing…

Visibly different, part 29

Slightly different take on things this time, and multiple meanings to the title. We open with an image from exactly ten years today, of a species that I was not familiar with at the time.

[I admit that I initially wrote this months ago, and then realized the dates would line up and shelved the post until now, because why not?]

adult female magnolia green jumping spider Lyssomanes viridis with egg cluster on underside of leaf
Finding this by chance on the underside of the leaf, back in July 2012, I was impressed with the almost-fluorescent nature of the eggs – they may, in fact, be faintly fluorescent in UV light, but I didn’t have the ability to check. This was a hint of some of the qualities of the magnolia green jumping spider (Lyssomanes viridis,) but not of the most distinctive trait. What I didn’t realize was, I’d already captured an indication of this trait two months earlier, but the connection wasn’t made yet.

In October of that same year, I found another, this time showing how their translucent body helped them hunt under leaves without being detected easily.

magnolia green jumping spider Lyssomanes viridis with light showing through
Their pale color blends in well with the paler leaf undersides, and their transparency helps disguise them further, especially the telltale nature of their legs. Here you can see the eyes are a faintly different hue, but nothing of the really cool detail that I happened upon the following year.

magnolia green jumping spider Lyssomanes viridis showing independent retinal motion
Most, if not all, jumping spiders have this trait, but since their corneas are fixed with the chitin, they move the interior of their eyes instead to focus and discern depth, and they can do this independently – it’s just that the light passing through the magnolia green allows us to see this. And it’s extremely weird to see the apparently floating dark discs of the retina wandering around within. Granted, you do have to be close to see this, since they top out under 10mm in body length.

But this started a quest to see more of these, perhaps even capture it on video, and as luck would have it, they seemed semi-common around the new place when we moved. I was even able to find a tiny little juvenile…

juvenile magnolia green jumping spider Lyssomanes viridis on parsley leaf
… as well as getting the same specimen onto the measuring scale long enough for a couple of frames…

juvenile magnolia green jumping spider Lyssomanes viridis on millimeter scale
But the real accomplishment came due to two factors: housing a few adults in a small terrarium, and digging out an old digital USB ‘microscope’ since I did not yet have a camera body with video capabilities (despite the enormous income that this site engenders.) When one of my captives snagged herself a midge that I’d introduced, I had remarkable luck in getting her out of the terrarium, leaf-sprig and all, and onto my desk in front of the camera without any of umpteen things going wrong. This allowed for some nice closeups while she concentrated on her meal.

magnolia green jumping spider Lyssomanes viridis with unidentified midge prey
And she was even complacent enough for me to switch rigs.


I’m not sure I can express how lucky this was. Jumping spiders are next to fearless, but also a bit hyperactive, and within seconds will often wander off or leap away from whatever location they’re within, up to and including onto the camera itself. This necessitates capturing them and putting them back where the camera and lights are, whereupon they often seem to realize that they were already here and move even quicker to depart. Of course, being this small means that you can’t even grasp them with tweezers, but usually have to slide a small card underneath them and transport them that way, and they’re well aware that they’re not restricted in any manner – I’ve had some rodeos that would probably have been quite amusing to watch. Yet my video subject here not only remained in place while the leaf she was on flew through space, she even allowed herself to be turned around gently (this being accomplished with gentle nudges from a bit of pinestraw.)

Further accomplishments involved catching one in the final stage of molting…

magnolia green jumping spider Lyssomanes viridis in later stage of molting
… and a nice closeup where one showed off her fangs (chelicerae):

magnolia green jumping spider Lyssomanes viridis showing fangs
My goals, at this point, would be to get video of more complete behavior, which would require extensive stalking out in a prime location, or the construction of a more elaborate terrarium, one that would allow natural behavior and minimally restricted access for videography, a tall order. Not helped at all by the numbers of the magnolia greens being reduced the past couple of years – perhaps the neighborhood is getting a bad rap.

BIAB: You’ve been…

I don’t actually care if you’ve seen either or both of these videos before – they deserve another look if you have, and if you haven’t, I’m pleased to introduce you to them.


Okay, the chances are fairly good that you’d already heard that one; I’ve known about it for a few years and I don’t even do the social media horseshit thing. It’s a duo (Stjepan Hauser and Luka Šulić) known as 2Cellos, and they’ve been doing rock and pop covers on cellos for most of their career – it’s probably safe to say it is their career.

But then there’s this one:

H/T Miss Cellania

The artist’s name is Moyun, and I can’t tell you much about her except that the instrument is a guzheng, a type of 21-string Chinese zither and, according to my source, she always appears with her face covered – her official YouTube channel is here.

A small thing that I noticed: The handle that she uses at the beginning is simply a tuning wrench, and she’s re-tuning a particular string to get the tremolo down, solely because her other hand is so busy – you can see later on that she accomplishes the same thing with her left hand.

What’s impressive about both videos is that, not only do they play the notes provided by the lyrics in the original song (which, I guess I should say, is ‘Thunderstruck’ by AC/DC,) they also play the parts of several instruments: lead guitar, rhythm guitar, bass (guitar,) and drums – that’s outstanding. Moyun also taps out a rhythm with the fingerpicks on the outside of the sound board.

Of course, the above artists chose this particular song because ‘Thunderstruck’ is both recognizable and iconic. It’s been said that AC/DC has been “playing the same song” for years – at least, most of their lineup is instantly recognizable as theirs – but everything came together extremely well for this track, and while Brian Johnson has a voice that sounds like someone doing a bad impression of Gonzo from The Muppet Show, he knows exactly how to use it to best effect. The lyrics, while not terribly poetic, nonetheless form a distinctive melody that’s just as much a riff as Angus Young’s lead guitar, necessitating their use in the above instrumental covers – it’s not ‘Thunderstruck’ without being able to hear, “Broke all the rules, played all the fools,” in there.

Now I need to look up if ‘Thunderstruck’ has been covered more times than ‘(I Can’t Get No) Satisfaction’ by The Rolling Stones…

Freeze!

I haven’t been shooting much recently, and a longer post in is the works but might be some time yet, so we have a little trivia for the moment.

The post title was the topic of a photo challenge thing I was participating in nearly twenty years ago – god I’m old (it just doesn’t seem like that long ago, but this is from 2004, so…) The premise was, every two weeks we’d get a simple mandate, chosen by round-robin among the participants, and we’d see how each of us would decide to interpret it. As usual, I considered a few different options before settling on my final choice, then set about trying to successfully portray it. This was in Florida, in May, so the more obvious interpretations were off the table.

At the time I was using the borrowed Sony F717, and here’s the thing about the earlier digital cameras: they had a shutter lag, a brief delay between pressing the shutter release and when the photo would actually be taken. This was measured in mere fractions of a second and wasn’t variable, but when it came to crucial timing, this had to be taken into account – or otherwise dealt with. What I had planned required timing down to milliseconds, as well as an exceedingly brief exposure (‘freezing’ the action,) not to mention that I had to trigger the event and the camera manually, not quite at the same time. So it was time to get tricky.

The thing about exposure is, it does not have to be controlled by the shutter; the shutter is just a manner of letting in the right amount of light, but this can be done in other ways. I arranged my set and materials and posted a strobe unit on a light stand close to the subject, then turned off all the lights (it helped that I decided to do this at night so turning off the lights made everything quite dark.) I then set the shutter speed on the camera for a few seconds. Get everything ready, trigger the camera, initiate the event, then trigger the strobe almost immediately afterward. The brief duration of the flash served as the exposure while simultaneously freezing the event at a crucial point.

I’m being vague, so let’s see what I’m talking about.

ice cube frozen in mid-air after bouncing in water puddle
The ice cube was a given of course, but I wanted the splashing water droplets, so I had to drop it into a small puddle of water and catch it as it rebounded; very fine timing between dropping it and triggering the strobe just after it bounced. I probably don’t need to say this, but it took a lot of tries, dozens I think. A few would have been successful if the ice cube hadn’t spun madly from hitting the counter obliquely, blurring it even in the brief flash duration. Each time, I had to ensure that there was an adequate water puddle beneath it, so frequent wipe-downs and re-dribblings were required. After the initial tests, I realized the water drops would show better against a dark background and used a piece of black plastic for the backdrop. A few tests were even spent determining the proper flash strength – strobes with manually variable output are immensely useful at times, but if you lack one, remember that distance and angle can adjust the light levels, as well as something as simple as a tissue over the flash head. It would also have looked better with a truly cubic ice cube, and/or a clearer one, but this is what came out of the plastic tray in the freezer.

Did all this effort garner me money and acclaim and swooning women? Yeah, right. I think some people liked it, but I don’t recall anyone being blown away, and the numbers of newborns named, “Al,” did not jump in the following year, so make of that what you will.

Visibly different, part 28

great egret Ardea alba on Captiva Island beach framed among driftwood
This is from 1995, though I’m not sure which month – I have nothing, no events or even photographic references, that I can connect to dependably, yet I’m going to say spring just for the hell of it. I was on my first unaccompanied tour of Florida, at this point on a beach on Captiva Island, and recognized the framing opportunity that I had with the great egret (Ardea alba) and the driftwood (Egisse lignum) – it was among the first images that I recall taking with the intention of making something fartsy and worth framing or display. It would have helped if I’d had better light conditions, or been using much better film, or even if I’d done the negative scan better – this is a very old scan (2002 I believe,) and while I undoubtedly have the negative in a binder behind me, I really don’t feel like redoing the scan for this post, since I know there’s only so far I could bring it up anyway. Nonetheless, it did display on my ‘beach’ wall for several years, even though I look at it now and go, “Yurgh…”

Now, here’s the thing: composition-wise, I’m not sure I would do something significantly different today, given the same tableau – I like the driftwood as a framing element and the depth-of-field is fine, so I probably would only shift position slightly to de-center the egret, and perhaps wait for different head positions or another bird to fly past in the background. Color-wise, I’d certainly be getting better results, even with the slide films that I’ve largely abandoned now, and I would most likely be out near sunset for visiting this gulf-coast beach, hopefully with far less overcast conditions. I was concentrating on photography for this trip, but not meticulously planning my timing as I tend to do now. Still, this was just casual poking around, so perhaps I’d still only grab frames as they presented themselves.

Let’s jump ahead 21 years now.

sunrise on North Beach Jekyll Island among standing driftwood
This is instead Jekyll Island, Georgia, and the image still displays on our walls, a large canvas up over the fireplace. I knew the scenic opportunities of this location, and set my alarm to get up way before sunrise to have time to hike down to this location and be there at first light, which is roughly 45 minutes before the sun actually breaks the horizon. No grab shot here – I ambled back and forth a bit to find the layout that I liked best with the three trees, and even though the sunrise didn’t do anything too elaborate, shooting wide at least captured the gentle gradients of the sky, while I recognized the emphasis of the tree limbs towards the right and used that accordingly. For a lot of other frames I chose that furthest tree to use in different ways, much closer to the camera. I do have to note that the tropical storm that blew through the following year toppled all of these trees and so this particular composition isn’t going to be duplicated.

The question remains: will I one day look at this frame and go, “Yurgh,” as well? My instinct is to think, No, it’s pretty strong as an image, I won’t ever be able to dismiss this readily, but at the same time, if I did progress that far artistically, I’d be pleased with myself. Only time will tell.

*

[I have to note that I went to three different online English-to-Latin translators to produce a Latin name from “drift wood” up there, and two said summa silvam while one said egisse lignum, which I liked better. A botanist might tell me that the real name is Juniperus communis mortid or something, but whatevs.]

You guys are late

I think, anyway.

Over at the neighborhood pond the other evening, right as the beavers would be making their appearance (and were,) my attention was distracted by a pair of subjects quite close by, and so I switched focus over to them.

pair of juvenile green herons Butorides virescens newly fledged
This is a pair of juvenile green herons (Butorides virescens,) and judging from their appearance and behavior, they’d recently left the nest – like, that day, I’m guessing. This was surprising to me, because I thought the species would have nested and fledged out weeks ago, but perhaps this is a second nest after an unsuccessful first? I’d already seen evidence this year of young ones sticking around the tree that hosted a nest in years past, but this was in an entirely different location, and I haven’t (yet) spotted this nest even though, given their predilection to remain locked to this one longneedle pine tree, it’s in there somewhere. Regardless, the video does a better job of illustration, despite my horrible videography skills.

[If it seems like I’m terrible at finding/tracking, bear in mind that I’m still required to use the LCD on the back of the camera for video work, and this destroys my aiming instincts, made much worse by working at high magnification; I’m a little slicker with my eye to the viewfinder at least, and I might get better with more practice. While I have an external monitor that I could be using, this would likely make it even worse because it would be significantly misaligned from the camera and lens axis. Meanwhile the microphone, while on a separate arm and a vibration isolating mount, nonetheless picks up a little too much camera noise, especially from zooming and loosening the ballhead lock, and I’m not sure how much I can do about that, but I’m looking into it.]

We’ll close with one of the images that you hear being snapped during the video recording, a portrait that seems way out of proportion to all the framing adjustments I was making because of numerous intervening branches and the constant repositioning of the birds, not to mention the fading light. I’m good with it.

pair of juvenile green herons Butorides virescens posing quite well

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